Nebraska - Movie Review

Starring Bruce Dern, Will Forte, June Squibb, Bob Odenkerk, Stacy Keach and Rance Howard.
Directed by Alexander Payne.

★★★

For the first hour or so, I was annoyed. I was annoyed with the set-up, I was annoyed with the slow pace, and I was annoyed at how unpleasant everyone was. Why is this getting all this buzz for multiple Oscar nominations? Yeah, Bruce Dern's good, but is he THAT good?

But it started to come together for me in the third act. The condescension of the first two acts melted away, and these dysfunctional people started to feel like a real family.

Dern plays Woody Grant, an old man who's getting more "confused" these days, and he thinks he's won a million dollars. It's obviously one of those magazine-sweepstakes scams, but that doesn't deter Woody from trying to walk from his home in Billings, Montana, to Lincoln, Nebraska, to try and collect his winnings.

He has a wife (June Squibb) fed up with him, and two sons with different attitudes on how he should spend his last few years. The younger son David (SNL's Will Forte) decides to go ahead and humor Woody and drive him to Nebraska.  They have to take a detour in their home town of Hawthorne, NE, and we meet the dull extended family. It goes from there.

When I walked out, I found it to be a big meh. It's actually grown on me after I've had a couple days away from it. It's aging well in my mind. I liked how the mom, dad and two sons don't seem close at all, but once outside forces start poking at them, most notably other family, they pulled together in a way that felt real. The final few minutes were a nice capper.

The World's End - DVD Review

Starring Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike, David Bradley and Pierce Brosnan.
Directed by Edgar Wright.

★★★

Pegg/Frost/Wright do here for the Body Snatcher films what Shaun of the Dead did for zombies and Hot Fuzz did for buddy-cop films. What I like about their films is they set up characters thought-out enough that even if mayhem didn't break out, the characters still feel like they have lives to lead.

Pegg plays the former leader of a band of mates from their school days, and one thing they tried to do in their youth but never finished was The Golden Mile - twelve pubs, twelve pints.  Of course, the other four friends have grown up and moved on with their lives, but Pegg's in a state of arrested development. The four friends decide to humor him and give him one last night of glory.

But that's when the robots show up. From there, they figure that in order to stay low and not tip off the body-snatchers they know what's going on, they finish what they started and carry through getting their pints...

Loved the ending too.

Turbo - DVD Review

Starring the voices of Ryan Reynolds, Paul Giamatti, Samuel L. Jackson, Michael Pena, Maya Rudolph, Luis Guzman and Snoop Dogg.
Directed by David Soren.

★★½

It combines the fast pace of Cars with the singing slugs from Flushed Away. Heh. It's an okay animated film for kids. As an adult, I liked the voicework from Paul Giamatti and Samuel L. Jackson, and the actual animation is on the high-end of CG-quality. It just never captured my imagination. Maybe because I could care less about the Indy 500. A better movie would make me care anyway.

My Reaction to the Academy Award Nominations

PICTURE
No real surprises here.  If I was power ranking them on odds of winning, I'd do it this way.

1. American Hustle
2. Gravity
3. 12 Years a Slave
4. The Wolf of Wall Street
5. Nebraska
6. Her
7. Captain Phillips
8. Dallas Buyers Club
9. Philomena

Tenth place could have been any one of August: Osage County, Inside Llewyn Davis, Blue Jasmine, Saving Mr. Banks or Frozen.

ACTOR
I'm stunned Tom Hanks wasn't nominated for Captain Phillips. The last fifteen minutes of that film might be the best work he's ever done. I haven't seen it yet, but my wife said Robert Redford wuz robbed for not getting one for All Is Lost. I'm happy for Bale, Dern and Ejiofor, but the actual winner of this group should be DiCaprio or McConaughey.

ACTRESS
Meryl Streep bashed Walt Disney as an anti-Semite, anti-woman bigot, and she got the fifth nomination out from under Emma Thompson. Since the other four nominees are previous winners, I think Amy Adams has the edge here.

DIRECTOR
Three-way race between Russell, Cuaron and McQueen, with the edge to Russell, who's shown with The Fighter and Silver Linings Playbook he's here to stay.

