Mother and Child - DVD Review

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Starring Naomi Watts, Annette Bening, Kerry Washington, Samuel L. Jackson, Jimmy Smits, S. Epatha Merkeson, Cherry Jones, Elpidia Carillo, David Morse, Amy Brenneman, David Ramsey, Elizabeth Pena, Lisa Gay Hamilton and Marc Blucas.
Directed by Rodrigo Garcia.

This was farther down my rental list so I was surprised when Blockbuster Online sent it to me. I wasn't sure if I was going to see it, but I'm glad I did.

This movie follows three different women with parental issues. There's Elizabeth (Naomi Watts), an ambitious attorney with attachment issues who can never stay in one place for too long. We eventually learn she had her tubes tied when she was 17, and she was adopted. There's Karen (Annette Bening), an unhappy nurse who helped her elderly mother even though there doesn't appear to be much love there. There's Lucy (Kerry Washington), who can't have children, but she and her husband are going through the adoption process.

Each storyline is strong, as each actress is given a deep character to explore and anchor her thread. I actually liked Bening here more than in Kids Are All Right. She's a prickly character who slowly dethaws when a patient colleague (Jimmy Smits) asks her out and continues to be nice to her despite her curtness. Elizabeth, also, is one of those people I wouldn't like in real life, but as we learn more about her, we grow to understand her. She eventually starts dating her boss, played by Samuel L. Jackson, who gives an unusually restrained, and therefore welcome, performance. Lucy goes through her roller-coaster of emotions as well, as the birth mother of her soon-to-be baby isn't peaches-n-cream to deal with.

It wound up being an effective and moving film.

ABC's V - TV Review

The second-season finale was easily the best episode of the series. Wow. And yet with its mediocre ratings, ABC may cancel it, but I say a show that goes out with a bang like that needs to be rewarded with one last season. For those who've been watching, you've probably been annoyed like me that half the characters aren't interesting and the plot each week is the human resistance comes up with a plan, and then the plan backfires.

This time the stakes were high and the episode rolled like the climax from a George RR Martin book. There was a very real sense that no character would be safe, and they weren't. Let's just say the show ends with most of humanity under a trance, three significant characters dead and the fate of at least one more in jeopardy, and Anna poised to conquer Earth with ease. You can't let a show end on that note.

Also, the best line of the entire series was uttered in this episode: "That's how you kill your mother!"

Dealing with Blockbuster Online

I tend to put most new releases I haven't seen in my Blockbuster queue, and then I sort them by how curious I am to see them. If a movie stays in the teens or twenties too long in the ranking, I figure I'm not going to see it and delete it. I plan to cancel it at the end of the month and try Netflix next month, as Blockbuster is carrying fewer and fewer of the independent titles. Many foreign or documentary titles aren't there, and they stopped carrying the VeggieTales. They also tend to send things out of order. I have the ones I want to see most at the top; why did you send me #12 on the list?

Now when I've called customer service before, they've told me to make sure sure my top 10-15 titles are "Available." Well, only about 10 of the 40 titles in my current queue are "Available" and they're not the 10 I want most. What am I supposed to do if the ones I want to get are Short Wait, Long Wait, Very Long Wait, On Order or Unavailable? Wait for them to be come Available? Could take weeks; could take months. I have one movie I've wanted to see for over a year but it's never become Available. Now my desire's dwindled and I probably never will see it. For some of the bigger titles, I tend to go through Redbox. They have a free rental code once a month, and on months when I've suspended my Blockbuster account, I can catch up on what Redbox offers.

I don't like that Blockbuster's approaching bankruptcy. I like the option of them being there. On the other hand, they're the ones who gobbled up all other video-rental stores, and they don't send me the titles I want to see. What is the bonus of claiming you have Unstoppable a month before Netflix or Redbox when you put it in your Long Wait pile and won't send it to me for two months?

Secretariat - DVD Review

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Starring Diane Lane, John Malkovich, Margo Martindale, James Cromwell, Dylan Walsh, Nelsen Ellis, Dylan Baker, Scott Glenn, Fred Dalton Thompson and Kevin Connolly.
Directed by Randall Wallace.

This deeply square movie has many admirable elements going for it, and many cliched elements going against. I can't blame the cast for doing a good job covering how shallow their characters are.

This family-friendly movie's about the winningest racehorse who ever lived. It centers on his owner Penny Chenery (Diane Lane), a millionaire who doesn't know much about horseracing, but with her daddy ailing, she'd determined to make this one a winner.

The music swells at the right times, the cinematography's gorgeous, but I couldn't help but recall how Seabiscuit was a better movie.

