The French Dispatch - Movie Review

Starring Benecio Del Toro, Adrien Brody, Tilda Swinton, Lea Seydoux, Bill Murray, Frances McDormand, Timothee Chalamet, Jeffrey Wright, Liev Schreiber, Elisabeth Moss, Fisher Stevens, Owen Wilson, Jason Schwartzman, Christoph Waltz, Willem Dafoe, Saoirse Ronan, Edward Norton, Lois Smith, Henry Winkler, Cecile de France, Steve Park and Mathieu Amalric.

Written by Wes Anderson, Roman Coppola, Hugo Guinness & Jason Schwartzman.

Directed by Wes Anderson.

★★½ 

There are plenty of actors I didn't even list above; the movie is bursting with recognizable faces. This ode to long-form journalism of a certain time is lovingly crafted by Wes Anderson, he of the very distinct flavor of films like Rushmore, The Royal Tenenbaums, Moonrise Kingdom and Isle of Dogs. While there is plenty to admire here and be entertained by, it's one of his most self-indulgent efforts to date, and I doubt it'll convert any newcomers not already on board with his sensibilities.

The movie is basically three stories attached with the narrative device of a magazine similar to The New Yorker. The French Dispatch is edited by Arthur Howitzer Jr (Bill Murray), and he has dedication to his writers. We learn at the beginning that he has died, and in his will, he wishes publication of the magazine to cease, so in this final issue, we get the last articles by JKL Berensen (Tilda Swinton), Lucinda Krementz (Frances McDormand), and Roebuck Wright (Jeffrey Wright).

The first story is the strongest of the three, about a convicted murderer (Benecio Del Toro) who happens to be a genius painter. The second revolves around a French student rebellion led by Timothee Chalamet, and the third is about the kidnapping of the son of the Commissaire (Mathieu Amalric). Toward the end of the second story, I was ready for it to be over, and toward the end of the third, I felt the same way. And with so many good actors, I have to wonder why they were willing to sign on when they only had one or two lines?

I'm trying to think of anthology movies I liked, and they tend to be horror (Trick R Treat) or from different voices (New York Stories). This is one I'm glad I saw but unlike the majority of Wes's films, I have no desire to see it again. In fact, the couple next to us said it was the worst movie they'd ever seen. But if Benecio Del Toro's story was on TV, I'd watch for a few minutes.

No Time to Die - Movie Review

Starring Daniel Craig, Rami Malek, Lea Seydoux, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris, Christoph Waltz, Jeffrey Wright, Ana de Arnas, Billy Magnussen, David Dencik, and Rory Kinnear.

Written by Neal Purvis, Robert Wade, Cary Joji Fukunaga & Phoebe Waller-Bridge.

DIrected by Cary Joji Fukunaga.

The 25th Eon production of Ian Fleming's 007 is a worthy final chapter in the Daniel Craig era. It's been six years since we last saw Bond, tying the longest gap since six-year break between Timothy Dalton's last Bond and Pierce Brosnan's first. Were it not for Covid, we would have seen this 18 months ago, but at least it's finally here!

Of all 25 films, it's in the upper half. I'd put it in the middle of the Craig movies. Better than Spectre and Quantum of Solace, but not quite on the level of Casino Royale and Skyfall.

We pick up five years after the events of Spectre. James is living the retired life with Madeleine (Lea Seydoux), and an MI6 agent named Nomi (Lashana Lynch) now has the 007 moniker. Ah, but old friend Felix Leiter (Jeffrey Wright) shows up with a big favor to ask, and Bond is pulled back into the world of international espionage. A nanobot program that can design poison to affect people with certain DNA but not others has fallen into the wrong hands. Those hands belong to Safin (Rami Malek), a man linked to Madeleine's past.

I loved the links to the past/bridges to the future here. Christoph Waltz is great in his Hannibal Lecter-esque cameo as Blofeld. Lashana Lynch is an interesting rival/reluctant teammate as the new 007. Craig's Knives Out co-star Ana de Arnas has a too-brief role as fellow spy Paloma, and this is in the longest Bond movie ever. (Her scenes were where I could hear Fleabag's Phoebe Waller-Bridge's contributions to the script the clearest, or at least I like to think so.)

