Showing posts with label Hidden Figures. Show all posts
Showing posts with label Hidden Figures. Show all posts

Sunday, February 5, 2017

Split is #1 for third week, Rings #2


For the weekend of February 3-5, 2017, M. Night Shyamalan's Split managed to stay #1 for the third week in a row. I hope he and James McAvoy had decent back-end percentage deals because they should make a lot of money from this movie, which had a modest $9 million production budget.

Of the new releases, Rings did best. For it to be yanked out of October and dumped here was the first signal it probably wasn't good. Its current 5% at RottenTomatoes would indicate it's going to disappear fast from theaters.

The Space Between Us was originally going to open in August, then December, and now finally here. Its 18% RottenTomatoes score tells me it'll disappear even faster than Rings.

Robert DeNiro's labor of love, The Comedian, opened on less than 900 screens and it still had a lower per-screen average than The Space Between Us.

Of the holdovers, Oscar darlings Hidden Figures and La La Land are still finding audiences. I'm rooting for Arrival to cross the $100 million domestic mark; it'll probably get there once it hits more discount theaters.

Where the current nine best picture nominees stand:

Hidden Figures - $119.4 million
La La Land - $118.3 million
Arrival - $98.64 million
Hacksaw Ridge - $66.36 million
Fences - $52.71 million
Manchester by the Sea - $43.91 million
Hell or High Water - $27.01 million
Lion - $24.71 million
Moonlight - $19.64 million


Opens February 10
LEGO BATMAN MOVIE with the voices of Will Arnett, Zach Galifianakis and Jenny Slate.
FIFTY SHADES DARKER with Dakota Johnson, Jamie Dornan and Marcia Gay Harden.
JOHN WICK 2 with Keanu Reeves, Ian McShane, John Leguizamo and Laurence Fishburne.

Friday, February 3, 2017

My Top Ten Films of 2016

Of the 104 movies I saw in 2016, these were the best.

Honorable Mentions: Deadpool, Don't Breathe, Fences, Florence Foster Jenkins, Hail Caesar!, I Am Not A Serial Killer, The Jungle Book, Life Animated, The Lobster, Loving, Midnight Special, Sully, 10 Cloverfield Lane, 13 Hours: The Secret Soldiers of Benghazi, The Witch.

My Top 11-20 (in alphabetical order):

CAPTAIN AMERICA: CIVIL WAR - DC Comics may not have figured out the movie business post-Nolan, but Marvel's humming along. Civil War brought together some old favorites and new and featured one of my favorite fight-scenes ever in a comic book movie.

DEEPWATER HORIZON - Director Peter Berg's tribute to blue-collar consequences to white-collar greed may be the most respectful disaster movie ever.

THE EDGE OF SEVENTEEN - Hailee Steinfeld has arrived.

GREEN ROOM - This claustrophobic thriller stars Anton Yelchin as a band member where he and his mates barricade themselves in a green room at a Nazi club after they witness a murder. Patrick Stewart is the skinhead leader who just wants these rockers disposed of. The sense of dread builds at the right pace and there's a realistic feel to how everything goes down.

THE INVITATION - Low-budget indie drama that starts like a thriller and keeps audiences guessing where it's going.

THE NICE GUYS - Russell Crowe and Ryan Gosling made for 2016's most surprisingly funny comedy duo.

ROGUE ONE - This Star Wars stand-alone answers one of the big questions from the original trilogy and just adds depth to the franchise in general.

SING STREET - John Carney once again writes and directs a movie about people writing music, but by setting this in high school in the 1980's, there's the extra pleasure of nostalgia.

WEINER - Fascinating documentary about one of the most self-destructive politicians of the decade.

ZOOTOPIA - Disney had great success with an all-animal cast for Robin Hood, so they do it again with Chinatown.

And now....

..... My Top Ten:

10. HIDDEN FIGURES - Inspirational true story about the African-American women who helped put John Glenn into space.

9. LOVE & FRIENDSHIP - Kate Beckinsale blazes through this Jane Austen adaptation from her old pal Whit Stillman. She says so many cruel things but with such a smile on her face that no one around her knows how to handle it.

8. MOONLIGHT - A very distinct, unique character study of a boy who doesn't say much, but we can still get what he's going through. Writer/director Barry Jenkins is going to be someone to follow.

7. MANCHESTER BY THE SEA - Heartbreaking drama about a messed-up guy who's named guardian of his nephew after his brother dies. Career-best work from Casey Affleck.

6. HACKSAW RIDGE - Director Mel Gibson is back, giving us a story of a conscientious objector to WWII who still found a way to serve in the military without firing a shot.