Rango - Movie Review

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Starring the voices of Johnny Depp, Isla Fisher, Abigail Breslin, Ned Beatty, Bill Nighy, Alfred Molina, Stephen Root, Harry Dean Stanton, Ray Winstone and Timothy Olyphant.
Directed by Gore Verbinski.

If there's a better animated movie this year, then this is going to be a great year.

This animated Western comedy has its humor level seemingly more aimed toward adults than kids, but my kids still liked it. It takes tropes from several sources and uses them all for maximum efficiency.

It's about a lizard with a falir for the theatrical who finds himself in a small critter town named Dirt, where they need a new sheriff. The Lizard dubs himself Rango and makes up a heroic backstory. The town embraces him. Then the real trouble starts.

There are nods to Chinatown, Apocalypse Now, the Eastwood-Leone collaborations, and many more. But they're never done just for the wink and the nod. It enhances the story.

Going the Distance - DVD Review

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Starring Drew Barrymore, Justin Long, Christina Applegate, Charlie Day, Jason Sudeikis, Ron Livingston, Kelli Garner and Jim Gaffigan.
Directed by Nanette Burstein.

It's a romantic comedy that is able to coast on the likeability of its leads for only so long. On one hand, it's nice that their dilemma doesn't feel like some manufactured plot device to rip them apart at the end of Act 2. They really love each other, but he's in New York and she's in California. On the other hand, this movie feels like it was assembled from a used-screenplay-devices program. Throw in some Judd Apatow level humor here, a meet-cute scene there, and the rest of the movie should take care of it itself. It has a couple good laughs, but it's not really original, and it's a matter of waiting to see which one will stop being selfish and move cross-country to be with the other.

Let Me In - DVD Review

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Starring Kodi Smith-McPhee, Chloe Moretz, Richard Jenkins, Elias Koteas and Cara Buono.
Directed by Matt Reeves.

This is an entirely decent, dark remake of Let the Right One In. I'd recommend seeing the original over this one, if you can bear the subtitles, but this is still good in its own right. It's about a boy bullied at school who befriends a girl his age, and she happens to be a vampire. It's moody, competently executed.

But really, it doesn't change much from Let the Right One In, and I liked that one more.

It's Kind of a Funny Story - DVD Review

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Starring Keir Gilchrist, Zach Galifianakis, Emma Roberts, Viola Davis, Lauren Graham, Zoe Kravitz, Jeremy Davies and Jim Gaffigan.
Directed by Ryan Fleck & Anna Boden.

It's kind of an amusing story, the kind of movie I probably would have really liked if I'd seen it as a teenager, but now its mopey shallowness goes like water off a duck's back.

Keir Gilchrist (The United States of Tara) is a charismatic enough lead, our teen narrator who has some angst and asks to be committed when he's feeling suicidal. What happens when you combine Diary of a Wimpy Kid with One Flew Over the Cuckoo's Nest? You get a slightly cooler movie than this.

I did enjoy many elements of it. I like when he goes to sing karaoke and he imagines everyone decked out in full Queen/David Bowie gear. I liked the budding romance between him and the hot girl inside. (Of course there's a hot girl inside).

It's fine. I don't regret renting it, but I wouldn't go out of your way to track it down either.

The Next Three Days - DVD Review

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Starring Russell Crowe, Elizabeth Banks, Brian Dennehy, RZA, Lennie James and Liam Neeson.
Directed by Paul Haggis.

This mirthless remake (of a movie I didn't see) follows a husband (Crowe) who desperately seeks a way to free his wife (Banks) from prison, wrongfully accused of murder. Banks is known for her comedic chops, so on one hand I admire her stretching it here, but on the other hand, I didn't feel as compelled for her plight as I should.

Most of this movie is dedicated to planning the break-out, with a little sidetrack of Crowe killing some bad guys. Liam Neeson, heavy in the trailer, only has the one scene, where he gives the advice on break-outs.

Even then it was a thumbs-sideways until the little groaner they threw in there at the end.

New TV Shows

CRIMINAL MINDS: SUSPECT BEHAVIOR (CBS) - I've never seen an episode of the regular Thomas Gibson-starring Criminal Minds, but I thought I'd give this one a look. This one is obviously relying on the viewer to already be familiar with the tropes of this franchise. There was no attempt to define characters; it was 100% procedural. Forest Whitaker adds gravitas to whatever he attempts, but he has to be thinking, "I won an Academy Award. What am I doing here?"

