Saturday, January 7, 2012
Cancer sucks
I have a couple reviews I was going to write tonight but I just found an old theater friend of mine - Colleen Hansen Weigand - died of cancer. Her funeral was this morning. I knew she'd been battling it off and on for years, but it was still a shock to see that she's gone.
Thursday, January 5, 2012
Wednesday, January 4, 2012
MCN's List of Top Ten Lists
Compiled from 188 different critics' top-ten lists by the good folks at MCN.
1. The Tree of Life
2. The Descendants
3. The Artist
4. Drive
5. Hugo
6. Melancholia
7. A Separation
8. Certified Copy
9. Moneyball
10. Martha Marcy May Marlene
11. Take Shelter
12. Tinker Tailor Soldier Spy
13. Midnight in Paris
14. Shame
15. Beginners
16. Bridesmaids
17. Uncle Boonmee Who Can Recall Past Lives
18. Margaret
19. Meek's Cutoff
20. We Need to Talk About Kevin
Man, I've only seen eight of them.
1. The Tree of Life2. The Descendants
3. The Artist
4. Drive
5. Hugo
6. Melancholia
7. A Separation
8. Certified Copy
9. Moneyball
10. Martha Marcy May Marlene
11. Take Shelter
12. Tinker Tailor Soldier Spy
13. Midnight in Paris
14. Shame
15. Beginners
16. Bridesmaids
17. Uncle Boonmee Who Can Recall Past Lives
18. Margaret
19. Meek's Cutoff
20. We Need to Talk About Kevin
Man, I've only seen eight of them.
Tucker and Dale vs. Evil - DVD Review
★★★Starring Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Philip Granger, Brandon McLaren and Chelan Simmons.
Directed by Eli Craig.
The rural citizen has achieved a brutal reputation thanks to the magic of cinema, largely designed by them coastal dwellers. You have Texas Chainsaw Massacre and Deliverance, and that's let to the numerous Hills Have Eyes/Wrong Turn parade of murderous hillbillies. This movie picks up where the Scream franchise fizzled out, and we get the best horror comedy of the year.
Tucker (Alan Tudyk) and Dale (Tyler Labine) are two country boys who've purchased a cabin in the woods. A vacation home. Meanwhile they come across some beer-drinking college kids out for a little fun, the kind of good-looking two-dimensional students just waiting to find out where they fit in the inevitable body count. A series of misunderstandings leads the kids to believe the hillbillies are serial killers, and darned if the kids don't keep accidentally dying around them. This is not what it looks like.
Tudyk (Serenity) and Labine (Rise of the Planet of the Apes) make a good team, and the ways the kids keep dying would make the fates of Final Destination proud. This barely had a theatrical release, but for fans of the genre, it's a hoot.
Tuesday, January 3, 2012
Random Movie Stuff - 1/3/12
- Demi Moore will cameo as Gloria Steinem in Lovelace, the Linda Lovelace biopic starring Amanda Seyfried.- Julianne Moore will star in The English Teacher, about a small-town teacher with no personal life who decides to help a former student put on his unproduced play at their high school. Greg Kinnear, Lily Collins, Michael Angarano and Nathan Lane co-star.
- Sony is moving forward with plans to film The Girl Who Played with Fire, the second book in Steig Larsson's trilogy. Daniel Craig and Rooney Mara will reprise their roles as Mikhael Blomkvist and Lisbeth Salander. The Girl with the Dragon Tattoo is currently in theaters.
- Ben Lyons, who single-handedly destroyed all credibility for any film critic on TV anywhere again ever when he took over one of the seats on At the Movies, has been let go as a correspondent on E! channel.
Monday, January 2, 2012
Online Film Critics Society Awards
Best PictureThe Tree of Life
Best Animated Feature
Rango
Best Director
Terrence Malick, The Tree Of Life
Best Lead Actor
Michael Fassbender, Shame
Best Lead Actress
Tilda Swinton, We Need To Talk About Kevin
Best Supporting Actor
Christopher Plummer, Beginners
Best Supporting Actress
Jessica Chastain, The Tree Of Life
Best Original Screenplay
Midnight In Paris
Best Adapted Screenplay
Tinker Tailor Solider Spy
Best Editing
The Tree Of Life
Best Cinematography
The Tree Of Life
Best Film Not in the English Language
A Separation
Best Documentary
Cave of Forgotten Dreams
Special Awards (previously announced)
To Jessica Chastain, the breakout performer of the year
To Martin Scorsese, in honor of his work and dedication to the pursuit of film preservation
(h/t Deadline)
Sunday, January 1, 2012
War Horse - Movie Review
Starring Jeremy Irvine, Emily Watson, Peter Mullan, David Thewlis, Tom Hiddleston, Niels Arestrup, David Kross and Toby Kebbell. Directed by Steven Spielberg.
