Tuesday, March 20, 2012

Prom - DVD Review


Starring Aimee Teegarden, Thomas McDonell, DeVaughn Nixon, Danielle Campbell, Cameron Monaghan, Yin Chang and Nicholas Braun.
Directed by Joe Nussbaum.

★★

Disney is trying to add a little more John Hughes to the High School Musical formula, and maybe tweens will fall in love with this, but Hughes always found a way to find the soul within the cliches.  This movie makes sure the safe choice is always made, and so the ensemble must ride and fall on the skills of their actors, and their skills range from charismatic to Disney Channel sitcom.

It's actually a stark contrast to Myth of the American Sleepover.  That movie had less plot, but the kids felt real enough that it could have been a documentary.  Here we have several characters who are assigned their personality traits and they never stray from them.

The whole thing is pleasant enough, and like I said, I'm sure it'll score with its targeted demo, but there's nothing in here to help it trascend to any other age group.  But I'd rather sit through this than, say, a Suite Life of Zack & Cody movie.

Sunday, March 18, 2012

Weekend Box Office - 3/18/12


1.  21 Jump Street - $35 million - 1 wk (Sony)
 . . . 3121 screens / $11,214 per screen
2.  The Lorax - $22.8 ($158.4) - 3 wks (U) -41.3%
 . . . 3769 / $6049
3.  John Carter - $13.52 ($53.17) - 2 wks (BV) -55.2%
 . . . 3749 / $3605
4.  Project X - $4 ($48.13) - 3 wks (WB) -64.1%
 . . . 2922 / $1371
5.  A Thousand Words - $3.75 ($12.1) - 2 wks (Par) -39.3%
 . . . 1895 / $1979
6.  Act of Valor - $3.68 ($62.4) - 4 wks (Rel) -47.4%
 . . . 2765 / $1330
7.  Safe House - $2.8 ($120.2) - 6 wks (U) -41.7%
 . . . 1920 / $1458
8.  Journey 2 The Mysterious Island - $2.46 ($95.07) - 6 wks (WB) -32%
 . . . 1935 / $1271
9.  Casa De Mi Padre - $2.2 - 1 wk (LG)
 . . . 382 / $5759
10. This Means War - $2.13 ($50.53) - 5 wks (Fox) -43.4%
 . . . 1660 / $1280

Saturday, March 17, 2012

Random Television Stuff - 3/17/12


- NBC has renewed Grimm for a second season.

- HBO has halted production of the second season of Luck and cancelled the series after a third horse was injured and has to be euthenized during filming.  The Dustin Hoffman racehorse drama didn't have good ratings, but HBO had hoped buzz could build for the second season.

- Did you know Rosie O'Donnell had a talk show on OWN?  Well, it's been cancelled.

- Keri Russell (Felicity) and Matthew Rhys (Brothers & Sisters) will star in FX's The Americans.  They'd play two KGB agents who've been undercover in the USA for years in the 1980's.  Noah Emmerich (Super 8) is in talks to play their neighbor.

- Rapper-actor Tip "T.I." Harris (Takers) has joined the cast of Starz's Boss.  He'll play a former gangbanger who wants a career at Chicago's City Hall.

Friday, March 16, 2012

21 Jump Street - Movie Review


Starring Jonah Hill, Channing Tatum, Brie Larson, Dave Franco, Ice Cube, Rob Riggle, Ellie Kemper, Jake Johnson, Chris Parnell and Nick Offerman.  Directed by Phil Lord & Chris Miller.

★★★½

When I first saw the trailer a few months ago I thought it looked terrible, like a candidate for worst movie of the year.  And yet, it's the funniest movie I've seen in several months.

Let me first speak to Channing Tatum.  With his body, he has to do action pics, but in such movies like GI Joe and The Eagle, I don't find him that compelling.  He's had success in chick flicks (Dear John, The Vow), but after being the funniest part about The Dilemma, and now this, I'm convinced Tatum's strength is comedy.

He and Jonah Hill make a great team.  We start in 2005, when the two were in high school.  Hill plays Schmidt, the insecure nerdy outcast, and Tatum is Jenko, the dumb bullying jock.  They meet again in police academy and decide to be friends.  Schmidt helps Jenko with studying, Jenko helps Schmidt with physical training.