5. LA LA LAND - This throwback to old musicals is delightful, but especially when you consider it's from the guy who made the verrrry different Whiplash.

4. NOCTURNAL ANIMALS - Tom Ford knows exactly what story he wants to tell here and I was on board. On its surface it's just a story-within-a-story about a woman reading a new novel by her ex-husband, but the way that story weaves in with flashbacks of their relationship is superbly done.

3. LION - Moving true story of a little boy lost in India, and how as an adult he tries to find his mother.

2. ARRIVAL - This contemplative movie makes an alien arrival almost a subplot, to the more focussed story of how a linguist (Amy Adams) deals with the complications of trying to decipher an alien language.

1. HELL OR HIGH WATER - This modern-day Western is perfectly paced, with a pair of young bankrobbers and a pair of old cops trying to stay ahead of the other. it was my favorite movie of the year.

Tuesday, January 31, 2017

SAG Award Winners


Outstanding Performance by a Cast in a Motion Picture
“Hidden Figures”

Outstanding Performance by a Male Actor in a Leading Role
Denzel Washington, “Fences”

Outstanding Performance by a Female Actor in a Leading Role
Emma Stone, “La La Land”

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, “Moonlight”

Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, “Fences”


Outstanding Performance by an Ensemble in a Drama Series
“Stranger Things”

Outstanding Performance by an Ensemble in a Comedy Series
“Orange is the New Black”

Outstanding Performance by a Male Actor in a TV Movie or Miniseries
Bryan Cranston, “All the Way”

Outstanding Performance by a Female Actor in a TV Movie or Miniseries
Sarah Paulson, “The People v. O.J. Simpson”

Outstanding Performance by a Male Actor in a Drama Series
John Lithgow, “The Crown”

Outstanding Performance by a Female Actor in a Drama Series
Claire Foy, “The Crown”

Outstanding Performance by a Male Actor in a Comedy Series
William H. Macy, “Shameless”

Outstanding Performance by a Female Actor in a Comedy Series
Julia Louis-Dreyfus, “Veep”

Sunday, January 29, 2017

Split stays #1, A Dog's Purpose #2


For the weekend of January 27-29, 2017, M. Night Shyamalan's Split held on to the top spot, with a very good 34.2% drop. Any time your second week is less than 40%, you know you have a word-of-mouth hit. By comparison, xXx 3 had a 59% drop.

Of the new releases, the Oscar-qualifying Gold fell on its face. Viewers weren't ready to watch a balding-capped Matthew McConaughey in a pale version of Wolf of Wall Street. The Founder found itself in a similar boat, but only dropping 21% without adding a single screen is a very good sign of people seeking it out.

The winner of the new releases was A Dog's Purpose, a family film opening right when December's releases are ready to dwindle and leave.

Resident Evil: The Final Chapter ends the franchise with a whimper instead of a bang.

Hidden Figures, meanwhile, in its fourth week of wide release, only dropped 11%.


Opens February 3
RINGS with Aimee Teegarden, Alex Roe, Vincent D'Onofrio and Johnny Galecki.
THE SPACE BETWEEN US with Gary Oldman, Asa Butterfield and Britt Robertson.

Sunday, January 22, 2017

Split Wins Box-Office Weekend


For the weekend of January 20-22, 2017, M. Night Shyamalan's Split overachieved over its tracking and solidifies between this and The Visit that Shyamalan in back.

xXx: The Return of Xander Cage didn't do quite as well. It was projected to win the weekend a couple weeks ago. Vin Diesel is a name, and even though it doesn't look good to open at $20 when you have an $85 million budget, but it's already made $50 million overseas and looks like it will ultimately break even if not be a little profitable.

Other new releases/expanses that have Oscar hopes (The Founder, 20th Century Women) couldn't really make a dent.

For the other titles, Hidden Figures is now on course to cross the $100 million mark domestically. It has yet to be released overseas, so anything it makes out of the US will be gravy.



Opens January 27
RESIDENT EVIL 6 with Milla Jovovich, Ali Larter, Iain Glen and Mike Epps.
A DOG'S PURPOSE with Dennis Quaid, Britt Robertson, John Ortiz and Josh Gad.
GOLD with Matthew McConaughey, Edgar Ramirez and Bryce Dallas Howard.

Sunday, January 15, 2017

Hidden Figures stays #1


For the weekend of January 13-15, 2017, the holdovers hung on despite a slew of new competition, and some of these titles would probably like the Academy Award nominations to be announced sooner than January 24th.

