Starring James McAvoy, Bruce Willis, Samuel L. Jackson, Anya Taylor-Joy, Sarah Paulson, Spencer Treat Clark and Charlayne Woodard.Written & Directed by M. Night Shyamalan.
★★½
I loved Unbreakable. I liked Split. After the hit of Split and the buzz afterwards, the studio would have happily financed Glass, but Shyamalan wanted to do it himself so he could have 100% control. This is a movie that really could have used a producer to reign him in and give script notes. The last time Shyamalan got too full of himself and refused to accept what the studio was telling him was when he ended his Disney deal and took his next film elsewhere under condition he could make it the way he wanted. That movie was Lady in the Water.
This movie isn't as bad as that one, but I really wanted to like this movie and it had too many issues to ignore. I am glad I saw the reviews were bad so I went in with low expectations.
I really liked this movie for a good while. Past the hour-mark, it was still a solid thumbs-up for me. We get reintroduced to the unbreakable David Dunn (Bruce Willis), still fighting bad guys in his poncho. We see what he and his grown son (Spencer Treat Clark) are up to. We also see that split-personalitied Kevin (James McAvoy) is free, and that the more malevolent ones in the Horde (what all the personalities who aren't Kevin are called) are running the show, as he's holding four teenage girls hostage in some abandoned brick factory. (I love abandoned brick factories as a movie setting. Almost as much as catwalk-and-steam factories for Act 3 action showdowns.)
David brushes up against Kevin and sees where the girls are. They have a showdown, but both wind up getting arrested and tranquilized and taken to a mental health facility. Enter Dr. Staple (Sarah Paulson), a psychiatrist who specializes in patients with delusions of being superheroes. It's a very narrow field of research. Oh, and also at this facility? Elijah Price, aka Mr. Glass (Samuel L. Jackson).
Now if you haven't seen Split, like my wife, this movie is very confusing and terrible. I have, so I understood everything about the lights switching personalities in Kevin, or why former kidnap victim Casey (Anya Taylor-Joy) has sympathy for a couple of the personalities inside there. But there are other ways the movie goes wrong.
First of all, Shyamalan is very fond of characters looking right in the camera to give their dialogue, giving the audience the POV of the character he/she is talking to. This is done quite a bit with Paulson, and we are unable to look away when her dialogue starts getting really clunky and repetitive. "Stop making Paulson look at us and explain everything!" The more she's forced to give over-expository dialogue, the worse it gets. Which is exactly how I felt when watching Lady in the Water. This makes the middle of the movie lose a lot of its pacing, but I was still okay with that.
Act 3 comes, and Shyamalan builds up to this twist that isn't really that great, or at least if he hadn't hung SUCH a lantern on it. But even as we get there, the climax is start-stop-start-stop, like a car that starts but dies as soon as you hit the gas. We also lose track of what everyone's doing during the final showdown. The last half-hour could have been done in fifteen minutes just as effectively, and it wouldn't have felt so clumsy. It also would have been nice if he'd had a couple more million in the budget to make the special effects look better.
Now I really enjoyed the three main guys in their roles. McAvoy bounces around all of the personalities with precision. One line and I have no doubt which of the dozen or so from the Horde is currently in charge. Willis looks more engaged here that he has in at least a decade, and Jackson really buries himself nicely into the role of Mr. Glass. It's one of my favorite characters of his.
Glass is a movie easy to pick apart. I could really rip on a lot more elements in this movie, but after I've slept on it, I'm still glad I saw it, as it mostly lived up to my low expectations. It's an entertainingly bad movie. But man, the potential it had... It could have been so much better.