Flash-forward to 2012, and the two are enlisted in the recently resurrected Jump Street program, where young-looking cops infiltrate high school as narcs.  Thos who remember the show will recognize in-jokes here and there, but those who haven't seen it will never feel lost.

The movie plays on stereotypes and expectations and subverts them over and over.  Directors Lord & Miller, of Cloudy with a Chance of Meatballs fame, have no problem transitioning their chaotic sense of humor to live-action.  There's also several fun small roles for TV comedy vets like Ellie Kemper (The Office), Nick Offerman (Parks & Recreation), Jake Johnson (New Girl), Chris Parnell (Suburgatory), and so forth.

NBC's The Office - TV Review


We have to talk about The Office.

It's been one of my favorite comedies for years, but I haven't been able to say that is still true.  The show has not recovered from the departure of Steve Carell's Michael Scott.

James Spader's Robert California was great for a couple episodes, but the possibilities with him never really manifested.  And now that we know he's leaving, I can't say those are the big shoes to fill.  Carell's comedic void remains.  Ed Helms's Andy is a good character, but as the boss, he's this earnest guy that everyone is rooting for.  They want him to succeed.  He lacks that self-absorbtion that Michael had that unwittingly made his co-workers miserable.  I caught a rerun of when Jim and Andy were working the New York office.  Anger-management Andy had a lot more edge to him.  I'd like to see a little more of that guy come back.  Maybe we will now that he's been ousted.

Also, we know that not only is Spader leaving, but Rainn Wilson (Dwight) is getting his own Schrute Farms spin-off, and Mindy Kaling (Kelly) will be leaving as well for her own show on Fox.  Does NBC cancel Harry's Law and bring back Kathy Bates's Jo?  May be no need since Catherine Tate's Nelly is joining the cast full-time.  I'm pretty sure that had been the plan last year but there was so much buzz about the job Spader did in the season finale that they brought him on board for a full season.

So I still watch every week, and there are still things that happen that make me smile.  I'll watch it to the series finale and will miss it when it's gone.  It just ain't what it used to be.

Wednesday, March 14, 2012

J. Edgar - DVD Review

Starring Leonardo DiCaprio, Armie Hammer, Naomi Watts, Judi Dench, Jeffrey Donovan, Josh Lucas, Dermot Mulroney, Stephen Root, Denis O'Hare, Damon Herriman and David Clennon.
Directed by Clint Eastwood.

★★

While I consider every directorial effort by Clint Eastwood a must-see, that doesn't mean he hits in out of the park each time, and this is an uneven effort, a meandering biopic about J. Edgar Hoover that spans sixty years, and Leonardo DiCaprio plays Hoover for all of those sixty years. And this is a problem.

Someday they'll digitally age actors instead of trying the old pancake make-up routine. I don't mind brief scenes with younger actors aged to make a point, but since DiCaprio spends a third of the movie buried in the stuff, I couldn't suspend my disbelief long enough. I'd rather Eastwood had gone with three 77-year-old actors to play Hoover, Clyde Tolson (Armie Hammer), and secretary Helen Gandy (Naomi Watts).

My other problem with this is the whole thing is so morose and dour. The lighting is saturated of any color that could be mistaken for warmth.

Now buried in all of this is a great central performance by Leonardo DiCaprio. His Hoover is steely, maybe a little shady, more than a little paranoid. By the end I wasn't sure if I should view Hoover as a hero or a villain. I was just ready for ti to be over.

Monday, March 12, 2012

The Garbage Pail Kids Movie remake

They're making another Garbage Pail Kids Movie!  I kid you not.

Now I loved the Garbage Pail Kids cards when I was in middle school in 1985-1986.  I collected hundreds. I owned every card from the first eight series, and many in the ninth.   If my dad and stepmom hadn't made me throw them away, I'm sure they'd be worth thousands of dollars now. (I remember she called them "demonic.")

Now I'd always meant to see the 1987 Garbage Pail Kids movie.  I just never got around to it.  I'd heard it was awful, but morbid curiosity kept bringing it back in my mind.  I also remember at one an animated series was being developed for it, and when the studio head saw the pilot, he balked and cancelled the whole project.  Would love to see that pilot.