SUPPORTING ACTOR
Do we really want to live in a world where Jonah Hill is a two-time acting nominee? I keed. He was good. Kinda hoped Will Forte might get a nod, just cuz.  Jared Leto's the frontrunner, but I wouldn't bet against Fassbender.

SUPPORTING ACTRESS
I was a little surprised Oprah Winfrey didn't get one. In fact, The Butler received zero nominations. (The Lone Ranger points and laughs.) I see a groundswell for June Squibb giving her a come-from-behind win, but Lawrence is so darn likable she might win her second one in a row.

2013 Academy Award Nominees

BEST PICTURE

American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street

BEST ACTOR
Christian Bale, American Hustle
Bruce Dern, Nebraska
Leonardo DiCaprio, The Wolf of Wall Street
Chiwetel Ejiofor, 12 Years a Slave
Matthew McConaughey, Dallas Buyers Club

BEST ACTRESS
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Meryl Streep, August: Osage County

BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Bradley Cooper, American Hustle
Michael Fassbender, 12 Years a Slave
Jonah Hill, The Wolf of Wall Street
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong'o, 12 Years a Slave
Julia Roberts, August: Osage County
June Squibb, Nebraska

BEST DIRECTOR
Alfonso Cuarón, Gravity
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle
Martin Scorsese, The Wolf of Wall Street

BEST ANIMATED FILM
The Croods
Despicable Me 2
Ernest & Celestine
Frozen
The Wind Rises

BEST CINEMATOGRAPHY
The Grandmaster
Gravity
Inside Llewyn Davis
Nebraska
Prisoners

COSTUME DESIGN
American Hustle
The Grandmaster
The Great Gatsby
The Invisible Woman
12 Years a Slave

DOCUMENTARY FEATURE
The Act of Killing
Cutie and the Boxer
Dirty Wars
The Square
20 Feet from Stardom

DOCUMENTARY SHORT SUBJECT
CaveDigger
Facing Fear
Karama Has No Walls
The Lady in Number 6: Music Saved My Life
Prison Terminal: The Last Days of Private Jack Hall

FILM EDITING
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
12 Years a Slave

FOREIGN LANGUAGE FILM
The Broken Circle Breakdown, Belgium
The Great Beauty, Italy
The Hunt, Denmark
The Missing Picture, Cambodia
Omar, Palestine

MAKEUP AND HAIRSTYLING
Dallas Buyers Club
Jackass Presents: Bad Grandpa
The Lone Ranger

MUSIC - Original Score
The Book Thief, John Williams
Gravity, Steven Price
Her, William Butler & Owen Pallett
Philomena, Alexandre Desplat
Saving Mr. Banks, Thomas Newman

MUSIC - Original Song
"Alone Yet Not Alone" from ALONE YET NOT ALONE
"Happy" from DESPICABLE ME 2
"Let It Go" from FROZEN
"The Moon Song" from HER
"Ordinary Love" from MANDELA: LONG WALK TO FREEDOM

PRODUCTION DESIGN
American Hustle
Gravity
The Great Gatsby
Her
12 Years a Slave

SHORT FILM - Animated
Feral
Get a Horse!
Mr. Hublot
Possessions
Room on the Broom

SHORT FILM - Live Action
Aquel No Era Yo (That Wasn't Me)
Avant Que De Tout Perdre (Just Before Losing Everything)
Helium
Pitääkö Mun Kaikki Hoitaa? (Do I Have to Take Care of Everything?)
The Voorman Problem

SOUND EDITING
All Is Lost
Captain Phillips
Gravity
The Hobbit: The Desolation of Smaug
Lone Survivor

SOUND MIXING
Captain Phillips
Gravity
The Hobbit: The Desolation of Smaug
Inside Llewyn Davis
Lone Survivor

VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
The Lone Ranger
Star Trek Into Darkness

WRITING - Adapted Screenplay
Before Midnight, Richard Linklater & Julie Delpy & Ethan Hawke
Captain Phillips, Billy Ray
Philomena, Steve Coogan & Jeff Pope
12 Years a Slave, John Ridley
The Wolf of Wall Street, Terence Winter

WRITING - Original Screenplay
American Hustle, Eric Warren Singer & David O. Russell
Blue Jasmine, Woody Allen
Dallas Buyers Club, Craig Borten & Melisa Wallack
Her, Spike Jonze
Nebraska, Bob Nelson

Random Movie Stuff - 1/15/14

- Matt Reeves will return for another Planet of the Apes movie. The Dawn of the Planet of the Apes director will now direct third movie in the rebooted franchise as well.  The as-yet-untitled film will open July 29, 2016. Dawn opens on July 11, 2014.