Steven Spielberg has always had one foot in the past and one foot in the future when it comes to his films. He likes the old-fashioned melodrama, the sweeping spectacle of cinema, and generally I like the idea of this movie. But Spielberg can't help himself. This movie almost collapses under the weight of its own schmaltz.
The movie is about Joey, a horse. A special horse. One day he is purchased by a proud Irish farmer who owes rent to one of those evil-smug "owns half the town" types. But the farmer's teenage son Albie (Jeremy Irvine) trains him. When World War I breaks out, the farmer, despearete for money, sells the horse to the army. And so Joey's journey begins, like Homer's The Odyssey. Joey goes from one adventure to another, somehow staying alive, all the while hoping he can get home.
I liked most of this movie. It's never boring, and I was interested to see where Joey's journey might take him. But the movie tries too hard to tug our heart-strings, and without resistance nor effort, it never tugged at mine. There's an earnestness that feels forced.
I saw a YouTube essay recently on what they call the "Spielberg face." The Spielberg face is a common shot he uses, where he zooms in on the face of an actor reacting with awe at whatever they're looking at behind the camera. It's been a trick of the trade since the silent era, but Spielberg uses it often, and I've never been more aware of it than in this movie. Way too many shots of people marvelling. "Wow. What a miracle. What a horse."
My favorite moments came from Niels Arestrup, the criminal godfather from Un Prophete, now here a kindly French grandfather trying to raise his orphaned granddaughter in peace as war rages all around them.
Some people this might work for, and they'll find it a rewarding cinematic experience. I thought it was fine. A shrug. A thumbs sideways.
Weekend Box Office
For the weekend of December 30-January 1.
1. Mission Impossible 4 - $31.25 million ($134.14) - 3 wks (Par) +5.9%
. . . 3455 screens / $9045 per screen
2. Sherlock Holmes 2 - $22.1 ($132.1) - 3 wks (WB) +9.1%
. . . 3703 / $5967
3. Alvin & the Chipmunks 3 - $18.25 ($94.61) - 3 wks (Fox) +45%
. . . 3724 / $4901
4. War Horse - $16.94 ($42.97) - 2 wks (BV) +125.4%
. . . 2547 / $6651
5. The Girl with the Dragon Tattoo - $16.3 ($57.1) - 2 wks (Sony) +27.8%
. . . 2914 / $5594
6. We Bought A Zoo - $14.3 ($41.79) - 2 wks (Fox) +52.8%
. . . 3163 / $4521
7. The Adventures of Tintin - $12 ($47.84) - 2 wks (Par) +23.6%
. . . 3087 / $3887
8. New Year's Eve - $6.74 ($46.37) - 4 wks (WB) +103.7%
. . . 2225 / $3030
9. The Darkest Hour - $4.3 ($13.2) - 2 wks (Sum) +43.3%
. . . 2327 / $1848
10. The Descendants - $3.65 ($39.68) - 7 wks (FS) +76%
. . . 758 / $4815
11. The Muppets - $2.59 ($82.46) - 6 wks (BV) +20.6%
. . . 1541 / $1679
12. Hugo - $2.53 ($49.54) - 6 wks (Par) +18.8%
. . . 951 / $2655
13. Young Adult - $2.2 ($12.17) - 4 wks (Par) +25.7%
. . . 987 / $2229
14. Breaking Dawn Pt. 1 - $2 ($275.45) - 7 wks (Sum) +36.3%
. . . 1411 / $1417
Doing really well in limited release are A Separation, The Iron Lady and Tinker Tailor Soldier Spy.
Mission: Impossible - Ghost Protocol has passed MI3 and is on course to pass the first MI movie to become the second-highest grosser in the series. It probably won't pass MI2, but it's made the franchise still relevant and justifies an MI5, should Cruise want to do it.
After disappointing openings, Sherlock Holmes 2 and Alvin & the Chipmunks 3 have shown strong legs and will be profitable.
Steven Spielberg has cannibalized himself by having two of his movies (War Horse and Tintin) opening less than a week apart, though I've always said Tintin was made for overseas audiences first.
