Showing posts with label Viola Davis. Show all posts
Showing posts with label Viola Davis. Show all posts

Sunday, March 14, 2021

Last-Second 2020 Oscar Nomination predictions


Nominations will be out tomorrow so here are my last-second guesses.

PICTURE

Ma Rainey's Black Bottom
Mank
Minari
Nomadland
One Night in Miami
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7

Maybe: Da 5 Bloods, News of the World
Should Be But Won't: The Outpost

There will likely be 9 nominees, so there's my top 8, and I think one of those two titles will be the final one.

DIRECTOR

Lee Isaac Chung, Minari
Emerald Ferrell, Promising Young Woman
David Fincher, Mank
Aaron Sorkin, The Trial of the Chicago 7
Chloe Zhao, Nomadland

Maybe: Regina King, One Night in Miami
Should Be But Won't: Josephine Decker, Shirley

ACTOR

Riz Ahmed, Sound of Metal
Chadwick Boseman, Ma Rainey's Black Bottom
Anthony Hopkins, The Father
Delroy Lindo, Da 5 Bloods
Gary Oldman, Mank

Maybe: Steven Yuen, Minari
Should Be But Won't: Kingsley Ben-Adir, One Night in Miami

ACTRESS

Viola Davis, Ma Rainey's Black Bottom
Vanessa Kirby, Pieces of a Woman
Frances McDormand, Nomadland
Carey Mulligan, Promising Young Woman
Rosamund Pike, I Care a Lot

Maybe: Andra Day, The Unites States v. Billie Holiday
Should Be But Won't: Elizabeth Moss, Shirley

SUPPORTING ACTOR

Sasha Baron Cohen, The Trial of the Chicago 7
Daniel Kaluuya, Judas & the Black Messiah
Bill Murray, On the Rocks
Leslie Odom Jr., One Night in Miami
Paul Raci, Sound of Metal

Maybe: Chadwick Boseman, Da 5 Bloods
Should Be But Won't: Michael Stuhlbarg, Shirley

SUPPORTING ACTRESS

Maria Bakalova, Borat Subsequent Moviefilms
Glenn Close, Hillbilly Elegy
Olivia Colman, The Father
Amanda Seyfried, Mank
Youn Yuh-jung, Minari

Maybe: Jodie Foster, The Mauritanian
Should Be But Won't: Elizabeth Debicki, Tenet

ORIGINAL SCREENPLAY

Mank
Minari
Promising Young Woman
Sound of Metal
The Trial of the Chicago 7

Maybe: Another Round
Should Be But Won't: Palm Springs

ADAPTED SCREENPLAY

The Father
First Cow
Ma Rainey's Black Bottom
Nomadland
One Night in Miami

Maybe: The White Tiger
Should Be But Won't: The Outpost

Monday, February 27, 2017

Complete List of 89th Academy Award Winners


BEST PICTURE - Moonlight
BEST DIRECTOR - Damien Chazelle, La La Land
BEST ACTOR - Casey Affleck, Manchester by the Sea
BEST ACTRESS - Emma Stone, La La Land
BEST SUPPORTING ACTOR - Mahershala Ali, Moonlight
BEST SUPPORTING ACTRESS - Viola Davis, Fences
BEST ORIGINAL SCREENPLAY - Manchester by the Sea
BEST ADAPTED SCREENPLAY - Moonlight
BEST ANIMATED FILM - Zootopia
BEST DOCUMENTARY - O.J.: Made in America
BEST FOREIGN LANGUAGE FILM - The Salesman
BEST CINEMATOGRAPHY - La La Land
BEST FILM EDITING - Hacksaw Ridge
BEST VISUAL EFFECTS - The Jungle Book
BEST PRODUCTION DESIGN - La La Land
BEST COSTUME DESIGN - Fantastic Beasts and Where to Find Them
BEST MAKEUP & HAIRSTYLING - Suicide Squad
BEST ORIGINAL SCORE - La La Land
BEST ORIGINAL SONG - “City of Stars,” La La Land
BEST SOUND EDITING - Arrival
BEST SOUND MIXING - Hacksaw Ridge
BEST DOCUMENTARY SHORT SUBJECT - The White Helmets
BEST LIVE ACTION SHORT - Sing
BEST ANIMATED SHORT - Piper

Jimmy Kimmel was overall okay as the host. I liked his opening monologue. I liked his running gag against Matt Damon. I thought the tour bus was a funny idea. I thought parachuting in snacks to the audience should have been a one-time thing. Tweeting Donald Trump wound up taking too long and didn't work.