The nice thing about Craig's Bond is we've seen him age 15 years. His Bond was a recently-promoted scrapper in Casino Royale, and here he goes out as the world-weary middle-aged man he naturally would be. Looking forward to see how they treat the new one, circa 2024. I also hope they keep the MI6 staff intact (Fiennes' M, Whishaw's Q, Harris' Moneypenny, Lynch's Nomi). 

Random Movie News - 9/30/13

- Hugh Jackman has joined the cast of Chappie, the next film from Neill Blomkamp (Elysium, District 9). It's about two gangsters who steal a robot to help them commit crimes. Sharlto Copley will provide the voice of the robot. Jackman is mulling over a return to Broadway for the Houdini musical.

- Mark Wahlberg is looking to team with director Rupert Wyatt (Rise of the Planet of the Apes) for a remake of The Gambler, the 1974 movie that starred James Caan as a college professor whose gambling addiction gets him in trouble with the wrong people.

- J.K. Rowling will make her screenwriting debut with Fantastic Beasts and Where to Find Them, which takes place in the same universe as Harry Potter but won't be considered a prequel. The events in the film will take place 70 years before the Harry Potter films.

- Christoph Waltz is in talks to play the villain opposite Alexander Skarsgard in a new Tarzan movie.

Epic - Movie Review

Starring the voices of Colin Farrell, Amanda Seyfried, Josh Hutcherson, Christoph Waltz, Beyonce, Aziz Ansari, Chris O'Dowd, Pitbull, Steven Tyler and Jason Sudeikis.
Directed by Chris Wedge.

★★½

You can still catch this at $2 theaters, which is how I saw it.

What I took away most was the visuals.  The animation is really lovely, the weaving of this fairy world in with the trees and bushes and so forth.

The story is your fish-out-of-water variety, where a teen girl finds herself shrunk to the size of the leaf-men, who've somehow stayed hidden from mankind all this time. And when you're small, suddenly you can have conversations with slugs and snails.  Meanwhile they're an evil race that wants to turn the forest rotten. Very FernGully.

The humor isn't as crossover as your usual Pixar effort, but it's not too obnoxious either.  I'd rank it just above Arthur & the Invisibles.

Django Unchained - Movie Review

Starring Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L. Jackson, Kerry Washington, Walton Goggins, Dennis Christopher, James Remar, Don Johnson, James Russo, Tom Wopat, M.C. Gainey, Dana Gourrier, Laura Cayouette, Franco Nero and Jonah Hill.
Directed by Quentin Tarantino.

★★★½

QT does for slaves here what he did for Jews in Inglourious Basterds - gives them a violent reimagining of history, boiling it down to a revenge flick.  Which is all fine and good.  When Tarantino puts history through his 1970's blaxploitation spaghetti-western worldview, he uses staples from his favorite B-flick genres, and by scrambling events through his prism, we get another ironic staple.  Cinematically alive and consistently engrossing, this Django doesn't disappoint.  It's not his best, but it's another impressive addition to his filmography.

When we first meet Django (Foxx), he is a slave being moved with a chain-gang across various terrains.  That gang is stopped by Dr. King Schultz (Waltz), a dentist turned bounty hunter who needs Django to help him identify some men he's hunting down.  Waltz gets to demonstrate all the charisma he had for Hans Landa, but for a slightly more moral man.  The Schultz-Django dynamic is like a fun buddy-cop period piece.

Schultz trains Django in the art of gunfire, and as they collect bounties and make money, Schultz makes a deal with Django. He hates slavery and feels bad he's benefiting from its trappings by owning Django, so after they've made some money, he agrees to set Django free and help him find his wife Broomhilda (Washington).  They learn she was sold to Calvin Candie (DiCaprio), owner of one of the largest plantations in Mississippi.

The second half of the movie takes on a more heart-of-darkness feel.  Our heroes enter deep into the property of Candieland, and we hope they're going to somehow pull off their con and get out alive.

Candie's side business is "mandingo fighting", having slaves fight no-holds-barred to the death, and placing bets.  Schultz poses as an interested investor, and Django is his expert on black stock.  They intend to buy one of Candie's best fighters, then casually buy Broomhilda on the side.