Hidden Figures easily held on to the #1 spot. Sometimes marketing is about timing, and by expanding a week earlier, Figures was poised to stay strong for the MLK weekend. La La Land added a few screens and won the #2 spot with the best per-screen average of the top 10.

Sing actually passed Moana in domestic gross. Never would have guessed that three months ago.

Rogue One is finally ready to drop, but it'll hit the $500 million domestic mark tomorrow, and it'll cross the $1 billion mark worldwide sometime this week.

So of the seven titles new or opening wide, the most successful one was the PG-13 thriller The Bye Bye Man. STX had delayed this from November and it looks like that was a good call. It opened a little bit better than The Forest did this time last year.

Monster Trucks had a $100 million production budget, so Paramount's known for six months they were going to lose a lot of money on it.

Sleepless is the lowest opener for a Jamie Foxx movie since 2004's Breakin' All the Rules. It's also his worst-reviewed movie since 2005's Stealth.

The Oscar-qualifying expanders all have to be disappointed. A few weeks ago, it looked like Patriots Day would be a $20 million opener, but the buzz around other movies drowned it out. Live By Night was supposed to be Ben Affleck's next award-worthy movie, but the director of Gone Baby Gone, Argo, and The Town has his first critical and commercial flop. (As a director, I said!)

Martin Scorsese's Silence is another movie that really needed award-buzz to help it out, and while it probably will get some peripheral nominations, it won't be enough to buoy it. Moonlight re-expanded to squeeze out another $1 million, but I see it leaving towns soon and then maybe doing one more burst after the Oscars.

Next week I see being a race between Split and the third xXx movie for #1.



Opens January 20
XXX: THE RETURN OF XANDER CAGE with Vin Diesel, Samuel L. Jackson and Donnie Yen.
SPLIT with James McAvoy, Anya Taylor-Joy, Haley Lu Richardson and Betty Buckley.
THE FOUNDER with Michael Keaton, Laura Dern, Nick Offerman and John Carroll Lynch.
THE RESURRECTION OF GAVIN STONE with Brett Dalton and Shawn Michaels.

Monday, January 9, 2017

Hidden Figures - Movie Review

Starring Taraji P. Henson, Octavia Spencer, Janelle Monae, Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge and Glen Powell.
Written by Allison Schroeder & Ted Melfi.
Directed by Ted Melfi.

★★★½

It's a credit to this movie that we're never bored spending this much screentime staring at vast mathematical equations on chalkboards.

This film covers the true story of three African-American women at NASA who had to overcome discrimination so they could help get a man into space. Katherine Johnson (Taraji P. Henson) is the genius at analytical geometry; Dorothy Vaughan (Octavia Spencer) is the programmer who figures out FORTRAN faster than anyone else on site; Mary Jackson (Janelle Monae) is the engineer who should already be promoted.

Jim Crow laws are alive and well in Viriginia, 1961, and the movie deals with many of the issues these women had to face. When Katherine is moved to the main calculations room, she has to deal with the fact that the closest restroom for colored ladies is a half-mile away on campus. And on the second day of work, she finds a smaller coffee pot with the label "colored" has been placed next to the big main pot everyone else drinks out of.

I liked the light-hearted family-friendly approach to this material. Serves as a history lesson, but it's also just good entertainment. Strong support comes from Kevin Costner as the straightforward NASA boss, Jim Parsons as the office jerk, and Mahershala Ali as a colonel come courtin' for Katherine's affections.

Hidden Figures ousts Rogue One to be #1


For the weekend of January 6-8, 2017, Hidden Figures finally unseated Rogue One to be the new #1 movie in America. It had been doing well in limited release and timed its expansion just right.

The only new wide release was Underworld: Blood Wars. This franchise has been withering on the vine for a while, and the anemic opening might signal this will finally be the last installment.

La La Land doubled its screen-count and saw dividends. A Monster Calls expanded and flopped. It'll need Oscar nominations and buzz to not go the way of Billy Lynn's Long Halftime Walk.



Opens January 13
SLEEPLESS with Jamie Foxx, Michelle Monaghan and Gabrielle Union.
MONSTER TRUCKS with Jane Levy, Lucas Till, Amy Ryan and Rob Lowe.
THE BYE BYE MAN with Douglas Smith, Faye Dunaway and Carrie-Anne Moss.
(wide) PATRIOTS DAY with Mark Wahlberg, Kevin Bacon and John Goodman.
(wide) SILENCE with Andrew Garfield, Adam Driver and Liam Neeson.
(wide) LIVE BY NIGHT with Ben Affleck, Elle Fanning and Zoe Saldana.