Anyway, everything 1980's is cool again, and so the Kids are getting another shot at the big-screen. I don't know if this'll be live-action or animated.  I'm sure it'll be terrible.  And yet, I'm looking forward to... renting it.

Here's the original trailer in all its Anthony Newley/Mackenzie Astin/leftover thugs from Michael Jackson's "Beat It" video glory:


Ishtar was actually kinda funny

Sunday, March 11, 2012

Anonymous - DVD Review


Starring Rhys Ifans, Vanessa Redgrave, Sebastian Armesto, Rafe Spall, David Thewlis, Joely Richardson, Edward Hogg, Xavier Samuel, Jamie Campbell Bower and Derek Jacobi.
Directed by Roland Emmerich.

★★★

Roland Emmerich may be known for big-budget disaster flicks (The Day After Tomorrow, 2012) but when given the chance to tell a smaller story, he's actually pretty good.  This is no trashing of a genre, like, say, Paul WS Anderson's Three Musketeers, but an interesting "What if?" mystery.

This movie posits that Shakespeare didn't write a single word, that all of the plays were written by the Earl of Oxford (Rhys Ifans).  The Earl is a poet at heart, but his station doesn't permit him to be open about his works.  The plan had been for Ben Jonsen (Sebastian Armesto) to claim authorship, but the ambitious actor William Shakespeare (Rafe Spall) seizes the opportunity, and the rest is alternate history.

One of my favorite touches was having Vanessa Redgrave as Queen Elizabeth, and Joely Richardson (her real-life daughter) play her in flashbacks.  I must also give credit to Ifans.  He's usually comic relief (Notting Hill, Little Nicky) or creepy villain (Hannibal), but his Earl has depth and soul.

The movie's careful not to take it itself too seriously.  It is, after all, play fast and loose with history.  At times it's like one of those paperback romance novels, but the settings and costumes are lush, and it's engaging from beginning to end.

Saturday, March 10, 2012

Friday's Box Office - 3/9/12

For March 9.

1. John Carter - $9.82 million - 1 day
2. The Lorax - $9.6 ($92.48) - 8 days
3. Project X - $3.99 ($32.56) - 8 days
4. Silent House - $2.63 - 1 day
5. Act of Valor - $2 ($51.1) - 15 days
6. A Thousand Words - $1.92 - 1 day
7. Safe House - $1.3 ($112.1) - 29 days
8. The Vow - $1.27 ($114.88) - 29 days
9. This Means War - $1.22 ($44.35) - 22 days
10. Journey 2 The Mysterious Island - $.85 ($87.88) - 29 days

The Lorax will ultimately win the weekend. It's expected to get around $40 million while John Carter will more likely end up around $28 million. It will make The Lorax the highest-grossing movie thus far of 2012. And there will be weeping and wailing over John Carter, since between producton and marketing, it cost around $300 million. Disney will rrrreally need it to do well overseas.

Silent House is doing okay for what it is, but the marketing could have been better.

Eddie Murphy's A Thousand Words has been sitting on the shelf for years and was finally dumped into theaters yesterday.

Movie Release Date Changes

- Some release-date updates
The Texas Chainsaw Massacre 3D has been pulled from Lionsgate's release schedule. In repsonse, Summit has moved their horror flick Sinister, starring Ethan Hawke, to October 5.

Les Miserables will now open December 14 opposite The Hobbit.   Based on the Broadway smash, Les Miz will star Hugh Jackman as Valjean, Russell Crowe as Javert, Anne Hathaway as Fantine, Amanda Seyfried as Cosette, Eddie Redmaybe as Marius, and Sacha Baron Cohen and Helena Bonham Carter as the Thenardiers.

Identity Thief, starring Jason Bateman and Melissa McCarthy, will open May 10, 2013.

The RoboCop reboot will open August 9, 2013. It stars Joel Kinnaman (The Killing).

Cloudy 2: Revenge of the Leftovers (sequel to Cloudy with a Chance of Meatballs) will open December 20, 2013.

Thursday, March 8, 2012

NBC's Celebrity Apprentice, Week 3 - TV Review

So with Victoria Gotti gone, can the women pull together? This week's task is about doing a window display, modeling Ivanka Trump's clothesline. It's tailor-made for the women's team to win. Ivanka's going to be the sole judge! The fix is in.