- The upcoming Batman v. Superman film does not have an official title, and even though Batman (Ben Affleck) and Wonder Woman (Gal Gadot) are in it, it is a Superman-centric film. It's confirmed that Lex Luthor will be the villain, with Joaquin Phoenix being the rumored frontrunner. Cavill returns as Superman, and Amy Adams (Lois Lane), Diane Lane (Ma Kent) and Laurence Fishburne (Perry White) will also be back. There's also rumor that Dwayne "The Rock" Johnson is in talks to play the Green Lantern.

- Michael Douglas will play Hank Pym and Paul Rudd will play Scott Lang in Edgar Wright's upcoming adaptation of Ant-Man. Also, Michael Pena (American Hustle) is in talks to play a villain.

- Quentin Tarantino is writing and directing another Western. Plot details are being kept secret right now, but it's titled The Hateful Eight, and Christoph Waltz is attached.

- Not a movie thing, but Sasheer Zamata is about to become famous. She's been named the latest cast member of Saturday Night Live, and the first black woman in the cast since Maya Rudolph left.

2013 Golden Globe Winners

BEST PICTURE DRAMA - 12 Years a Slave
BEST PICTURE COMEDY - American Hustle
BEST DIRECTOR - Alfonso Cuarón, Gravity
BEST ACTOR DRAMA - Matthew McConaughey, Dallas Buyers Club
BEST ACTOR COMEDY - Leonardo DiCaprio, The Wolf of Wall Street
BEST ACTRESS DRAMA - Cate Blanchett, Blue Jasmine
BEST ACTRESS COMEDY - Amy Adams, American Hustle
BEST SUPPORTING ACTOR - Jared Leto, Dallas Buyers Club
BEST SUPPORTING ACTRESS - Jennifer Lawrence, American Hustle
BEST SCREENPLAY - Spike Jonze, Her
BEST FOREIGN LANGUAGE FILM - The Great Beauty
BEST ANIMATED FILM - Frozen
BEST ORIGINAL SONG - “Ordinary Love,” by U2, Mandela: Long Walk To Freedom
BEST ORIGINAL SCORE - All is Lost

BEST TV DRAMA - Breaking Bad
BEST TV COMEDY - Brooklyn Nine-Nine
BEST ACTOR DRAMA - Bryan Cranston, Breaking Bad
BEST ACTOR COMEDY - Andy Samberg, Brooklyn Nine-Nine
BEST ACTRESS DRAMA - Robin Wright, House of Cards
BEST ACTRESS COMEDY - Amy Poehler, Parks And Recreation
BEST MINI-SERIES OR TV MOVIE - Behind The Candelabra
BEST ACTOR MINI-SERIES OR TV MOVIE - Michael Douglas, Behind The Candelabra
BEST ACTRESS MINI-SERIES OR TV MOVIE - Elisabeth Moss, Top of the Lake
BEST SUPPORTING ACTRESS - Jacqueline Bisset, Dancing on the Edge
BEST SUPPORTING ACTOR - Jon Voight, Ray Donovan

Cecil B. DeMille Award - Woody Allen

The Golden Globes are known for being a little wacky, the speeches a little looser, the winners a little cool-kids. When they announced they were giving the Cecil B. DeMille Award to Woody Allen, I thought, "Wow, are they really going to get him to attend an awards show?" but no, Diane Keaton comes out and accepts for him in intentionally surreal fashion.

Movie-wise the love was spread.  The Globes have been looser in what they consider a comedy to help strengthen the category. American Hustle and Wolf of Wall Street have a lot of funny stuff in them, but are they really comedies? Eh, I'm not complaining. Happy about all the results, at least for the ones I've seen.

