Starring Charlize Theron, James McAvoy, John Goodman, Toby Jones, Sofia Boutella, Eddie Marsan, Til Schweiger and Bill Skarsgard.
Written by Kurt Johnstad.
Directed by David Leitch.
★★★
There is a fight scene in a stairway that lasts for over ten minutes, and it's all in one take. That alone is worth the price of admission.
This feels like a crime thriller that could have been a bad John Le Carre adaptation, but it's been amped up with stunts and swagger. Theron plays Lorraine Broughton, an MI6 agent sent to Berlin during the week in 1989 that the Wall is expected to fall. She needs to track down a spy who supposedly has a list of double-agents, and that could be dangerous if it falls into the wrong hands.
The soundtrack's full of 1980's goodness, and Theron knows how to combine sensuality and martial artistry. James McAvoy also has a good time in his very non-Professor X role as her contact in Berlin who may or may not be looking for an opportunity to betray her.
It's from the co-director of John Wick, and it shows.
Showing posts with label Charlize Theron. Show all posts
Showing posts with label Charlize Theron. Show all posts
Sunday, September 3, 2017
Sunday, April 23, 2017
The Fate of the Furious - Movie Review
Starring Vin Diesel, Dwayne Johnson, Charlize Theron, Jason Statham, Michelle Rodriguez, Kurt Russell, Tyrese Gibson, Chris "Ludacris" Bridges, Scott Eastwood, Nathalie Emmanuel, Kristofer Hivju, Elsa Pataky, Luke Evans and Helen Mirren.Written by Chris Morgan.
Directed by F. Gary Gray.
★★
These movies are now so loud, so huge, so spectacular, so stunt-reliant, the plot matters less and less each time. Maybe the plot never mattered. They're dangerously close to venturing into Tranformers territory. Would it surprise anyone if this franchise wound up going to space?
This centers around Dom (Vin Diesel) who's been a criminal since the first movie, but he keeps getting pardoned for weird reasons, or just on the lam with no official desire to bring him in. The latest giant international incident that's worthy of a Mission Impossible movie has the world's most dangerous cyberterrorist Cipher (Charlize Theron) blackmailing Dom into helping steal the God's Eye device (the high-tech thingy from the last movie that allows the user to see what's going on at any location on Earth), and once she has that, she's going to use to steal nuclear codes.
It's a late reveal what leverage Cipher has on Dom, but you know, not only do people die over the course of events, but he's giving her the power to start World War III. What possible leverage would make Dom do that?
Mr. Nobody (Kurt Russell) enlists Hobbs (Dwayne Johnson) and Dom's crew to stop Cipher, and he even gets Deckard Shaw (Jason Statham), the main villain from the last movie, to help them out. Now this franchise likes to say it's about family. Han was part of the family for a few movies, and in Furious 7, Deckard killed Han. Killed him. And no one brings it up. Han's name is never said. By the end of the movie, Deckerd is embraced as a full member of the crew.
He killed Han!
I'll give you Dom not once but twice driving a car that's engulfed in flames and not getting a single burn, or Dom outdriving a heat-seeking missile, but you can't just have everyone forget that Deckard killed one of their members.
I suppose in the next movie, Cipher will return and help the crew fight a different villain. And Han will come back from the dead because *shrug emoji*.
Wednesday, June 13, 2012
Prometheus - Movie Review
Starring Noomi Rapace, Michael Fassbender, Charlize Theron, Idris Alba, Guy Pearce, Logan Marshall-Green, Sean Harris and Rafe Spall. Directed by Ridley Scott.
★★★
This is a prequel of sorts to Alien, but it's a distant prequel, by which I mean I can see another movie or two happening between the events of this and Scott's original classic Alien.
The setup is familiar. A team of scientists, experts, etc., are on an exploratory mission. They believe they've found where life on Earth came from. They're in hibernation for two years while the ship travels; only the android David (Michael Fassbender) is awake. The scenes of David by himself are very reminiscent of the first half-hour of Wall-E.
The crew eventually awakens, and then they are given their mission brief. I think it's amazing that a crew would agree to go on a four-year mission without being told why before they were put into hibernation, but work with me here. They have found a habitable moon around the planet LV-223 (look up Leviticus 22:3), where they believe their creators - they call them the Engineers - are from.
