Doctor Strange - Movie Review

Starring Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Mads Mikkelsen, Benedict Wong, Michael Stuhlbarg and Benjamin Bratt.
Written by Jon Spaihts, Scott Derrickson & C. Robert Cargill.
Directed by Scott Derrickson.

★★★

The Marvel Cinematic Universe is like the most expensive binge-worthy series. Iron Man was just the first two episodes. And in a way, it's like the reverse Orange Is the New Black. Instead of meeting everyone and then getting their backstory, every other episode is an origin story, and we know they'll mingle with other cast members later. Like after the credits.

This time around we meet Dr. Steven Strange, a brilliant, arrogant surgeon whose hands get screwed up in an auto accident. He seeks every possible method of surgical healing, but in a moment of desperation, he goes East to pursue more mystical methods. There he meets the Ancient One (a Tibetan monk in the comics, but to make the movie more palatable for China, he's been changed to a Celtic one). Tilda Swinton plays the Ancient One, and she elevates every scene she's in.

It's one of the funnier entries in the MCU, and it would have to be since it's full of magic and bending reality and interdimensional travel. The visuals are great. Very reminiscent of Inception, but it feels like it's its own thing.

I also enjoyed his sentient cape. Reminded me of the magic carpet from Aladdin.

We Need to Talk About Kevin - DVD Review

Starring Tilda Swinton, John C. Reilly and Ezra Miller.
Directed by Lynne Ramsay.

★★

This movie had what could have been a fascinating premise, and it is fascinating in spots.  Tilda Swinton is Eva, a mother disturbed by her devil-spawn son Kevin.  It's told mostly in flashbacks, and we can see from a baby on that Kevin (Ezra Miller) is a rotten kid. We know early on Kevin is responsible for a mass killing at his school. I kept wondering if it was supposed to be stylized memory, distorted from the mother's perspective, or if the filmmaker is really saying "Some boys are just eeeevil."

Swinton is mesmerizing in the role, and the movie would be painful without her.  The movie is full of scenes where no one says anything, where the elephant in the room is never addressed.  Kevin is mostly nice around dad Franklin (John C. Reilly) but glares at Eva whenever he gets a chance.  Just does that evil Kubrickian look from under the eyebrows.

I would have liked to see a slight shred of humanity from Kevin, especially in his younger days.  It's too easy to just make him soulless from birth.  Not to mention there's no real resolution.

Moonrise Kingdom - Movie Review

Introducing Jared Gilman and Kara Hayward.
Starring Bruce Willis, Edward Norton, Bill Murray, Frances McDormand, Tilda Swinton, Jason Schwartzman, Harvey Keitel and Bob Balaban. Directed by Wes Anderson.

★★★★

Wes Anderson, God bless him, is a quirky director with a distinct style that puts his stories on a tightrope.  His movies can suffer from an overload of whimsy.  As long as human emotion can still break through, that's when he succeeds best.  I loved The Royal Tenenbaums, partly because the three genius kids still felt the pain of having such an unbearably dysfunctional dad.  I felt like The Life Aquatic with Steve Zissou didn't quite work because the quirky overwhelmed the humanity.

Moonrise Kingdom succeeds largely because the emotions are real.  Granted, he still has that puppet-show style where most frames are set up like you're in the front row watching something unfold on stage, but the offbeat delivery doesn't hide or blur the humanity.  It centers on Sam, a resourceful khaki scout, and Suzy, an angry girl with binoculars.  They are 12 years old in 1965, and if Stephen King's taught me anything, it's that being 12 is a magical time, when girls aren't just those creatures with cooties who stand on the other side of class.  Sam and Suzy both feel like outcasts and are therefore drawn to each other.  They've hatched a plan, you see.

Edward Norton is Scout Master Ward, in charge of his troop and alarmed when he sees Sam has run away. He notifies Captain Sharp (Bruce Willis), the law enforcement in these parts.  They come to learn Suzy's gone too and must notify her parents (Bill Murray, Frances McDormand).  We go back and forth watching the adults frantically, fruitlessly try to find the two lovebirds, and we watch Sam and Suzy survive in the wilderness, for Sam has been training for this.

Jared Gilman (Sam) and Kara Hayward (Suzy) have made their film debuts here, and they simply are their characters. The relationship and chemistry between them is sweet, unforced and natural.  Even in stylized Anderson-ville, everything works.  We want these two crazy kids to be together, even though there's no possible way they can just live in the woods forever.  Gilman has this straightforward nerdiness, and Hayward is like a rebellious Emma Watson.

We caught this at the $3 theater, so I imagine it'll be on DVD in a couple months. It's worth hunting down. Wouldn't surprise me if it gets a couple Academy Award nominations when the time comes.

Hugo win NBR's Best Film

The National Board of Review gave out their awards.

Best Film: Hugo
Best Director: Martin Scorsese, Hugo
Best Actor: George Clooney, The Descendants
Best Actress: Tilda Swinton, We Need to Talk About Kevin
Best Supporting Actor: Christopher Plummer, Beginners
Best Supporting Actress: Shailene Woodley, The Descendants
Best Original Screenplay: Will Reiser, 50/50
Best Adapted Screenplay: Alexander Payne and Nat Faxon & Jim Rash, The Descendants
Best Animated Feature: Rango
Breakthrough Performance: Felicity Jones, Like Crazy
Breakthrough Performance: Rooney Mara, The Girl with the Dragon Tattoo
Debut Director: J.C. Chandor, Margin Call
Best Ensemble: The Help
Spotlight Award: Michael Fassbender (A Dangerous Method, Jane Eyre, Shame, X-Men: First Class)
NBR Freedom of Expression: Crime After Crime
NBR Freedom of Expression: Pariah
Best Foreign Language Film: A Separation
Best Documentary: Paradise Lost 3: Purgatory
Special Achievement in Filmmaking: The Harry Potter Franchise – A Distinguished Translation from Book to Film

Top Films
(in alphabetical order)

The Artist
The Descendants
Drive
The Girl with the Dragon Tattoo
Harry Potter and the Deathly Hallows Part 2
The Ides of March
J. Edgar
Tree of Life
War Horse

Top 5 Foreign Language Films
(In Alphabetical Order)

13 Assassins
Elite Squad: The Enemy Within
Footnote
Le Havre
Point Blank

Top 5 Documentaries
(In Alphabetical Order)

Born to be Wild
Buck
George Harrison: Living in the Material World
Project Nim
Senna

Top 10 Independent Films
(In Alphabetical Order)

50/50
Another Earth
Beginners
A Better Life
Cedar Rapids
Margin Call
Shame
Take Shelter
We Need To Talk About Kevin
Win Win


Conspicuous by their absense: Midnight in Paris, Moneyball, Tinker Tailor Soldier Spy, The Iron Lady.

After its mixed reviews, I'm surprised J. Edgar made their top ten.