MR. SUNSHINE (ABC) - Seen a couple episodes now and it's not really working for me yet. I love Matthew Perry and that he's on a comedy this time, but he doesn't have the ensemble to bounce off of just yet. Andrea Anders is her peppy self, but her presense reminds me that the brilliant Better Off Ted gave her more to do. Nate Torrence and James Lesure, meh so far. I do like Allison Janney as his boss Crystal. I hope it picks up, but Cougar Town's a better show.

Stone - DVD Review

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Starring Robert DeNiro, Edward Norton, Milla Jovovich and Frances Conroy.
Directed by John Curran.

Stone seems to be a movie with a lot on its mind, but it isn't going to share what that is.

The plot seems basic enough. Jack (DeNiro) is a prison warden interviewing a punk convict named Stone (Norton). Stone has cornrows and a Southern accent, and not for one second did I buy the character from Norton. Stone has a sultry wife named Lucetta who seems willing to use her feminine wiles to persuade Jack to recommend Stone for parole.

Jack is married, lovelessly so, as we see in the first scene as a young man he threatened to kill their daughter after his wife asked for a divorce. The wife (Frances Conroy) is still there years later, and we can tell her soul was crushed long ago.

Jack listens to conservative religious radio to and from work, looking for something and not finding it. He gives in to Lucetta, but Stone has found new peace from a New Age philosophy he's found in prison. Jack now wonders just how dangerous Stone is.

Whatever its themes are, I didn't get. Maybe it means to say that finding meaning in life is pointless. It fizzles and fades before anything really happens.

Hall Pass - Movie Review

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Starring Owen Wilson, Jason Sudeikis, Jenna Fischer, Christina Applegate, Richard Jenkins, Stephen Merchant, Nicky Whelan, Joy Behar, JB Smoove, Tyler Hoechlin and Alexandra Daddario.
Directed by the Farrelly Brothers.

The Farrellys may have made the funniest raunch-comedy of the 1990's, but nothing they've attempted since has been able to recapture that magic. This one is another swing and a miss.

In some ways, I didn't dislike it as much as I thought I would, because I see a lot of promise in some of their set-ups and scenarios. The main problem is that most of the comic energy doesn't really arrive until the last half-hour.

Owen Wilson and Jason Sudeikis are two buddies who've hit forty and are married, but they still gawk at attractive women like they're a pair of frat buddies. Their wives (Jenna Fischer, Christina Applegate) are annoyed by their immature behavior, and the table is therefore laid in an unappealing manner. The wives are two-dimensional shrews, and the guys are clueless dweebs.

After a self-help author-friend convinces the wives to give their husbands a one-week "hall pass" - a week off from marriage where they can sleep around with no consequences - the boys go into horny anticipatory overdrive. The joke here though is that the guys have been out of the game so long, they don't really know how to proceed.

Pete Jones, winner of the first Project Greenlight season, helped with the story, and that's probably where a lot of the sweetness comes in. For me though, the movie didn't really start working until an hour in, when Owen Wilson gives a comeback monologue against a snarky coffee-house employee. The movie has consequences for their actions and I liked how some of the plot threads tied together at the end, but it can't save a first hour of laugh-free dullness.

Get Low - DVD Review

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Starring Robert Duvall, Sissy Spacek, Bill Murray, Lucas Black, Gerald McRaney and Bill Cobbs.
Directed by Aaron Schneider.

An old coot decided he wants to have his funeral while he's still alive. This period piece gives a chance for Robert Duvall to show how much he can do with so little. The movie carries us along, like a gentle stream, and while the actual funeral doesn't have quite the emotional impact I think the makers intended, it's still a solid piece of work.

Monsters - DVD Review

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Starring Scoot McNairy and Whitney Able.
Directed by Gareth Edwards.

If I didn't know anything about the budget, I probably would've not liked this movie. But since they were able to make this with such a small budget, I have to admire it. Its main problem is that it's all setup and no payoff.

This shows the world in a few years if an alien "infection" happened, where northern Mexico is quarantined. It follows two people in Mexico who need to get back to the US, and eventually, about halfway through the movie, they decide they have to go by land.

We see glimpses of the giant "monsters" in the infected area. They're something between floating squids and Cthulu. I liked how every once in a while you'd see them on the news, but their presense has become commonplace. District 9 explored similar ideas, but with a bigger budget and better results.

I'm glad I saw it, for now I know, and I can look forward to whatever Gareth Edwards does next. But is it necessary to see? Not really.

Conviction - DVD Review

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Starring Hilary Swank, Sam Rockwell, Minnie Driver, Melissa Leo, Peter Gallagher, Juliette Lewis, Loren Dean, Clea DuVall and Karen Young.
Directed by Tony Goldwyn.