This will be remembered for the Price-Waterhouse screw-up of handing Warren Beatty and Faye Dunaway the wrong envelope so Dunaway announced the wrong winner for Best Picture. The La La Land crew handled it with the most possible amount of grace one could in that circumstance, and it also led the Monnlight crew to go through the emotions of being told you lost but actually winning. I watched that entire scene twice, watching the rpducers scramble behind people while the LLL producers were giving their thank-you speeches.

Total wins by the Best Picture nominees:
La La Land - 6
Moonlight - 3
Hacksaw Ridge - 2
Manchester by the Sea - 2
Arrival - 1
Fences - 1
Hell or High Water - 0
Hidden Figures - 0
Lion - 0

Tuesday, January 31, 2017

SAG Award Winners


Outstanding Performance by a Cast in a Motion Picture
“Hidden Figures”

Outstanding Performance by a Male Actor in a Leading Role
Denzel Washington, “Fences”

Outstanding Performance by a Female Actor in a Leading Role
Emma Stone, “La La Land”

Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, “Moonlight”

Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, “Fences”


Outstanding Performance by an Ensemble in a Drama Series
“Stranger Things”

Outstanding Performance by an Ensemble in a Comedy Series
“Orange is the New Black”

Outstanding Performance by a Male Actor in a TV Movie or Miniseries
Bryan Cranston, “All the Way”

Outstanding Performance by a Female Actor in a TV Movie or Miniseries
Sarah Paulson, “The People v. O.J. Simpson”

Outstanding Performance by a Male Actor in a Drama Series
John Lithgow, “The Crown”

Outstanding Performance by a Female Actor in a Drama Series
Claire Foy, “The Crown”

Outstanding Performance by a Male Actor in a Comedy Series
William H. Macy, “Shameless”

Outstanding Performance by a Female Actor in a Comedy Series
Julia Louis-Dreyfus, “Veep”

Tuesday, January 3, 2017

Fences - Movie Review


Starring Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Russell Hornsby and Mykelti Williamson.
Written by August Wilson.
Directed by Denzel Washington.

★★★

August Wilson adapted his own 1983 play, and I can't help but think it might have been better if someone else had, to remove some of the stage-iness of it. Maybe that was on purpose.

This feels so much like a play, you'd think you were watching a Fathom Events instead of a movie. That's not necessarily a bad thing, when I think of how cool it would have been to watch Denzel Washington and Viola Davis perform this play live. But if you're going to be a movie, be a movie!

If Arthur Miller had Death of a Salesman, this is Wilson's Death of a Garbageman. Denzel plays Troy Maxson, a garbageman in the 1950's who felt like he missed his chance for greatness when he was a star in the Negro Leagues but never went to the major leagues. He works hard, he has a great wife, he has a long-time best friend (Stanley Henderson) he can talk with at work and drink with afterwards. He has a troubled relationship with his two sons, and the reasons why become more obvious as the story unfolds.

Troy eventually reveals himself to be more self-centered than originally perceived, and his destructive attitudes threaten his home life. Troy is outspoken, audacious, pernicious, a true galaxy of a man, and not a sympathetic one by the time we get to the third act. And we feel most for his wife Rose (Viola), a woman who gave up on her dreams and sense of self to stay with Troy.

I thought Michelle Williams had a pretty good shot at Best Supporting Actress for Manchester by the Sea, but now I think Davis has this in the bag.

Saturday, August 6, 2016

Suicide Squad - Movie Review

Starring Will Smith, Margot Robbie, Jared Leto, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Cara Delevinge, Ike Barinholtz, Scott Eastwood, Adam Beach, Karen Fukuhara, David Harbour, Common, Jim Parrack and Ben Affleck.
Written & Directed by David Ayer.

★★

Suicide Squad has so much potential, so many directions you could go with it, and yet this is probably the most frustrating movie of the year.

Let me start with what I liked.

1. Margot Robbie's Harley Quinn. Robbie's a movie star, and she has as much fun as possible as Quinn. The character has expanded leaps and bounds since she was first introduced on Batman: The Animated Series.

2. Jay Hernandez's El Diablo. Not only does he have one of the better archs in the movie, but there's a sad soulfulness to the way Hernandez plays him. Right now he might be best known as the guy from Hostel but this should be a career-booster for him.

3. Jared Leto's Joker. Joker's part isn't as big as one might think from the trailers, and because he's the freakin' JOKER, but I liked Leto's take. Joker's sexier, more gangster, and serpentine. I look forward to seeing more of him in future DC movies. Plus he and Quinn had real chemistry.