1. Mission Impossible 4 - $31.25 million ($134.14) - 3 wks (Par) +5.9%
. . . 3455 screens / $9045 per screen
2. Sherlock Holmes 2 - $22.1 ($132.1) - 3 wks (WB) +9.1%
. . . 3703 / $5967
3. Alvin & the Chipmunks 3 - $18.25 ($94.61) - 3 wks (Fox) +45%
. . . 3724 / $4901
4. War Horse - $16.94 ($42.97) - 2 wks (BV) +125.4%
. . . 2547 / $6651
5. The Girl with the Dragon Tattoo - $16.3 ($57.1) - 2 wks (Sony) +27.8%
. . . 2914 / $5594
6. We Bought A Zoo - $14.3 ($41.79) - 2 wks (Fox) +52.8%
. . . 3163 / $4521
7. The Adventures of Tintin - $12 ($47.84) - 2 wks (Par) +23.6%
. . . 3087 / $3887
8. New Year's Eve - $6.74 ($46.37) - 4 wks (WB) +103.7%
. . . 2225 / $3030
9. The Darkest Hour - $4.3 ($13.2) - 2 wks (Sum) +43.3%
. . . 2327 / $1848
10. The Descendants - $3.65 ($39.68) - 7 wks (FS) +76%
. . . 758 / $4815
11. The Muppets - $2.59 ($82.46) - 6 wks (BV) +20.6%
. . . 1541 / $1679
12. Hugo - $2.53 ($49.54) - 6 wks (Par) +18.8%
. . . 951 / $2655
13. Young Adult - $2.2 ($12.17) - 4 wks (Par) +25.7%
. . . 987 / $2229
14. Breaking Dawn Pt. 1 - $2 ($275.45) - 7 wks (Sum) +36.3%
. . . 1411 / $1417
Doing really well in limited release are A Separation, The Iron Lady and Tinker Tailor Soldier Spy.
Mission: Impossible - Ghost Protocol has passed MI3 and is on course to pass the first MI movie to become the second-highest grosser in the series. It probably won't pass MI2, but it's made the franchise still relevant and justifies an MI5, should Cruise want to do it.
After disappointing openings, Sherlock Holmes 2 and Alvin & the Chipmunks 3 have shown strong legs and will be profitable.
Steven Spielberg has cannibalized himself by having two of his movies (War Horse and Tintin) opening less than a week apart, though I've always said Tintin was made for overseas audiences first.
Saturday, December 31, 2011
Young Adult - Movie Review
★★★½

Starring Charlize Theron, Patton Oswalt, Patrick Wilson, Elisabeth Reaser, Jill Eikenberry and Collette Wolfe. Directed by Jason Reitman.
This is anti-romantic comedy, a nice counter-argument to the usual fluffy "find a man" comedies where the preview shows him running to her in the rain at an airport, or the girl and her friend dancing to an oldie in their living room. This is about Mavis (Charlize Theron), an author of young-adult novels who's never grown up herself. One day she decides to win back her old high-school boyfriend Buddy. The fact that he's married and just had a baby is a mere obstacle.
When Mavis arrives in town, she runs into former classmate Matt (Patton Oswalt) the nerd who's still suffering from a savage beating at the hands of some fun-loving jocks. Mavis doesn't really care, unless Matt can somehow help her in her quest to land Buddy.
This comedy goes to some dark, sad places, and it's almost exhilarating how our heroine refuses to grow up, refuses to repent. There's a real sadness to Mavis underneath, and she's doing everything she can to make sure she stays shallow. To take a good look at herself might destroy her.
Acting nominations are deserved from Charlize Theron and Patton Oswalt. This movie is good reminder that Theron is still a force to be reckoned with.

Starring Charlize Theron, Patton Oswalt, Patrick Wilson, Elisabeth Reaser, Jill Eikenberry and Collette Wolfe. Directed by Jason Reitman.
This is anti-romantic comedy, a nice counter-argument to the usual fluffy "find a man" comedies where the preview shows him running to her in the rain at an airport, or the girl and her friend dancing to an oldie in their living room. This is about Mavis (Charlize Theron), an author of young-adult novels who's never grown up herself. One day she decides to win back her old high-school boyfriend Buddy. The fact that he's married and just had a baby is a mere obstacle.
When Mavis arrives in town, she runs into former classmate Matt (Patton Oswalt) the nerd who's still suffering from a savage beating at the hands of some fun-loving jocks. Mavis doesn't really care, unless Matt can somehow help her in her quest to land Buddy.