TV-wise, I was shocked that Brooklyn Nine-Nine won, but very happy for the show. It's the best rookie comedy out there, and it could use the boost. Also thrilled Amy Poehler finally won.

Saving Mr. Banks - Movie Review

Starring Emma Thompson, Tom Hanks, Colin Farrell, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Ruth Wilson, B.J. Novak, Melanie Paxson, Annie Rose Buckley and Rachel Griffiths.  Directed by John Lee Hancock.

★★★½

I've never read P.L. Travers' original Mary Poppins book, but this film successfully filled me with desire to hunt down a copy. Seems like something my kids should read, familiar as they are with the Disney version with which Mrs. Travers had so many issues.  And if a movie makes you coming out wanting to read a book, that's a good thing, right? (I'm currently in the middle of reading 12 Years A Slave.)

This movie is a soft approach to the battles between Disney and P.L. Travers over her work, at least as far as the 1961 scenes go. It also keep flashing back to 1906, when Travers was a small girl, and those scenes inform why Mary Poppins means so much to Travers, and how protective she is of her work.

Colin Farrell, absent from the marketing save for his voice in the trailer and his name on the poster, has a substantial role as P.L.'s father, a banker who gets beaten down by life. His stuff is at least a third of the movie, and he and Ruth Wilson (as his wife) are very good in their very serious roles.

I'll admit I was moved by the end. Came together quite nicely, so when Travers (Thompson) had her emotional catharsis, I was right there with her.

Lone Survivor is #1

The first true box-office hit of 2014 has emerged. Lone Survivor had the second-highest opening/expansion ever for January.  Mark Wahlberg is still a movie star, in case anyone was wondering.

Some of the award-hopefuls are expanding, and they could really use a boost from when the Academy Award nominations are announced later this week.  Her and Inside Llewyn Davis are sputtering before they've been able to get started. August: Osage County at least had some success, able to boast Meryl Streep and Julia Roberts as mother and daughter.

It still blows my mind that someone thought it was a good idea to sink $70 million into a Hercules movie starring Kellan Lutz. Yes, Lutz was in Twilight, but the last movie that had him top-billed was Arena, which co-starred Samuel L. Jackson and still went straight to DVD.  It was directed by Renny Harlin (Driven, Mindhunters, CutThroat Island).

The Secret Life of Walter Mitty - Movie Review

Starring Ben Stiller, Kristen Wiig, Sean Penn, Shirley MacLaine, Adam Scott, Kathryn Hahn and Patton Oswalt. Directed by Ben Stiller.

★★★½

I saw part of the same-titled Danny Kaye movie on TV when I was a little kid, but I don't remember much about it. It was based on a two-page James Thurber short story. This movie has nothing to do with that original story.

Stiller plays Walter Mitty, a boring man who constantly zones out into fantastical daydreams. He works for Life magazine but he soon learns that their next printed issue will be their last. Stiller wants to have it both ways and for the most part, does, with very funny daydreams combined with thought-provoking drama about actually living life.

Its main weakness would be with the blatant, intrusive product placement. The use of Papa John's as a plot device bordered on grotesque.

This is an elegant panoramic tribute to his locations. Greenland and Iceland look like places I'd want to visit. Nice to see Stiller take full advantage of the big screen.

Admission - DVD Review

Starring Tina Fey, Paul Rudd, Michael Sheen, Lily Tomlin, Wallace Shawn, Nat Wolff, Olek Krupa, Gloria Reuben and Sonya Walger.
Directed by Paul Weitz.

★½

Paul Rudd is not the kind of actor who can save a movie. He's pretty bland, a blank-slate harmless beta-male who might be a really great guy to hang out with in person, but on-screen, he's as crazy as a Snuggie. Making him a love interest for Tina Fey is a safe choice, but there's no spark or chemistry there. The last time I thought he had chemistry with a woman on-screen was Alicia Silverstone in Clueless.