So even though the men had a better-looking display and were more creative, the women won. So how did the men's team do otherwise? Penn continued to show himself as a statesman; Adam Carolla, Paul Teutel are good workers. Dee Snyder, broken finger and all, was a trooper. Lou Ferrigno kept bristling at the notion he's giving anything less than 110%. Since neither George Takei or Clay Aiken fell into the stereotype of gay men having an eye for women's fashion, it fell to Arsenio Hall to dress the women, and Ivanka didn't like his style choices as much as the ladies. Or so she claims!

But really, it came down to project manage George. He could easily get confused before he finished a sentence and never really seemed to get the confidence of his team. Once the men lost the task, I knew George was toast.

And I suspect as soon as America's Next Top Model gets cancelled, one of the "J"s will be on the very next season of Celebrity Apprentice.

Mr. Popper's Penguins - DVD Review

Starring Jim Carrey, Carla Gugino, Angela Lansbury, Ophelia Lovibond, Madeline Carroll, Clark Gregg, Philip Baker Hall, David Krumholtz, Jeffrey Tambor, Maxwell Perry Cotton and Dominic Chianese.  Directed by Mark Waters.

★★½

It's Jim Carrey in family-film mode. This harmless, fluffy lil comedy is about a man who inherits six penguins. Somehow they get delivered to his high-rise apartment, and he can't figure out how to get rid of them. But just when he thinks he has a solution, his ex-wife and two kids find out about them, and the kids love them. So he decides to keep them to help bring him closer to his kids.

I don't believe a real penguin was ever used. They looked CGI the whole time. In fact I could picture how they'd do the animated scene if Mary Poppins were ever rebooted.

Mark Waters (Freaky Friday) has some decent touches, and the supporting cast is a little better than usual for something like this.  It bares very little resemblance to the book on which it's based, but it's a decent rental, even if you don't plan on being in the room with your kids when they watch it.

Wednesday, March 7, 2012

Silent House - Trailer

The Walking Dead - TV Review

Before I say anything, let me assert this is still one of my favorite shows on TV right now.  It may not make my Top Ten, but the conceit's compelling, and it can surprise with some really good scenes.

I am hoping that this week's episode does not turn out to be a shark-jumping moment.  Season 2's been uneven since AMC fired producer Frank Darabont after he delivered their highest-rated series in history.  Season 2 has been all about Herschel's farm, and it could get tedious at times, but any problem I had with the first of the season was wiped away by that very powerful climactic scene where they open the barn and out stumbles Sophie the Walker.

The second half of the season has been well-plotted in my book.  The dialogue's been pretty amateurish.  It lurches back and forth like a screenwriter just trying to get us from Point A to Point B, like it was written the night before they filmed.  I like Lori going all Lady Macbeth in her support of Rick, but her confrontation with Andrea was stilted and forced.  But that's last week.

This week, the group has to decide what to do with Randall, and while it starts with Daryl torturing Randall, Norman Reedus did terrific work with his eyes absorbing Randall's story about the father and two girls.  Shane keeps insisting Randall needs to just be killed, but Rick wanted to sleep on it.  Well, he slept on it, and he agrees there's no way out.  They need to kill Randall.

That doesn't sit well with Dale, the voice of reason in the group.  He goes to each person to plead with them, to decide not to kill Randall.  Jeffrey DeMunn's another acting MVP on this show, but the arguments Dale had weren't very persuasive, and most of the characters didn't go as deep as I would hope.  Episodes like this are ones where the actors can really show off what they can do, if the writers give them the words.

The best scene in the episode had Carl.  Yeah, he's getting more annoying, but when he goes down by the river and finds the zombie stuck in the bank...  Just that scene of the zombie reaching and Carl sitting and watching, that was a nice scene.

If I ranked all the characters in order from the ones I want to live most to the least, Daryl and Dale would be my top two, and much of that goes to Reedus and DeMunn.  After that, I'd say Rick (Andrew Lincoln) and Lori (Sarah Wayne Callies), then Maggie (Lauren Cohan) and Glenn (Steven Yeun) and Carol (Melissa McBride), but many of the others are zombie-fodder waiting to happen.  I keep forgetting that Patricia and Jimmy are even part of the show.  T-Dog's barely there, so he's stuck in the limbo of "we don't want to kill off the black guy" and "we don't know what to write for him."