This comedy goes to some dark, sad places, and it's almost exhilarating how our heroine refuses to grow up, refuses to repent. There's a real sadness to Mavis underneath, and she's doing everything she can to make sure she stays shallow. To take a good look at herself might destroy her.
Acting nominations are deserved from Charlize Theron and Patton Oswalt. This movie is good reminder that Theron is still a force to be reckoned with.
The Worst Ten Movies of 2011
I'll do my Top Ten after I've caught a couple more titles.
I have not seen such alleged stinkers as Big Momma 3, Beastly, Hoodwinked Too, The Art of Getting By, Spy Kids 4, One Day, Shark Night, Apollo 18, Bucky Larson: Born to Be a Star, Creature, I Don't Know How She Does It, Dream House, Human Centipede 2, Three Musketeers, Like Crazy, Jack & Jill, I Melt with You, New Year's Eve, The Sitter or The Darkest Hour, but of what I've seen, these were the worst:
Dishonorable Mentions:
ATLAS SHRUGGED PART I - Maybe fans of the book will find some things to appreciate, but this rushed, unfinished production does Ayn Rand no favors.
CONAN THE BARBARIAN - This reboot is an ugly, unimaginative take on the character immortalized by Arnold Schwarzengger. Marcus Nispel (Pathfinder) was the wrong hire for this material.
THE GREEN HORNET - Seth Rogen tries to remake the superhero movie in his own image, and the results are mediocre. Watching Jay Chou trying to speak English is akin to watching a cat trying to get peanut butter off the roof of its mouth. Christoph Waltz can't find the comedic notes for his villain role. If Jack Black tries to tackle the Green Arrow, someone tackle him.
GREEN LANTERN - You have Peter Saarsgaard as your villain, and yet he's made the subplot to the main villain - a giant cloud of evil. The overabundance of CGI does not compensate for the lack of thrills. Ryan Reynolds needn't worry about donning the green ring a second time.
KABOOM - Microbudgeted yawner about a party boy who wonders if, gee, maybe the end of the world is coming. But first, let's do drugs and dance!
THE OTHER WOMAN - An aftermath movie. Natalie Portman plays the second wife to a successful businessman, having snagged him by being his mistress. Then the baby they had together dies. Her marriage is becoming more and more loveless, and her stepson is the weapon his parents use against each other. Lisa Kudrow conveys deep bitterness as the first wife who had her life torn apart, but these are such awful selfish people to spend time with, I'd recommend it only as a cautionary tale for young woman thinking of sleeping with a married man. "Do you want this to become your life?"
THE ROOMMATE - This twist on Single White Female shows that Leighton Meester has talent and deserves better. No one else involved does.
SEASON OF THE WITCH - As corny and silly as you'd expect a medieval movie to be starring Nicolas Cage.
SOMETHING BORROWED - Kate Hudson was nominated for an Oscar once. No, seriously, it's true.
THE TREE OF LIFE - A gorgeous 2 hour 25 minute slideshow. No real story. Just three boys living in 1950's Texas. And we go back to the creation of the world, and time passing, and waves crashing, and trees growing, and stars twinkling, and wind blowing through the grass, and the cosmos winking, and critics closing their eyes and chanting "Ohmmmmmmmm...." through the whole bloody thing. The Emperor has no clothes.
And now...
... the Worst Ten
10. DON'T BE AFRAID OF THE DARK - The creepy-crawly creatures of this "from the mind of Guillermo Del Toro" effort are never scary, but that's not even the main problem. When Katie Holmes takes pictures of them to prove they're real, and the photos are all over the ground, it just cuts ahead to the next scene with still no one else believing her. Why did no one look at the pictures? I don't mind leaps of logic if they're not Herculean leaps.
9. PASSION PLAY - A drifter (Mickey Rourke) finds a woman with literal angel wings. An offbeat quirky comedy could have sprung from that premise, but instead we get a forlorn ponder-drama, where melancholy is chosen over mirth. Bill Murray wastes his time as a gangster who wants to keep her for himself, and the finale's terrible special effects make for the perfect exclamation point on why this film is such a mess.
8. YOUR HIGHNESS - This would-be parody never captures the quick wit of the Pythons nor the underlying sweetness of The Princess Bride. I think even Cheech & Chong would disown it. The R-rated stoner humor mixed in with medieval tropes never meshes, and it made me resent actor/writer Danny McBride and director David Gordon Green for getting this much money with this talented a cast, and this was all they could churn out.