4. Viola Davis's Amanda Waller. It's nice to have an actress like Davis in this role, where she can give ten minutes of expository dialogue and have it not bother you. Plus she's as mean as anyone else.

5. The first half hour. We get introduced to these characters through Waller's expository dialogue, with title cards and theme songs that get us right in the mood. Thirty minutes in, I'm going "This is a movie I can really get on board with." And then it slowly slips away.

Honorable mentions to Will Smith's Deadshot and Jai Courtney's Captain Boomerang. I kinda liked Killer Croc too.

So what didn't I like? I'll have to get into some spoilers to explain it.

There are some basic problems with the story that I can't believe weren't halted in development.

1. The main villains. The "Big Bad" the Squad is sent after is not the Joker. And the Joker is not part of the Squad. The Joker is on the edges of the movie, working toward getting Quinn freed while she's engaged in this mission. No, the villains are ancient spirits that can possess people. They are the Enchantress and her brother Incubus. Enchantress happens to possess Dr. June Moone (Cara Delevinge, out of her league), who is the girlfriend of Rick Flag (Joel Kinnaman), Waller's right-hand man, and the guy in charge of the Squad while they're on their mission. Incubus barely registers. He's like Apocalypse from the recent X-Men movie, except he has maybe three lines.

Once brother and sister are reunited, Enchantress declares that she is going to build a machine to destroy humanity. Her machine apparently takes all night to build and it involves shooting lightning into the sky while garbage swirls around it. We've seen this too many times in blockbusters lately. Avengers and X-Men: Apocalypse come to mind. Even Ghostbusters had the same kind of sky-portal gigantic chaos type ending.

Enchantress also has the ability to turn people into these oddly-defined CG-creatures that are there for the Squad to kill in various ways. The entire concept of them was a bad idea. They make it feel like we're stuck in a video game, just killing random monsters along the way.

2. Too many characters. Slipknot is barely in the movie. And Katana is such an afterthought they would have been better off cutting her out completely. ("Oh yeah, by the way, her sword stores the souls of everyone she kills." "Huh.") Also, if only the Squad can go on such a dangerous mission, then why does Flag also have about 10 regular soldiers come too, one being Scott Eastwood? Why not send 20 soldiers and don't release these villains? Or just have Flag and the villains because this mission is too dangerous otherwise. This means the most interesting characters don't get enough to do. Courtney's having a lot of fun as Boomerang, but his skill set doesn't seem to come in handy for this mission.

3. The mission. Like I said, after the Squad's assembled, it kicks into video-game mode. They enter the city, they come across the CG foot-soldiers, they go deeper into the city. They kill more. There's a "surprise" rescue mission thrown in there which didn't make any sense when you think about it, and then they finally set their sights on Sky Laser Beacon to go defeat the ancient siblings. The movie's strength is its characters, but rarely in the last two-thirds do these characters get a chance to just stretch their legs and be.

4. Basic logistical choices. The climactic moment for Killer Croc is when he swims beneath the building in order to plant a strategic bomb, but even then he only leads some other swimming soldiers under the building, and one of the soldiers is the one who actually sets the bomb. Why not have Croc do it by himself? As for Diablo, when he takes his final form I thought "So this whole time, he could have done that?" Each Squad member has an explosive implanted in their neck so they can be killed if they try to escape, but apparently Diablo could have left at any time, no problem.

And then there's Enchantress. At one point she takes on four Squad members with two swords, and after some fighting, she just says "Enough!" and uses her powers to disarm them all. So why not start with that? If she's so powerful, why would she ever need to swing a sword?

5. Ham-handed choices. We know that Deadshot loves his daughter. But they go to that well so many times it started to generate groans rather than tug heartstrings. The dialogue every few minutes keeps emphasizing. "We're bad guys!" "Remember, we're the bad guys!" Show, don't tell. Also, they go for slo-mo at the wrong times.

6. The PG-13 rating. This movie felt held back by its rating. It should have been an R-rated crime movie. But before Deadpool, studios understandably thought they couldn't do that with superhero movies. (See the box office receipts of The Punisher.)

7. Death by committee. You can really tell this movie was meddled with by several people. Rewrites and reshoots resulting in an ultimate mess.

So between Batman v. Superman and Suicide Squad, the DC Universe has two financially successful movies that bombed with critics. The next one on their release slate is Wonder Woman. Even more pressure is now put on that movie to be good.

