Sunday, February 20, 2022

Texas Chainsaw Massacre - Netflix Review


Starring Sarah Yarkin, Elsie Fisher, Mark Burnham, Moe Dunford, Jacob Latimore, Olwen Fouere, Nell Hudson, Alice Krige, and Jessica Allain.
Written by Chris Thomas Devlin, Fede Alvarez & Rodo Sayagues.
Directed by David Blue Garcia.

★★

Well, I guess it's about as good as any other TCM sequel. Which isn't saying much. I've see almost all of them. The only one I haven't seen is the one with Matthew McConaughey and Renee Zellweger. 

The original had that creepy surprise, not just of Leatherface, but there was this whole family of messed-up psychos. This outing is claiming to be a sequel to the original while ignoring all the other ones, like Halloween did a few years ago. It tries so hard to copy the Halloween model that they give Sally, surivvor of the original, the same long white hair Jamie Lee Curtis sports. But it also misses on being an actual sequel. In this one, Leatherface was in an orphanage. Huh?

This one centers on four idyllic college students who are seeking to resurrect a ghost town in rural Texas and turn it into some sort of utopian commune. Naturally the locals lay their accents on thick so that these city-slickers know their kind ain't welcome here. The trouble begins when they dfind that one resident, the old owner of the orphanage, has not vacated, and she has a silent giant who stands in dark shadows in the background. When the old woman dies, the giant loses it. He removes someone's face and wears it as his own, then goes to find his long-hidden chainsaw.

The gore is as extreme as gorehounds could hope for. There's one scene on a bus where passengers are sliced in every way one could be with a chainsaw. 

It's not the worst of the Chainsaw sequels/remakes, but this franchise to me is like Terminator. Just let the thing die already. Unfortunately it'll probably do well enough on Netflix that we'll get another in 2024.

Saturday, February 12, 2022

Big Bug - Netflix review


Starring Elsa Zylberstein, Isabelle Nanty, Stephane De Groodt and Claude Perron.
Written Jean-Pierre Jeunet & Guillaume Laurant.
Directed by Jean-Pierre Jeunet.

★★

French sci-fi is so weird. Picture a movie that decides to combine The Fifth Element with the Black Hole Sun music video, but with a $7 million budget and largely in one setting.

The garishly colorful comedy takes place in a near future where humans have abdicated most of their daily chores to AI robots, including government. A group of people find themselves trapped in a house when the robots in charge detect a threat level outside, and now two of the humans with a plane to catch can't get out.

There are plenty of ideas bouncing around here, but for every clever one, there are two that are obnoxious. It's the kind of movie where you'll know in the first few minutes if you're going to like it or not. Director Jeunet usually has a fun flair visually (Amelie), but here he goes gaudily overboard.

At least it tried to be original, but I really can't think of to whom I could recommend this.

Thursday, February 10, 2022

Hotel Transylvania: Transformania - Movie Review


Starring the voices of Andy Samberg, Selena Gomez, Kathryn Hahn, Jim Gaffigan, Steve Buscemi, David Spade, Keegan-Michael Key, Brian Hull, Fran Drescher and Brad Abrell.
Written by Amos Vernon, Nunzio Randazzo & Genndy Tartakovsky.
Directed by Derek Drymon & Jennifer Kluska.

★★

It wasn't until I was a few minutes into the movie when I realized Adam Sandler and Kevin James were not providing their voices this time around. Oh, no WONDER this skipped theaters and went straight to Amazon Prime!

These movies have always been frantic, but compared to the crack-fueled kinetic speed of this one, the first three movies look like models in subtlety. This movie is for kids who put sugar on their Fruit Loops in the morning. It makes Ren & Stimpy look like Studio Ghibli.

Here, Dracula is looking to retire, but he can't bring himself to leave his hotel to his daughter and son-in-law Jonathan just yet. In fact, he lies about a clause that says he can't transfer ownership of his hotel to a human. Jonathan then decides the best way around that is to turn himself into a monster. Hijinks ensue.

My kids laughed a few times; it's so hyper-obnoxious I kept hoping it'd find some scenes where it would calm down. It never did. It's funny though, cuz Brian Hull does a decent vocal job of mimicking Sandler, so I can't say he's sorely missed. 

P.S. A couple days later I watched the first half of The Ice Age Adventures of Buck Wild on Disney+, and that movie made this one look like Moana by comparison.

Tuesday, February 8, 2022

The 94th Annual Academy Award Nominations


The full list of Academy Award nominations for 2021.