7. SANCTUM - If you're going to make a movie about a group of people stuck in underground caves, it's imperative to always give the audience a sense of place. The whole thing was shot on sound-stages for all I know. It features paper-thin caricatures of people shouting and trudging down damp corridors and then dying one by one when they make incredibly stupid decisions.
6. DYLAN DOG: DEAD OF NIGHT - One of those genre mashups that succeeds at none of its targets, not at horror nor comedy nor noir nor entertainment, with Brandon Routh completely miscast in the lead.
5. JUST GO WITH IT - Adam Sandler has lost it. I used to look forward to his movies, but what worked for him 10-15 years ago isn't working now. Between this, Grown Ups, and (what I've read about) Jack & Jill, he needs an intervention, and yet whenever he takes risks (Funny People, Reign Over Me), it's not as successful at the box-office. This comedy is about a man who pretends to be married to get one-night stands, but when he meets a woman he wants to continue seeing, his lies about his marriage expand and grow. There's so much effort put into the contrived premise that it kills whatever laughs might have been achieved.
4. RED RIDING HOOD - Well, the opening credits were cool. Other than that, director Catherine Hardwicke (the first Twilight) indulges her worst instincts in this ethereal medieval romance/murder-mystery where a werewolf is killing the townspeople at night. Our heroine Red (Amanda Seyfried) is torn between two village hunks, either of whom could be the killer lycanthrope, neither of whom have chemistry with her. Giant lanterns are hung on each red herring to the point it becomes obvious who the wolf is because the movie's tried to hard to make us think it's anybody else.
3. SUCKER PUNCH - Teen girls clad themselves scantily in fetishized costumes while fighting creatures in some dreamscape video-game of a movie pretending to be about female empowerment. Director Zack Snyder has had financial success adapting other people's work (Dawn of the Dead, 300, Watchmen) but in doing his own, he shows he really is all style and no substance.
2. THE RITE - Deathly dull exorcism flick with Anthony Hopkins in paycheck mode as the older priest who winds up getting possessed himself. Colin O'Donoghue is the black hole where an engaging protagonist should be.
1. BREAKING DAWN PART I - I've been fine with the first three movies. I take them at face value. But this... this plunges new depths of cheese. The actors aren't improving. If anything it highlights their weaknesses. Taylor Lautner has never been worse. The first half-hour is about the wedding, the second half-hour is about Bella's pregnancy, and the final act is about vampires and Jacob patrolling to keep Bella safe while she delivers whatever a vampire-human hybrid baby is. Even die-hard Twihards will have to admit how bad this movie is.
UPDATE: I now believe HOBO WITH A SHOTGUN was the worst movie of 2011. I say "believe" because it was so rancid, I couldn't watch the whole thing. For what it's worth.
I have not seen such alleged stinkers as Big Momma 3, Beastly, Hoodwinked Too, The Art of Getting By, Spy Kids 4, One Day, Shark Night, Apollo 18, Bucky Larson: Born to Be a Star, Creature, I Don't Know How She Does It, Dream House, Human Centipede 2, Three Musketeers, Like Crazy, Jack & Jill, I Melt with You, New Year's Eve, The Sitter or The Darkest Hour, but of what I've seen, these were the worst:
Dishonorable Mentions:
ATLAS SHRUGGED PART I - Maybe fans of the book will find some things to appreciate, but this rushed, unfinished production does Ayn Rand no favors.
CONAN THE BARBARIAN - This reboot is an ugly, unimaginative take on the character immortalized by Arnold Schwarzengger. Marcus Nispel (Pathfinder) was the wrong hire for this material.
THE GREEN HORNET - Seth Rogen tries to remake the superhero movie in his own image, and the results are mediocre. Watching Jay Chou trying to speak English is akin to watching a cat trying to get peanut butter off the roof of its mouth. Christoph Waltz can't find the comedic notes for his villain role. If Jack Black tries to tackle the Green Arrow, someone tackle him.
GREEN LANTERN - You have Peter Saarsgaard as your villain, and yet he's made the subplot to the main villain - a giant cloud of evil. The overabundance of CGI does not compensate for the lack of thrills. Ryan Reynolds needn't worry about donning the green ring a second time.
KABOOM - Microbudgeted yawner about a party boy who wonders if, gee, maybe the end of the world is coming. But first, let's do drugs and dance!