One wrench in the plans comes from Stephen (Jackson), Candie's right-hand house slave whose subservient dicrepitude hides a steel mind and loyal soul to Candie.  Stephen plays his Uncle Tom role well, but behind closed doors, there's clearly more respect and trust than outsiders can see.  Stephen is unlike anything Samuel L. Jackson's played before, and while Waltz and DiCaprio were both nominated for Best Supporting Actor for the Golden Globes, I hope come Oscar time one of those slots goes to Jackson.  The Django-Schultz relationship paralleled with the Stephen-Candie one is just another sign there's a method to QT's madness.

There's been controversy due to the movie's frequent use of the n-word. QT's dialogue is always so quotable, but this is one where white people won't be able to casually quote some of his best lines because that word's in there.  Well, historically it seems to fit right in. It's as though QT's rubbing our face in the history of race relations, that unpleasant bit of business our great-great-great grandparents went through.

The violence, especially the last half-hour, explodes like a comic opera.  Each bullet explodes its target like a Ziploc baggie full of Karo syrup.  People who've found previous Tarantino flicks distasteful should not hope he's calmed down for this one.

Carnage - DVD Review

Starring Jodie Foster, Kate Winslet, Christoph Waltz and John C. Reilly.
Directed by Roman Polanski.

★★★

I imagine this is a very entertaining play to watch.  It's a variant of Who's Afraid of Virginia Woolf, except both couples have their problems bubbling under the surface that may explode out once the alcohol gets pouring.

Foster and Reilly play one couple, she a liberal-cause writer and he a hardware store owner.  They've invited over another couple, Winslet and Waltz, she an investment broker and he a lawyer, because their boys got in a fight that resulted in one hitting the other in the face with a stick.  At first, the couples engage in the polite niceties of four adults trying to work out a problem, but Foster is the victim's mother and she keeps reaching for an apology that never quite comes.  As the day wears on, the politeness takes an edge, and eventually the happy public faces are stripped away.

It's a dark comedy about eroding manners, and while I liked it, I never forget it was based on a play.  The whole thing takes place in a claustrophobic apartment.  The four actors have a blast in their roles, and while the women having showier scenes, I thought Waltz stole the movie.  His shark-like smile and dark eyes make him predatory.  He'll be nice if he has to, but don't push his buttons.

It has a quick running time, which makes its lack of an ending more jolting.  I enjoyed it, but the studio made a mistake positioning this as a limited-release late-December Oscar-bait movie.  I would have made it a spring or fall release on at least 1000 screens.  As is, when the Oscar nominations didn't materialize, it fizzled out at $2.5 million.

Kurt Russell, Don Johnson join Django Unchained

After some largely ignored supporting roles (Machete, Bucky Larson), Don Johnson has joined the cast of Quentin Tarantino's Django Unchained. This pits the original Miami Vice's Crockett in a movie with the new Tubbs (Jamie Foxx) in a movie. Johnson will play an evil plantation owner. It also stars Leonardo DiCaprio, Christoph Waltz, and Samuel L. Jackson. Kurt Russell recently replaced Kevin Costner in the role of DiCaprio's malevolent right-hand man, and Dennis Christopher (Breaking Away, It) has also signed on.

Kevin Costner drops Django Unchained

Kevin Costner has dropped out of Quentin Tarantino's Django Unchained. He was to play Ace Woody, right-hand man to evil plantation owner Calvin Candie (Leonardo DiCaprio). The movie stars Jamie Foxx as freed slave Django, with the help of a German bounty hunter (Christoph Waltz), seting out to free his wife from Candie. Samuel L. Jackson also has a role.

I was looking forward to seeing Costner unleash in QT's world, so who should replace him? I would enjoy seeing QT alum Kurt Russell (Death Proof) or Michael Keaton (Jackie Brown) come back. Maybe Woody Harrelson, who did Natural Born Killers which was written by but not directed by QT. Who's someone who would not be an obvious choice but might be able to let loose in QT's world? Anthony Edwards? Anthony LaPaglia? Ed Harris? Colin Farrell? Brian Van Holt? Bryan Cranston? Andrew McCarthy? Powers Boothe?