So, Rudd distraction aside, this is more about Tina Fey, and while Fey tends to play brainy types unlucky in love, at least she's brainy. But this hinges on the Idiot Plot Device. Roger Ebert would refer to this when a movie has a plot that only keeps the movie going by having the main characters be or act like total idiots.

The device here, the hook, the first-act reveal, is that Rudd may have found Fey's son she gave up for adoption 18 years ago. She believes him. But she doesn't ask/tell/confront the kid. Takes her an hour of the movie to dance around the issue until she breaks it to him after everything else in the movie that needs to happen happens. See, she works in Admissions at Princeton, and Rudd thinks this kid would be a great student there.  Now, had Fey just tried to get to the bottom of it right away, the movie would have been 30 minutes long.  So...

And if this movie is remotely accurate as to how Ivy-League schools select their students, then screw Princeton.

Frozen edges Paranormal in weekend box office

In its sixth week of wide release (seventh total), Disney's Frozen has recaptured the #1 spot at the box office.

Paranormal Activity: The Marked Ones is the fifth one in the franchise and wasn't able to take advantage of the horror crowd the way this weekend usually lends. (Texas Chainsaw 3D cleaned up on this weekend last year.)

The Hunger Games: Catching Fire will pass Iron Man 3 in the next day or two as the highest domestic-grossing movie of 2013.

Monsters University - DVD Review

Starring the voices of Billy Crystal, John Goodman, Steve Buscemi, Helen Mirren, Nathan Fillion, Charlie Day, Dave Foley, Sean Hayes, Peter Sohn, Joel Murray, Alfred Molina and Aubrey Plaza.
Directed by Dan Scanlon.

★★★

Pixar must have had a hankering to do a college comedy, a G-rated riff on Animal House and Revenge of the Nerds, so they revisited the Monsters Inc crew.  I don't think if you took a poll of the Pixar library that Monsters Inc would have won "Which Movie Do You Most Want a Sequel To?" but it's entertaining in its own right.

Mike and Sully are rivals at college. They fight at first, but when they both get kicked out of the Scare program, they have to work together to get back in. I liked it more than their past couple efforts (Brave, Cars 2).

Televisually Speaking - 1/4/14

THE ASSETS (ABC) - This mini-series seems to be playing off the success of The Americans, about the CIA's attempt to find the mole in their organization that keep feeding information to the Soviets in the 1980's.  I watched the first hour but it never really gave me enough to want to watch more. And the ratings bear out it won't last long.

RAISING McCAIN (PIVOT) - This show might be informative if it had a different host, but then it wouldn't exist without Meghan McCain. Senator John's daughter has people smarter than her tackle issues with her about her generation. If her dad wasn't famous, she'd be a retail clerk in a Phoenix suburb.

KIRSTIE (TVLAND) - There's a circle of life with sitcoms. In the beginning, when they're aimed at teens and tweens, they're awful. Then as the kids mature, they can discover truly funny shows. But then there are shows aimed at middle-aged and senior people who watch just because it stars people that used to be funny.  Kirstie Alley, Rhea Perlman and Michael Richards are together on the same show, but all the jokes are broad, and the sitcom tropes trotted out without irony. When "special guest star" Kathy Griffin walks out, the live-studio audience applauds, just like they would have done on a show in 1981.

COMMUNITY (NBC) - Dan Harmon is back, and it's obvious. This show is inventive and funny again. I'll miss Pierce as part of the group dynamic, but I love the addition of Breaking Bad's Jonathan Banks as a criminalogist professor.

My Worst Ten Films of 2013

I haven't seen 21 & Over, The Last Exorcism 2, Trance, Scary Movie 5, The Big Wedding, The Hangover III, The Internship, Grown Ups 2, The Look of Love, Kick-Ass 2, The Canyons, Paranoia, Getaway, Battle of the Year, Runner Runner, Machete Kills, Winnie Mandela, The Fifth Estate, CBGB, The Counselor, 47 Ronin and some of these other movies making Worst Ten lists, but of what I saw, these were my least favorites.

I'm going to wait a couple more weeks before I do my Top Ten, as there's a few that haven't come to a theater near me I know I want to see.