THE OTHER WOMAN - An aftermath movie. Natalie Portman plays the second wife to a successful businessman, having snagged him by being his mistress. Then the baby they had together dies. Her marriage is becoming more and more loveless, and her stepson is the weapon his parents use against each other. Lisa Kudrow conveys deep bitterness as the first wife who had her life torn apart, but these are such awful selfish people to spend time with, I'd recommend it only as a cautionary tale for young woman thinking of sleeping with a married man. "Do you want this to become your life?"
THE ROOMMATE - This twist on Single White Female shows that Leighton Meester has talent and deserves better. No one else involved does.
SEASON OF THE WITCH - As corny and silly as you'd expect a medieval movie to be starring Nicolas Cage.
SOMETHING BORROWED - Kate Hudson was nominated for an Oscar once. No, seriously, it's true.
THE TREE OF LIFE - A gorgeous 2 hour 25 minute slideshow. No real story. Just three boys living in 1950's Texas. And we go back to the creation of the world, and time passing, and waves crashing, and trees growing, and stars twinkling, and wind blowing through the grass, and the cosmos winking, and critics closing their eyes and chanting "Ohmmmmmmmm...." through the whole bloody thing. The Emperor has no clothes.
And now...
... the Worst Ten
10. DON'T BE AFRAID OF THE DARK - The creepy-crawly creatures of this "from the mind of Guillermo Del Toro" effort are never scary, but that's not even the main problem. When Katie Holmes takes pictures of them to prove they're real, and the photos are all over the ground, it just cuts ahead to the next scene with still no one else believing her. Why did no one look at the pictures? I don't mind leaps of logic if they're not Herculean leaps.9. PASSION PLAY - A drifter (Mickey Rourke) finds a woman with literal angel wings. An offbeat quirky comedy could have sprung from that premise, but instead we get a forlorn ponder-drama, where melancholy is chosen over mirth. Bill Murray wastes his time as a gangster who wants to keep her for himself, and the finale's terrible special effects make for the perfect exclamation point on why this film is such a mess.
8. YOUR HIGHNESS - This would-be parody never captures the quick wit of the Pythons nor the underlying sweetness of The Princess Bride. I think even Cheech & Chong would disown it. The R-rated stoner humor mixed in with medieval tropes never meshes, and it made me resent actor/writer Danny McBride and director David Gordon Green for getting this much money with this talented a cast, and this was all they could churn out.
7. SANCTUM - If you're going to make a movie about a group of people stuck in underground caves, it's imperative to always give the audience a sense of place. The whole thing was shot on sound-stages for all I know. It features paper-thin caricatures of people shouting and trudging down damp corridors and then dying one by one when they make incredibly stupid decisions.6. DYLAN DOG: DEAD OF NIGHT - One of those genre mashups that succeeds at none of its targets, not at horror nor comedy nor noir nor entertainment, with Brandon Routh completely miscast in the lead.
5. JUST GO WITH IT - Adam Sandler has lost it. I used to look forward to his movies, but what worked for him 10-15 years ago isn't working now. Between this, Grown Ups, and (what I've read about) Jack & Jill, he needs an intervention, and yet whenever he takes risks (Funny People, Reign Over Me), it's not as successful at the box-office. This comedy is about a man who pretends to be married to get one-night stands, but when he meets a woman he wants to continue seeing, his lies about his marriage expand and grow. There's so much effort put into the contrived premise that it kills whatever laughs might have been achieved.
4. RED RIDING HOOD - Well, the opening credits were cool. Other than that, director Catherine Hardwicke (the first Twilight) indulges her worst instincts in this ethereal medieval romance/murder-mystery where a werewolf is killing the townspeople at night. Our heroine Red (Amanda Seyfried) is torn between two village hunks, either of whom could be the killer lycanthrope, neither of whom have chemistry with her. Giant lanterns are hung on each red herring to the point it becomes obvious who the wolf is because the movie's tried to hard to make us think it's anybody else.
3. SUCKER PUNCH - Teen girls clad themselves scantily in fetishized costumes while fighting creatures in some dreamscape video-game of a movie pretending to be about female empowerment. Director Zack Snyder has had financial success adapting other people's work (Dawn of the Dead, 300, Watchmen) but in doing his own, he shows he really is all style and no substance.