I caught this in 3-D, and I really enjoyed it that way. This is a visually gorgeous film. The set design has H.R. Geiger's handiwork everywhere, and the eventual mythology spelled out makes sense in the Aliens universe.
There are three primary issues I have with this film. I have many more, but these are the three primary ones.
1. Unanswered questions. I am cool with some unanswered questions; it invites discussion. But there are so many unanswered questions that it's hard to tell what they were intentionally ambiguous about and what they just had no idea what the actual answer is. Rememeber how the end of Star Trek V felt like a cheat? Prometheus isn't as bad as that, but it made me think of it.
2. Stupid characters. Stupid character decisions are okay here and there. I mean, why is Brett looking for the cat by himself in 1979's Alien when he knows that killer critter's on board? But Alien had seven people and we got to know each of them. Prometheus has seventeen people on board, and half of them could be named Soon to Be Alien Fodder Especially If You Have An Accent. The experts in their fields, allegedly smart people (especially the biologist), behave as idiotically as teenagers in a Friday the 13th movie.
3. There is one character who dies near the end in such a stupid way that I can't help but think that maybe they actually survived and we had a bad camera angle. I mean, it's stupider than anything else anyone else does, and therefore it gets its own issue number.
It has its other, more minor issues, like why cast Guy Pearce if he's going to be in old-age make-up the whole time? And despite all of this, I am hungry for Prometheus 2. Prometheus 2 doesn't even have to connect us to Alien yet. There's plenty of room there, and possibilities. A lot of the bioengineering stuff worked for me. The explanation of what's really going on on that planet worked for me. Most of the time we don't know much more than the characters. I devoured the visuals.
It's a brilliant mess, a moronic masterpiece, a wonderful misfire. It's a paradox. And so I would recommend it to those who are curious, but expect to be a little annoyed when you come out.
★★★
This is a prequel of sorts to Alien, but it's a distant prequel, by which I mean I can see another movie or two happening between the events of this and Scott's original classic Alien.
The setup is familiar. A team of scientists, experts, etc., are on an exploratory mission. They believe they've found where life on Earth came from. They're in hibernation for two years while the ship travels; only the android David (Michael Fassbender) is awake. The scenes of David by himself are very reminiscent of the first half-hour of Wall-E.
The crew eventually awakens, and then they are given their mission brief. I think it's amazing that a crew would agree to go on a four-year mission without being told why before they were put into hibernation, but work with me here. They have found a habitable moon around the planet LV-223 (look up Leviticus 22:3), where they believe their creators - they call them the Engineers - are from.
I caught this in 3-D, and I really enjoyed it that way. This is a visually gorgeous film. The set design has H.R. Geiger's handiwork everywhere, and the eventual mythology spelled out makes sense in the Aliens universe.
There are three primary issues I have with this film. I have many more, but these are the three primary ones.
1. Unanswered questions. I am cool with some unanswered questions; it invites discussion. But there are so many unanswered questions that it's hard to tell what they were intentionally ambiguous about and what they just had no idea what the actual answer is. Rememeber how the end of Star Trek V felt like a cheat? Prometheus isn't as bad as that, but it made me think of it.
2. Stupid characters. Stupid character decisions are okay here and there. I mean, why is Brett looking for the cat by himself in 1979's Alien when he knows that killer critter's on board? But Alien had seven people and we got to know each of them. Prometheus has seventeen people on board, and half of them could be named Soon to Be Alien Fodder Especially If You Have An Accent. The experts in their fields, allegedly smart people (especially the biologist), behave as idiotically as teenagers in a Friday the 13th movie.
3. There is one character who dies near the end in such a stupid way that I can't help but think that maybe they actually survived and we had a bad camera angle. I mean, it's stupider than anything else anyone else does, and therefore it gets its own issue number.
It has its other, more minor issues, like why cast Guy Pearce if he's going to be in old-age make-up the whole time? And despite all of this, I am hungry for Prometheus 2. Prometheus 2 doesn't even have to connect us to Alien yet. There's plenty of room there, and possibilities. A lot of the bioengineering stuff worked for me. The explanation of what's really going on on that planet worked for me. Most of the time we don't know much more than the characters. I devoured the visuals.
It's a brilliant mess, a moronic masterpiece, a wonderful misfire. It's a paradox. And so I would recommend it to those who are curious, but expect to be a little annoyed when you come out.