Then there's Shane (Jon Bernthal). I think Shane could be a really cool character, but it's irritating me how Bernthal plays him.  Some scenes his accent's so thick, I expect him to start looking for a pig to make squeal.  He has these actings crutches he can't seem to get rid of, like never looking at who he's talking to until he's finished his sentence.  Part of me hopes Shane dies in the season finale, but part of me fears that with Shane gone, they'll ruin Daryl's character to fill that void of antagonist in the group.

Anyway, Dale can't seem to convince anyone in the group to side with him and spare Randall, until at the last moment Andrea agrees.  And yet, I didn't believe Andrea was swayed.  I loved how Dale's heart was breaking over what the world had become, and so he had to trot off alone.

So Rick, Shane and Daryl escort Randall to the barn to kill him, but as Rick holds the gun to Randall's head, Carl walks in. (Doesn't anyone watch that kid?  He's the only kid left on the whole farm!)  When Carl tells his dad to do it, that winds up being a more stinging rebuke than if Carl had asked Dad not to do it.  Rick can't do it.  Daryl's frustrated with Rick's lack of conviction, but he's not going to do it himself.

But remember that walker stuck in the bank that Carl watched?  It got free and made its way to the farm, and it attacks Dale.  The groups runs to him too late, with Dale's guts ripped out.  Even if Herschel could put him back together, he'd surely just turn into a walker.  Rick holds the gun to Dale's head, the second time today he's held a gun to a man's head.  But Daryl takes the gun, and with a "Sorry, brother", fades us to black with a gunshot.

The show will miss Dale, miss that point-of-view, miss that veteran actor who can make others better.  But now is the time for their world to get a whole lot worse.

Tuesday, March 6, 2012

Hobo with a Shotgun - DVD Review

Starring Rutger Hauer, Gregory Smith, Molly Dunsworth, Brian Downey and Nick Bateman.  Directed by Jason Eisener.



I loved the opening credits.  Total late-1970's vibe.  I know Quentin Tarantino does the same thing, but it didn't feel like a ripoff.  It felt like its own thing.  "This is the movie we're doing; this is the mood we want to establish."  Most of it involved following Hobo (Rutger Hauer) on a train.

But about five minutes later, the villains show up, and now we're in the section of the 1970's I don't want to relive.  Over-the-top, cackling, bad-acting villains begging to get killed, the kind that the MST3K crowd would have a party with.  Whereever Hobo lives, it's some sort of Escape From New York meets A Clockwork Orange meets RoboCop 2 meets Repo Men hellhole where evil people can torture and kill whoever they want and no one will stand up to them.  Judging by the soundtrack and the prolific use of VHS tapes by the citizenry, I'm going to guess it was supposed to take place in 1983.

Anyway, when Hobo goes to the police, they reveal themselves to be complicit and corrupt. Laughing maniacally while revelling in their corruption, those wacky coppers they.

The movie wallows in filth with no redeeming social value.  After a while I just fast-forwarded to the end to see how it concludes, and that was enough for me.  Anyone upset I didn't watch the whole thing?  You'll be upset with yourself if you watch it at all.

ABC's GCB - TV Review

The acronym is for Good Christian B*tches, and it's the network's latest effort to replace the sudsy comic Desperate Housewives. It's all about Amanda (Leslie Bibb), a wife and mother living the rich life in California when her cheating husband dies in a car crash with his mistress. Turns out his wealth from running a Ponzi scheme, and so she takes her two children back to her hometown of Dallas and moves in with her mother (Annie Potts).

Now Amanda was quite the mean girl in high school. She's a decent person now, but all the girls she picked on still live in Dallas and have not forgiven or forgotten. Oh, they'll smile to her face, but they seek to undermine her at every turn. To a degree the cattiness might have been fun, and some of it is thanks to cast-memebers like Kristen Chenoweth and Miriam Shor, but the show has to rub in our faces that all of these "Christians" are back-biting hypocrites.