2. THE RITE - Deathly dull exorcism flick with Anthony Hopkins in paycheck mode as the older priest who winds up getting possessed himself. Colin O'Donoghue is the black hole where an engaging protagonist should be.1. BREAKING DAWN PART I - I've been fine with the first three movies. I take them at face value. But this... this plunges new depths of cheese. The actors aren't improving. If anything it highlights their weaknesses. Taylor Lautner has never been worse. The first half-hour is about the wedding, the second half-hour is about Bella's pregnancy, and the final act is about vampires and Jacob patrolling to keep Bella safe while she delivers whatever a vampire-human hybrid baby is. Even die-hard Twihards will have to admit how bad this movie is.
UPDATE: I now believe HOBO WITH A SHOTGUN was the worst movie of 2011. I say "believe" because it was so rancid, I couldn't watch the whole thing. For what it's worth.
Atlas Shrugged Part I - DVD Review
★½

Starring Taylor Schilling, Grant Bowler, Matthew Marsden, Edi Gathegi, Nick Cassavettes, Jon Polito, Michael Lerner, Patrick Fischler, Graham Beckel and Rebecca Wisocky.
Directed by Paul Johansson.
The first rule of adapting a book into a movie is to make the movie accessible to people who haven't read the book. I have never read Ayn Rand's 1957 1100-page novel, but this movie is written with the seeming presumption that everyone watching the movie has read the book.
Now maybe if this had been made with a Hollywood budget, with better actors, a best director, etc., that wouldn't matter as much, but the holder of the rights had to get moving on this or lose them. The result is not unlike the first episode of Fox Business Channel's first attempt at a mini-series.
Angelina Jolie was once looking at starring in an Atlas Shrugged movie, but here we'll have to settle for Taylor Schilling, known to me as one of the leads of NBC's short-lived nurse drama Mercy. She plays Dagny Taggart, a 26-year-old running the largest railroad company in the US in 2016, along with her brother James (Matthew Marsden). The country's in turmoil since gas and oil prices have skyrocketed, and several talented successful businessmen are disappearing. And about every six minutes, someone asks the mysterious question, "Who is John Galt?"
But here's the thing. Why should I care who John Galt is? Who is Mortimer McGillicuddy? Who is Joe Shlobosky? Context, people!
The Taggarts are bumping up against Hank Reardon (Grant Bowler), who's developed a new type of steel that's twice as strong at half the weight.
The movie is obviously made on the cheap, yet it's about the rich and elite few who make the country run by the power of their own brilliance and general awesomeness. It's nothing but esoteric conversations between two or more people about events and ideas, in corridors, in lobbies, at parties.
Some of these ideas are worth discussing, some of these ideas might make more sense on the page, some of these ideas might be antiquated now that it's not 1957. But another big problem with this movie is these ideas need to build to something, and after 91 minutes of conversations about things happening we never get an emotional connection to, it ends with a cliffhanger.

Starring Taylor Schilling, Grant Bowler, Matthew Marsden, Edi Gathegi, Nick Cassavettes, Jon Polito, Michael Lerner, Patrick Fischler, Graham Beckel and Rebecca Wisocky.
Directed by Paul Johansson.
The first rule of adapting a book into a movie is to make the movie accessible to people who haven't read the book. I have never read Ayn Rand's 1957 1100-page novel, but this movie is written with the seeming presumption that everyone watching the movie has read the book.
Now maybe if this had been made with a Hollywood budget, with better actors, a best director, etc., that wouldn't matter as much, but the holder of the rights had to get moving on this or lose them. The result is not unlike the first episode of Fox Business Channel's first attempt at a mini-series.
Angelina Jolie was once looking at starring in an Atlas Shrugged movie, but here we'll have to settle for Taylor Schilling, known to me as one of the leads of NBC's short-lived nurse drama Mercy. She plays Dagny Taggart, a 26-year-old running the largest railroad company in the US in 2016, along with her brother James (Matthew Marsden). The country's in turmoil since gas and oil prices have skyrocketed, and several talented successful businessmen are disappearing. And about every six minutes, someone asks the mysterious question, "Who is John Galt?"
But here's the thing. Why should I care who John Galt is? Who is Mortimer McGillicuddy? Who is Joe Shlobosky? Context, people!
The Taggarts are bumping up against Hank Reardon (Grant Bowler), who's developed a new type of steel that's twice as strong at half the weight.
The movie is obviously made on the cheap, yet it's about the rich and elite few who make the country run by the power of their own brilliance and general awesomeness. It's nothing but esoteric conversations between two or more people about events and ideas, in corridors, in lobbies, at parties.
Some of these ideas are worth discussing, some of these ideas might make more sense on the page, some of these ideas might be antiquated now that it's not 1957. But another big problem with this movie is these ideas need to build to something, and after 91 minutes of conversations about things happening we never get an emotional connection to, it ends with a cliffhanger.