Best Picture
Belfast
CODA
Don't Look Up
Drive My Car
Dune
King Richard
Licorice Pizza
Nightmare Alley
The Power of the Dog
West Side Story

Best Directing
Paul Thomas Anderson (Licorice Pizza)
Kenneth Branagh (Belfast)
Jane Campion (The Power of the Dog)
Steven Spielberg (West Side Story)
Ryûsuke Hamaguchi (Drive My Car)

Actor in a Leading Role
Javier Bardem (Being the Ricardos)
Benedict Cumberbatch (The Power of the Dog)
Andrew Garfield (Tick, Tick … Boom!)
Will Smith (King Richard)
Denzel Washington (The Tragedy of Macbeth)

Actress in a Leading Role
Jessica Chastain (The Eyes of Tammy Faye)
Olivia Colman (The Lost Daughter)
Penélope Cruz (Parallel Mothers)
Nicole Kidman (Being the Ricardos)
Kristen Stewart (Spencer)

Actor in a Supporting Role
Ciarán Hinds (Belfast)
Troy Kotsur (CODA)
Jesse Plemons (The Power of the Dog)
J.K. Simmons (Being the Ricardos)
Kodi Smit-McPhee (The Power of the Dog)

Actress in a Supporting Role
Jessie Buckley (The Lost Daughter)
Ariana DeBose (West Side Story)
Judi Dench (Belfast)
Kirsten Dunst (The Power of the Dog)
Aunjanue Ellis (King Richard)

Writing (Adapted Screenplay)
CODA (Sian Heder)
Drive My Car (Ryûsuke Hamaguchi and Takamasa Oe)
Dune (Eric Roth, Jon Spaihts and Denis Villeneuve)
The Lost Daughter (Maggie Gyllenhaal)
The Power of the Dog (Jane Campion)

Writing (Original Screenplay)
Belfast (Kenneth Branagh)
Don't Look Up (Adam McKay and David Sirota)
Licorice Pizza (Paul Thomas Anderson)
King Richard (Zach Baylin)
The Worst Person in the World (Joachim Trier)

Animated Feature Film
Encanto
Flee
Luca
The Mitchells vs. the Machines
Raya and the Last Dragon

Animated Short Film
Affairs of the Art
Bestia
Boxballet
Robin Robin
The Windshield Wiper

Costume Design
Cruella (Jenny Beavan)
Cyrano (Massimo Cantini Parrini)
Dune (Jacqueline West)
Nightmare Alley (Luis Sequeira)
West Side Story (Paul Tazewell)

Live Action Short Film
Ala Kachuu - Take and Run
The Dress
The Long Goodbye
On My Mind
Please Hold

Music (Original Score)
Don't Look Up (Nicholas Britell)
Dune (Hans Zimmer)
Encanto (Germaine Franco)
Parallel Mothers (Alberto Iglesias)
The Power of the Dog (Jonny Greenwood)

Sound
Belfast
Dune
No Time to Die
The Power of the Dog
West Side Story

Cinematography
Dune (Greig Fraser)
Nightmare Alley (Dan Lausten)
The Power of the Dog (Ari Wegner)
The Tragedy of Macbeth (Bruno Delbonnel)
West Side Story (Janusz Kaminski)

Documentary Feature
Ascension
Attica
Flee
Summer of Soul
Writing With Fire

Documentary Short Subject
Audible
Lead Me Home
The Queen of Basketball
Three Songs for Benazir
When We Were Bullies

Film Editing
Don't Look Up (Hank Corwin)
Dune (Joe Walker)
King Richard (Pamela Martin)
The Power of the Dog (Peter Sciberras)
Tick, Tick... Boom! (Myron Kerstein and Andrew Weisblum)

International Feature Film
Drive My Car (Japan)
Flee (Denmark)
The Hand of God (Italy)
Lunana: A Yak in the Classroom (Bhutan)
The Worst Person in the World (Norway)

Makeup and Hairstyling
The Eyes of Tammy Faye
House of Gucci
Coming 2 America
Cruella
Dune

Music (Original Song)
Be Alive -- Beyoncé Knowles-Carter and Darius Scott (King Richard)
Dos Oruguitas -- Lin-Manuel Miranda (Encanto)
Down to Joy -- Van Morrison (Belfast)
No Time to Die -- Billie Eilish and Finneas O'Connell (No Time to Die)
Somehow You Do -- Diane Warren (Four Good Days)

Production Design
Dune (Zsuzsanna Sipos and Patrice Vermette)
Nightmare Alley (Tamara Deverell and Shane Vieau)
The Power of the Dog (Grant Major and Amber Richards)
The Tragedy of Macbeth (Stefan Dechant and Nancy Haigh)
West Side Story (Rena DeAngelo and Adam Stockhausen)

Visual Effects
Dune
Free Guy
Shang-Chi and the Legend of the Ten Rings
No Time to Die
Spider-Man: No Way Home

Monday, February 7, 2022

Jackass Forever is #1


For the weekend of February 4-6, 2022, Jackass Forever managed to dethrone Spider-Man, raking in $23 million, which is just a little better than what the original Jackass movie debuted to 20 years ago. It also had a modest budget of $10 million. Moonfall, meanwhile, came in second, and with its reported $150 million budget, well, this doesn't bode well for future popcorn disaster movies.

Spider-Man: No Way Home is on its way to pass Avatar for third-highest grosser of all time, but its momentum is slowing down to where Avengers: Endgame's $858 million for second place seems out of reach. January is usually a dead zone for movies, but February has at least one major movie opening each week.

I don't think anything's been announced, but I'd be surprised if we don't get a Sing 3 greenlit.


Opens February 11
DEATH ON THE NILE with Kenneth Branagh, Gal Gadot, Armie Hammer and Annette Bening.
MARRY ME with Jennifer Lopez, Owen Wilson, Utkarsh Ambudkar and John Bradley.
BLACKLIGHT with Liam Neeson, Aidan Quinn, Emmy Raver-Lampman and Yael Stone.