Talented Misfire:

To the Wonder - An independent editor could probably assemble a beautiful film about love and betrayal from the footage, but Terrence Malick left most of those pieces on the cutting room floor in favor of sunsets and Olga Kurylenko twirling.

Dishonorable Mentions:

After Earth - Flat, uninteresting sci-fi flick that feels like an unintentional sequel to Battlefield Earth. Mostly because of the Scientology philopsophy throughout the movie, but also because it feels half-baked once it's over.  At least B.E. now has camp value.

Elysium - This sci-fi actioner makes zero sense when you think about it, but it also gets dinged for having what may be the worst performance of Jodie Foster's career. I don't know what she was going for, but I'm guessing South African Disney Villain.

Gangster Squad - Shallow mobster movie that more closely resembles Dick Tracy than DePalma. I'm confused why they assembled all this talent but didn't even try to be a good movie.

A Good Day to Die Hard - Worst installment yet, with Bruce Willis hopping around Russia like a superhero against bad guys who can't shoot, exuding zero chemistry with Jai Courtney as his estranged son. But the fact that they gave this to director John Moore (Max Payne) shows they didn't really care about quality.

The Purge - Takes an interesting Twilight Zone premise but doesn't do anything with it besides stretch it out as a home-invasion thriller. Missed opportunity.

And now...

.... the worst ten.

10. R.I.P.D. - Men in Black 2 meets Ghostbusters 2 meets CGI left over from the Mummy sequels. The Pluto Nash of our times.  I can see a lot of movies pitched as "It's [Hit Movie A] meets [Hit Movie B]!" as a way to get sold, but it needs to become its own thing somehow. This one doesn't.

9. GI JOE: RETALIATION - I didn't think Rise of Cobra was good, but this sequel made me think I was too harsh on it.  Most of the initial cast is killed off or replaced, and Dwayne Johnson is left to shoulder the load while Bruce Willis collects a paycheck. I'm surprised it didn't climax with a dance competition.

8. BROKEN CITY - I suppose there was a reason the studio put the ending of the movie in all their trailers and previews; it was the only way to make it look interesting.

7. IDENTITY THIEF - Major misfire for two comic talents whom I wouldn't mind seeing try again with a different script.  This one though makes Melissa McCarthy as unlikable as possible in the first half, but then tries to tug our heartstrings in the second half. Not buying it.

6. SAFE HAVEN - Remember the twist ending of Deadly Friend when Kristy Swanson revealed she's been a Terminator robot all along? This otherwise dull romance ends on about as ridiculous a note.

5. ONLY GOD FORGIVES - Lots of macho posturing and posing, where the actors must have thought their slow walking would be enhanced in post. Nope. Director Nicolas Winding Refn (Drive) leaves his actors dangling out there in this empty yakuza-style "thriller" and betrays his Drive star Ryan Gosling in their reunion.

----

The worst four don't really count as movies, yet they had theatrical releases nonetheless.

4. A HAUNTED HOUSE - The parody format that the Naked Gun did so well get diminishing returns with each passing year. This send-up of the Paranormal Activity movies starts with a too-long fart joke and goes downhill from there.  Awful.

3. THE ABCs OF DEATH - 26 short films about death. 24 of them sucked.

2. MOVIE 43 - A-List talent assemble in this anthology trying to be the next Amazon Women on the Moon. I guess. Whoever convinced Kate Winslet, Hugh Jackman, Halle Berry, Richard Gere, Dennis Quaid, Naomi Watts, etc., to appear in this is one heck of a salesman. The goal of a dirty joke should be to be funny first and shocking second. Unfunny shock is just a turd on your front porch.

1. INAPPROPRIATE COMEDY - This anthology comedy makes Movie 43 look like Monty Python by comparison. It's directed by the Sham-Wow guy.  No kidding. The biggest star it conned into appearing was Adrien Brody, who should sue. Bury all negatives of this in the Earth.

R.I.P.D. - DVD Review

Starring Jeff Bridges, Ryan Reynolds, Kevin Bacon, Mary-Louise Parker, Stephanie Szostak, James Hong, Marisa Miller, Robert Knepper and Mike O'Malley. Directed by Robert Schwentke.