Tuesday, October 8, 2013

Prisoners - Movie Review

Starring Hugh Jackman, Jake Gyllenhaal, Viola Davis, Maria Bello, Terrence Howard, Paul Dano and Melissa Leo.
Directed by Denis Villeneuve.

★★★½

This slow-burn thriller may be two-and-a-half hours long, but I was never bored nor concerned with the running time.

It features two families (Hugh Jackman & Maria Bello and Viola Davis & Terrence Howard) spending Thanksgiving together.  When a daughter from each disappears, they start to search the neighborhood, but then the teenage son remembers they were playing by a suspicious RV parked down the street, and it's now gone.

It isn't long before the investigative officer Detective Loki (Jake Gyllenhaal) locates the RV, and the driver Alex (Paul Dano).  Alex exhibits the mental acumen of a 10-year-old and the police are unable to find enough evidence to keep him. Loki (really wish they'd named him something else) pursues other avenues, but Keller (Jackman) is convinced that Alex knows something, and with each passing day, it means there's less likelihood their girls will be found alive. So he kidnaps Alex and questions him in ways that get more and more medieval.

The movie has a lot to say about vigilante justice, but it's more about the mystery, and while I was able to figure out most of it fairly early (had to wait about half an hour for Loki to notice a clue I noticed right away), it was suspenseful to watch unfold. I can only imagine what David Fincher (Zodiac, The Girl with the Dragon Tattoo) might have done with this material.

The acting's good all around, but this is career-best work from Jackman, getting that primal, vicious paternal instinct that would give Taken's Bryan Mills pause. (If your brain just hit a speed-bump, that is Liam Neeson's character's name.) I was also really impressed with Gyllenhaal, a man clearly struggling with his own demons that have affected him in odd ways. (He has a very distinct blink, and one where I didn't feel I needed to know why.)

It could have been tighter. I think it could have trimmed minutes here and there but the makers wanted to hang some lanterns on clues to make sure the audience didn't miss them.

Monday, July 8, 2013

Beautiful Creatures - DVD Review

Starring Alden Ehrenreich, Alice Englert, Jeremy Irons, Viola Davis, Emma Thompson, Emmy Rossum, Thomas Mann, Margo Martindale, Eileen Atkins, Zoey Deutch and Kyle Gallner.
Directed by Richard LaGravenese.

★★

It's Twilight in the Garden of Good and Evil.

Teen fantasy romance meets Southern gothic in this latest capitalization on best-selling YA fiction.

My first problem: Very few of these actors are from the south, and it pained my ear to hear the way some of them faked it so.  It takes more than changing "oil" to "awl" to make it sound like you're a natural resident of the Carolinas.

My second problem: The story essentially entails all the other characters waiting around to see if our heroine is going to turn into a good witch or a bad witch.

The little-known Alden Ehrenreich and Alice Englert play the two star-crossed lovers, he a normal boy from the sticks, she the niece of the wealthiest family in town, rumored to be cultists.  They meet cute and flirt, but eventually a bad-girl cousin and a pure-evil mama show up to stir up trouble for them.  Obvious Brits like Jeremy Irons and Emma Thompson get to chew their bits of scenery, but it all builds to a frenzied anti-climax that I'm sure came off better in the book.

Monday, December 26, 2011

The Help - DVD Review

★★★½

Starring Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard, Jessica Chastain, Allison Janney, Ahna O'Reilly, Sissy Spacek, Cicely Tyson, Chris Lowell, Mary Steenburgen, Mike Vogel, Brian Kerwin, Aunjanue Ellis, Anna Camp and Nelsan Ellis.
Directed by Tate Taylor.

The story begins and ends with Aibileen (Viola Davis), a long-time maid in 1963 Jackson, Mississippi. She's been raising white kids her entire career while suffering the condescending racism from her employers. She runs into Skeeter (Emma Stone) an aspiring writer who comes back home from college and is furious to learn her family's maid Constantine (Cicely Tyson) had been fired. Skeeter looked at Constantine as the one who really raised her, and she starts thinking about a story, a book about the injustices suffered by "the help."

Now this is not a Spike Lee tackling of racial turmoil. We don't see any burning crosses. This is more of a Fried Green Tomatoes-flavored take on the South. It's funny, it's touching, and it's buoyed by a great cast. Davis and Stone are stand-outs, as is Octavia Spencer as Minny, a maid with attitude who will suffer no fools when treated poorly. Also really good is Bryce Dallas Howard as the villainous Hilly, the town's central socialite, the main Heather.