Sunday, June 3, 2012
Snow White and the Huntsman - Movie Review
Starring Kristen Stewart, Charlize Theron, Chris Hemsworth, Sam Claflin, Ian McShane, Bob Hoskins, Ray Winstone, Nick Frost, Toby Jones, Eddie Marsan and Sam Spruell.Directed by Rupert Sanders.
★★★
Kristen Stewart is a good actress. I know she doesn't seem like it in the Twilight movies, but in everything else she does, there's more to her. I point to Panic Room, Adventureland and The Runaways as examples. Here, she's Snow White, a princess imprisoned by her evil stepmother Queen Ravenna (Charlize Theron). Snow White escapes one day, and with good timing, for Ravenna is planning on taking her heart as part of a spell to grant her immortality.
Snow White makes it to the Dark Forest, and the Queen sends her men to find someone who can track her down. They bring to her the Huntsman (Chris Hemsworth), a drunken widower who on his good days is an effective tracker.
Eventually the dawrfs come into play.
Stewart doesn't quite get there in all her scenes. There's a rousing speech she gives her people before battle that doesn't really work. Theron, meanwhile, owns the movie as Ravenna, remaining young by stealing the youth from others. I liked Hemsworth as the Huntsman. I think he'll prove to be a better actor than Sam Worthington.
And then there's the dwarfs. I loved the dwarfs. This one goes the Lord of the Rings route by taking regular actors and using makeup, CGI and camera tricks to dwarf them. Bob Hoskins stands out as the oldest, wisest, blind dwarf, but Ian McShane, Ray Winstone, Eddie Marsan, Nick Frost, Toby Jones, etc., all get their moments.
This visually arresting fantasy brought to mind some of those 1980's classics like Ladyhawke and The NeverEnding Story.
Saturday, December 31, 2011
Young Adult - Movie Review
★★★½

Starring Charlize Theron, Patton Oswalt, Patrick Wilson, Elisabeth Reaser, Jill Eikenberry and Collette Wolfe. Directed by Jason Reitman.
This is anti-romantic comedy, a nice counter-argument to the usual fluffy "find a man" comedies where the preview shows him running to her in the rain at an airport, or the girl and her friend dancing to an oldie in their living room. This is about Mavis (Charlize Theron), an author of young-adult novels who's never grown up herself. One day she decides to win back her old high-school boyfriend Buddy. The fact that he's married and just had a baby is a mere obstacle.
When Mavis arrives in town, she runs into former classmate Matt (Patton Oswalt) the nerd who's still suffering from a savage beating at the hands of some fun-loving jocks. Mavis doesn't really care, unless Matt can somehow help her in her quest to land Buddy.
This comedy goes to some dark, sad places, and it's almost exhilarating how our heroine refuses to grow up, refuses to repent. There's a real sadness to Mavis underneath, and she's doing everything she can to make sure she stays shallow. To take a good look at herself might destroy her.
Acting nominations are deserved from Charlize Theron and Patton Oswalt. This movie is good reminder that Theron is still a force to be reckoned with.

Starring Charlize Theron, Patton Oswalt, Patrick Wilson, Elisabeth Reaser, Jill Eikenberry and Collette Wolfe. Directed by Jason Reitman.
This is anti-romantic comedy, a nice counter-argument to the usual fluffy "find a man" comedies where the preview shows him running to her in the rain at an airport, or the girl and her friend dancing to an oldie in their living room. This is about Mavis (Charlize Theron), an author of young-adult novels who's never grown up herself. One day she decides to win back her old high-school boyfriend Buddy. The fact that he's married and just had a baby is a mere obstacle.
When Mavis arrives in town, she runs into former classmate Matt (Patton Oswalt) the nerd who's still suffering from a savage beating at the hands of some fun-loving jocks. Mavis doesn't really care, unless Matt can somehow help her in her quest to land Buddy.
This comedy goes to some dark, sad places, and it's almost exhilarating how our heroine refuses to grow up, refuses to repent. There's a real sadness to Mavis underneath, and she's doing everything she can to make sure she stays shallow. To take a good look at herself might destroy her.
Acting nominations are deserved from Charlize Theron and Patton Oswalt. This movie is good reminder that Theron is still a force to be reckoned with.
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