★½

It's not Men in Black meets Ghostbusters.

It's Men in Black 2 meets Ghostbusters 2.

It's an example of unoriginal filmmaking filled with CG effects that can't hide that the jokes fall flat, the mystery is obvious every step of the way, and the action scenes have no consequence.

Ryan Reynolds plays a cop murdered by his partner, but before he faced Judgement, he's allowed to put in some years in the Rest In Peace Department (RIPD), a luxury that Earthly law-enforcers are allowed to tip the scales in their favor.  They go to Earth and hunt down the dead (nicknamed dead-o's) who are masquerading as the living.  See? Very MIB.

He's paired with a squinty-eyed Western lawman played by Jeff Bridges, cashing in his True Grit goodwill.  They fly through the exposition so they can get to the chases and monsters and stuff.

The most clever aspect of the movie is how they appear to the living as a supermodel and old Chinese guy. Unfortunately they don't really do much with this premise.

So yeah, waste of money, and it deserved its box-office failure.

To the Wonder - DVD Review

Starring Olga Kurylenko, Ben Affleck, Javier Bardem, and Rachel McAdams.  Directed by Terrence Malick.

★★

Malick is one of the most frustrating artists for me. I loved Badlands. I found The Thin Red Line to be tremendously overrated.  The New World was okay.  I was disappointed by Tree of Life.

But 21st century Malick is more concerned with images, impressions, moments that linger in the memory, disconnected.  He's not telling a story; he's pre-jumbling your memory of the movie for you.  We have shots or scenes that might stay in the head for a few days, even as most of it vanishes.

His movies are undeniably beautiful, but you can only watch an artist chase butterflies for so long. He films hours and hours of footage, and he doesn't use most of it, and the "most" part tends to include plot elements that would make the whole affair more comprehensible.  Jessica Chastain, Rachel Weisz, Michael Sheen, Barry Pepper and Amanda Peet were all in this movie at one point too, but he cut them entirely out of the picture. (Why as an actor would you want to be in a Malick film when you know how good the odds are your part will be whittled down to nothing, or almost nothing?)

Ben Affleck, I get the feeling, had a character and dialogue, but almost all of his lines are cut. I think he gets six lines of spoken word in the whole movie.  Olga Kurlyenko gets the most screen time.  She narrates her thoughts in French while she twirls in flowing skirts in fields of wheat.  Rachel McAdams shows up as an old flame that Affleck reconnects with, and then there's Javier Bardem as a priest.

About 70% of the words we hear are narrated, most by the wife but some by the priest (in Spanish), and most of those times it doesn't appear connected to what we're seeing on screen. I think this is a reflection on how our heads are often elsewhere from what our bodies are doing.  There are times it's jarring when the camera focusses on a person's face and they actually speak some dialogue. I can almost feel the frustration coming out of Affleck. "Let me speak! Some words!"

So while I love his eye, I wish he'd rewatch Badlands and see how it's okay to have a narrative attached to his images.  We can have both cinematography and a story!

Dallas Buyers Club - Movie Review

Starring Matthew McConaughey, Jennifer Garner, Jared Leto, Steve Zahn, Denis O'Hare, Dallas Roberts and Griffin Dunne.
Directed by Jean-Marc Vallee.

★★★

Physical transformation is the name of the game for this true-story drama.  Matthew McConaughey and Jared Leto lost a lot of weight to play men ravaged by AIDS, and on top of that, they do great acting jobs.

McConaughey plays Ron Woodroof, a straight rodeo cowboy/electrician who finds out in 1985 that he has AIDS.  Not much was known about AIDS then. It was a scary gay disease that Rock Hudson had.  Woodroof refuses to accept the apparent death sentence and fights tooth and nail to find any possible cure.

For dramatic purposes, the movie changes the history to make the FDA look less cooperative than they were, and they make the drugs Woodroof used seem more effective than they were.  You'd think Woodroof personally cured AIDS.  But on its own, as a movie, it's very effective at what it's trying to do.

McConaughey has come a long way from his Kate Hudson rom-coms (or even from Ghosts of Girlfriends Past which co-starred Garner), and this might be his best work to date.