Hilary Swank plays Betty Anne Waters in this true story of a woman who put herself through law school in an effort to prove her brother's innocence. It has Oscar-bait written all over it, even though it disappeared quickly and never got the buzz. Truth is, I really enjoyed Sam Rockwell as the brother who is innocent but knows from his poor life choices, it figures he'd end up in prison anyway.

Waiting for Superman - DVD Review

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Directed by Davis Guggenheim.

This piercing examination of the US public school system is not a cut-and-dried look at heroes and villains. It's an in-depth examination of our declining education system, and I get the feeling the makers came to some conclusions they didn't anticipate or desired.

What it boils down to is that most teachers are trying and working hard, but because with the strength of the unions, there is no way to fire the worst 5% of teachers, and those 5% are dragging the whole system down.

The movie follows four or five kids, and the ending comes down to a lottery in each area for them to be admitted to these brighter, better charter schools. For the ones that don't get in, it feels like their entire future is doomed.

Academy Award results

BEST PICTURE
Black Swan
The Fighter
Inception
The Kids Are All Right
127 Hours
The Social Network
Toy Story 3
True Grit
Winter's Bone
*WINNER - The King's Speech

One of those safe picks. Was it a really good movie? Yes. Was it daring, innovative, or something that'll be remembered as an all-time classic in 40 years? No. But I liked how Spielberg said the losers will join the company of The Grapes of Wrath, The Graduate and Raging Bull.

BEST ACTOR
Javier Bardem, Biutiful
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
James Franco, 127 Hours
*WINNER - Colin Firth, The King's Speech

Much deserved, and he gave a nice speech.

BEST ACTRESS
Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter's Bone
Michelle Williams, Blue Valentine
*WINNER - Natalie Portman, Black Swan

Much deserved, and she gave a nice speech.

BEST SUPPORTING ACTOR
John Hawkes, Winter's Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King's Speech
*WINNER - Christian Bale, The Fighter

Bale's been good in so many things that it's like the Academy was just waiting for the right opportunity to reward him, and they found it. He's also changed his accent so much that hearing him in his native tongue sounds like another character he's doing.

BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King's Speech
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom
*WINNER - Melissa Leo, The Fighter

There'd been a backlash against her for doing a "For Your Consideration" photo shoot after she was nominated. (Self-promotion? In Hollywood? Scandal!) I'm glad enough voters still went with her. Her f-bomb drop looked like a genuine accident. Nice to see her be overwhelmed.

BEST DIRECTOR
Darren Aronofsky, Black Swan
Joel & Ethan Coen, True Grit
David Fincher, The Social Network
David O. Russell, The Fighter
*WINNER - Tom Hooper, The King's Speech

This one bugged me. The Coens have already won, so okay. But Aronofsky, Fincher, and Russell are genuine artists, where Hooper just seems like a really good director.

BEST ANIMATED FILM
How to Train Your Dragon
The Illusionist
*WINNER - Toy Story 3

But of course.

BEST FOREIGN FILM
Biutiful, Mexico
Dogtooth, Greece
Incendies, Canada
Outside the Law, Algeria
*WINNER - In a Better World, Denmark

Haven't seen any of the nominees, though Dogtooth's in my queue.

BESY DOCUMENTARY FILM
Exit Through the Gift Shop
Gasland
Restrepo
Waste Land
*WINNER - Inside Job

I've been looking forward to Inside Job for a while. I did catch Restrepo and found it really good, but to me, it's a crime that Waiting for Superman wasn't nominated.

BEST ADAPTED SCREENPLAY
127 Hours
Toy Story 3
True Grit
Winter's Bone
*WINNER - The Social Network

Deserving win for Aaron Sorkin.

BEST ORIGINAL SCREENPLAY
Another Year
The Fighter
Inception
The Kids Are All Right
*WINNER - The King's Speech

I was rooting for Chris Nolan's Inception, but Seidler gave a great acceptance speech.

BEST ART DIRECTION
Harry Potter & the Deathly Hallows Part I
Inception
The King's Speech
True Grit
*WINNER - Alice in Wonderland

Can't really argue with it. It wasn't a particularly good movie, but the design of it was great.

BEST CINEMATOGRAPHY
Black Swan
The King's Speech
The Social Network
True Grit
*WINNER - Inception

I was happy to be surprised by this. I thought for sure Roger Deakins would get it for True Grit.

BEST COSTUME DESIGN
I Am Love
The King's Speech
The Social Network
True Grit
*WINNER - Alice in Wonderland

Yep.

