Monday, October 23, 2017
Tyler Perry's Boo 2! is #1
For the weekend of October 20-22, 2017, Tyler Perry scared away all newcomers with Boo 2!, a profitable Madea outing savaged by critics. With Perry, the Rotten Tomatoes ranking never seems to matter.
The most expensive opener was Geostorm, a disaster movie from Dean Devlin,who usually produces these sorts of things (Independence Day 1 & 2, Godzilla) but now he's directing. Most people could see the stench on this project from a mile away, or six months ago, around when the first trailer came out.
The best reviewed movie of the weekend was Only the Brave, but the generic hero title probably didn't do it favors.
Meanwhile The Snowman and Same Kind of Different as Me were other poorly-reviewed titles that should disappear quickly from theaters.
In limited release, Wonderstruck and The Killing of the Sacred Deer had solid per-screen averages, as well as the documentary Jane, about Jane Goodall.
Kingsman: The Golden Circle can now claim to be profitable. It's grossed over $340 million worldwide.
Opens October 27
JIGSAW with Tobin Bell, Laura Vandervoort, Callum Keith Rennie and Brittany Allen.
SUBURBICON with Matt Damon, Julianne Moore, Oscar Isaac and Glenn Fleshler.
THANK YOU FOR YOUR SERVICE with Miles Teller, Haley Bennett and Amy Schumer.
Wednesday, October 11, 2017
Valerian & the City of 1000 Planets - Movie Review
Starring Dane DeHaan, Cara Delevingne, Clive Owen, Ethan Hawke, Rihanna, Herbie Hancock, Kris Wu, Sam Spruell, Rutger Hauer and John Goodman.
Written & Directed by Luc Besson.
★★½
The director of The Fifth Element gets even more crazy in this visually wonderful, narratively clunky movie that goes to some weird corners of the galaxy to tell its unique tale. In many ways, I admire some of the original avenues it wanders down, though ultimately its shallow story and questionable casting prevents it from being a hit.
I'm debating whether or not to even explain the plot. The plot doesn't really matter. We see an alien homeworld where everything is peaceful, like the Na'vi on a beach. Then a space battle above results in ships crashing into their ocean, on to their shores. Most of them are wiped out. That's the prologue. We cut to Valerian and Lauraline, a boyfriend-girlfriend unit where he also outranks her, and they're basically space cops. Eh, it doesn't matter. It's an excuse to go from world to world, retrieving a Macguffin to save the universe. Something like that.
The fun parts are the detours. Ethan Hawke popping up as some sort of space pimp, introducing Valerian to a shape-shifting erotic dancer whose favorite form happens to look just like Rihanna. There's another scene where Lauraline gets stuck in the cosmic kitchen from hell. There's a dimension-hopping chase scene. This is a video game I want to play.
Dane DeHaan is usually best as creeps. He doesn't have the Young Indiana Jones charisma the role of Valerian would call for. Let's just say Cara Delevingne as Lauraline fares better here than she did as Enchantress in Suicide Squad. There's not much chemistry between them, and I would have been cool with Valerian getting killed off halfway through and letting Lauraline finishing the adventure herself. I should be rooting for these two like Han and Leia, or Wesley and Buttercup, or Clark and Lois. Didn't really care.
If you missed it on the big screen, and you still want to see it, see on the largest TV or monitor you can. Otherwise you'd miss its point of existing.
Written & Directed by Luc Besson.
★★½
The director of The Fifth Element gets even more crazy in this visually wonderful, narratively clunky movie that goes to some weird corners of the galaxy to tell its unique tale. In many ways, I admire some of the original avenues it wanders down, though ultimately its shallow story and questionable casting prevents it from being a hit.
I'm debating whether or not to even explain the plot. The plot doesn't really matter. We see an alien homeworld where everything is peaceful, like the Na'vi on a beach. Then a space battle above results in ships crashing into their ocean, on to their shores. Most of them are wiped out. That's the prologue. We cut to Valerian and Lauraline, a boyfriend-girlfriend unit where he also outranks her, and they're basically space cops. Eh, it doesn't matter. It's an excuse to go from world to world, retrieving a Macguffin to save the universe. Something like that.
The fun parts are the detours. Ethan Hawke popping up as some sort of space pimp, introducing Valerian to a shape-shifting erotic dancer whose favorite form happens to look just like Rihanna. There's another scene where Lauraline gets stuck in the cosmic kitchen from hell. There's a dimension-hopping chase scene. This is a video game I want to play.
Dane DeHaan is usually best as creeps. He doesn't have the Young Indiana Jones charisma the role of Valerian would call for. Let's just say Cara Delevingne as Lauraline fares better here than she did as Enchantress in Suicide Squad. There's not much chemistry between them, and I would have been cool with Valerian getting killed off halfway through and letting Lauraline finishing the adventure herself. I should be rooting for these two like Han and Leia, or Wesley and Buttercup, or Clark and Lois. Didn't really care.
If you missed it on the big screen, and you still want to see it, see on the largest TV or monitor you can. Otherwise you'd miss its point of existing.
Friday, October 6, 2017
Annabelle: Creation - Movie Review
Starring Stephanie Sigman, Anthony LaPaglia, Lulu Wilson, Talitha Bateman, Miranda Otto and Samara Lee.
Written by Gary Dauberman.
Directed by David F. Sandberg.
★★½
The first Annabelle movie profited from goodwill from The Conjuring franchise. It made enough money to justify a sequel, even though it was terrible. The sequel is a vast improvement primarily due to getting a new director, David F. Sandberg (Lights Out).
This is actually a prequel to a prequel. Don't get those often.
A little girl named Annabelle is killed by a car. Years later, her grieving parents open up their home as a boarding school for a group of Catholic girls, with one supervising nun. The girls start hearing things going bump in the night, and there's one particular doll that seems to move around on its own.
The dialogue here is as bad as the first movie, but the jump-scares are much more effective.
Wednesday, October 4, 2017
Kingsman 2 hangs on to #1 at box office
For the weekend of September 29-October 1, 2017, Kingsman: The Golden Circle managed to hold off American Made to stay #1 for the second week. Kingsman is already almost to $200 million worldwide and is on pace to be profitable.
American Made, following The Mummy, demonstrates that Tom Cruise isn't as bankable as he used to be in non-Mission Impossible movies. He's still big overseas, so this'll eventually break even (as did The Mummy), but it's the lowest domestic opener for him since Jack Reacher.
Flatliners had bad reviews and a weak opener and I imagine it will disappear from our collective memory the way unmemorable remakes like Fame and Footloose have. Other new releases (Til Death Do Us Part, A Question of Faith) didn't make much of a dent.
It continues to be a juggernaut, grossing over $550 million worldwide.
Battle of the Sexes and Stronger are getting great reviews, but they haven't been able to find their audiences. Victoria & Abdul is staying strong after adding some screens.
Opens October 6
BLADE RUNNER 2049 with Ryan Gosling, Harrison Ford, Robin Wright and Jared Leto.
THE MOUNTAIN BETWEEN US with Idris Elba and Kate Winslet.
MY LITTLE PONY with the voices of Emily Blunt and Kristen Chenoweth.
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