BEST FILM EDITING
Black Swan
The Fighter
The King's Speech
127 Hours
*WINNER - The Social Network

It does take a good editor to do the time jumps and make sure the audience never gets lost.

BEST MAKEUP
Barney's Version
The Way Back
*WINNER - The Wolfman

I wanted The Way Back, because that's the main thing I remember about that movie.

BEST SOUND EDITING
Toy Story 3
Tron: Legacy
True Grit
Unstoppable
*WINNER - Inception

I look back and love that Inception tied King's Speech for most Oscars, even if Inception's were all technical.

BEST SOUND MIXING
The King's Speech
Salt
The Social Network
True Grit
*WINNER - Inception

Yep.

BEST VISUAL EFFECTS
Alice in Wonderland
Harry Potter & the Deathly Hallows Part I
Hereafter
Iron Man 2
*WINNER - Inception

M-hm.

BEST ORIGINAL SCORE
How to Train Your Dragon
Inception
The King's Speech
127 Hours
*WINNER - The Social Network

I wonder how many people saw that fascinatingly normal Trent Reznor fellow and had no idea he's the guy from Nine Inch Nails.

BEST ORIGINAL SONG
"Coming Home", Country Strong
"I See the Light", Tangled
"If I Rise", 127 Hours
*WINNER - "We Belong Together", Toy Story 3

Good for Randy Newman. But really, of his twenty nominations, fifteen of them are the same song.

BEST DOCUMENTARY SHORT
Strangers No More

BEST ANIMATED SHORT
The Lost Thing

BEST LIVE-ACTION SHORT
God Is Love

As for the show, I can't say it was very good. Anne Hathaway would have done much better if Hugh Jackman had been by her side, or Alec Baldwin, or Martin, or Crystal, or Jimmy Fallon, or a hundred other guys I can name, instead of the remarkably robotic James Franco. In the end, Franco looked like he regretted ever agreeing to the gig. I like the opening tradition of splicing the host into other movies, even though it's better when Billy Crystal does it. In fact, the energy and laugh-factor rose when he walked on stage. It wouldn't surpise me if they ask him to host for a 9th time.

They said they were going to pay homage to movies past, but it was really more of a bookend deal. Gone with the Wind... and then what? I did like all the winners coming out with the kids chorus to "Somewhere Over the Rainbow." Nice moment.

In Memorium was probably the least moving one in history. I was distracted by how many actors they were ignoring so they could squeeze in these editors and agents. The Oscars is a TV show, and the viewing audience doesn't care about some costume designer dying. Corey Haim trended on Twitter for his snub.

The humor mostly fell flat, the energy was off, and the moments that worked seemed to do so "in spite of."

You Will Meet a Tall Dark Stranger - DVD Review

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Starring Naomi Watts, Josh Brolin, Anthony Hopkins, Gemma Jones, Antonio Banderas, Freida Pinto, Lucy Punch, Anna Friel, Pauline Collins, Ewen Bremner and Roger Ashton-Griffiths.
Directed by Woody Allen.

It's not bad, per se, not enterting the level of the painful like Whatever Works. But it is frightfully unnecessary. Woody Allen's been cranking out movie for forty years, but he doesn't seem to have anything new to add to the conversation. I think we all get it. He distrusts marriage, women, happiness, and so we get another stellar cast going through the motions of selfish behavior.

Okay, let's run through this. Naomi Watts and Josh Brolin are Sally and Roy, unhappily married. He wrote a best-selling novel but hasn't been able to sell a second book in several years, draining their resources and her patience with him. Sally is drawn to her boss (Antonio Banderas) while Roy is drawn to their new neighbor (Frieda Pinto). Meanwhile Watts' parents have recently split. Her father Alfie (Anthony Hopkins) is into feeling younger, and therefore hooks up with an "actress" (Lucy Punch) half his age. Her mother Helena (Gemma Jones) is seeking guidance for love and happiness from a psychic who always has the prediction she wants to hear.

Each element of this story has been told before in previous Allen efforts. You can take a subplot here and there from his 1980's work, recast it in England, and voila, he thinks he has a new movie. He relies on a dull narrator to give us background and plot shifts. When I got to the end, I felt like the moral of the story was one I knew at the beginning. We know most of these people are going to end unhappy because they start unhappy. They're craving new love, new validation, but when the reality of other people sinks in, they remain unfulfilled.

The standout here is Jones. Her dithering old-mother character could be one-note but Helena winds up being one of the only sympathetic people moving about Allen's chessboard. Now everyone involved can say they've done a Woody Allen movie. That seems to be the only real point of its existence.