Wednesday, December 28, 2011
The Trip - DVD Review
★★★
Starring Steve Coogan and Rob Brydon.
Directed by Michael Winterbottom.
I remember watching a clip from this movie four or five times about a year ago. The movie actually didn't hit US theaters until the summer, and now it's on DVD and Netflix Instant. The clip was of the two stars both doing their Michael Caine impression, and it was pretty funny.
If I'm understanding this right, the two actors did it as a six-episode series for BBC, but this is a two-hour edit-down for theatrical release. They play versions of themselves, two actors touring the countryside, reviewing restaurants for an article Streve will write. Steve is longing to get back to Hollywood movies, while Rob is perfectly happy with his career in British TV.
It's not much more than an excuse for the two to riff and play off each other, but that is enough. it made me laugh a few times, and there's a nice undercurrent of regret from Steve as he reflects on his career and where he wants to be in life, even as he digs at the annoying but content Rob. It's a trip worth taking.
Starring Steve Coogan and Rob Brydon.
Directed by Michael Winterbottom.
I remember watching a clip from this movie four or five times about a year ago. The movie actually didn't hit US theaters until the summer, and now it's on DVD and Netflix Instant. The clip was of the two stars both doing their Michael Caine impression, and it was pretty funny.
If I'm understanding this right, the two actors did it as a six-episode series for BBC, but this is a two-hour edit-down for theatrical release. They play versions of themselves, two actors touring the countryside, reviewing restaurants for an article Streve will write. Steve is longing to get back to Hollywood movies, while Rob is perfectly happy with his career in British TV.
It's not much more than an excuse for the two to riff and play off each other, but that is enough. it made me laugh a few times, and there's a nice undercurrent of regret from Steve as he reflects on his career and where he wants to be in life, even as he digs at the annoying but content Rob. It's a trip worth taking.
Tuesday, December 27, 2011
Dylan Dog: Dead of Night - DVD Review
★
Starring Brandon Routh, Sam Huntington, Anita Briem, Taye Diggs, Peter Stormare and Kurt Angle.
Directed by Kevin Munroe.
Whatever problems Superman Returns had, I didn't think Brandon Routh was one of them. I liked him as Clark Kent/Superman. But here he is completely miscast. Or maybe Bryan Singer (Usual Suspects, X-Men) is better at getting performances out of his actors than Kevin Munroe (TMNT).
Routh is Dylan Dog, a sardonic, conflicted private investigator who specializes in the undead. The role requires someone with star-power and charisma to pull off, and Routh can't. I kept thinking how much more salvageable this might have been had it starred Timothy Olyphant.
Dylan works in New Orleans, home of vampires, werewolves and zombies. It combines noir cliches with horror and comedy, and none of it works. The mystery's uninteresting, the comedy's flat, the creatures are about as scary as a community church's hell house.
Any random episode of HBO's True Blood or WB's Buffy the Vampire Slayer is better. At least Jonah Hex was twenty minutes shorter.
The Girl with the Dragon Tattoo - Movie Review
★★★½Starring Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard, Robin Wright, Steven Berkoff, Joely Richardson, Geraldine James and Goran Visnjic. Directed by David Fincher.
I've read the book and seen the Swedish movie, and yet I was still enthralled by this version. David Fincher is a slick director, one of the most reliable working today, and he knows how to piece together a procedural. The dense story of Steig Larsson's murder mystery would need over three hours to not feel rushed, but Fincher managed to do it in two and a half.
Daniel Craig is Mikhael Blomkvist, disgraced editor of Millenium magazine, who resigns after losing a libel case. He gets a call from an eccentric millionaire Henrik Vanger (Christopher Plummer, who's always great). Henrik's niece was murdered forty years ago, and he wants Blomkvist's help to solve it once and for all.
Blomkvist needs a research assistant and he gets one in Lisbeth Salander, one of the great recent female characters. Here she's embodied by Rooney Mara (The Social Network), and she makes the role her own.
I love the fact Fincher kept this in Swden and didn't try to Americanize it by putting in in New England. It's faithful to the source material and yet makes the right adjustments to streamline the storytelling aspects. It was as satisfying to me as Fincher's Zodiac.
I'm saddened this isn't doing better at the box-office. It means we won't be able to see Fincher do the other two books.
Monday, December 26, 2011
Monday's Box Office Estimates
For December 26. 1. Mission Impossible 4 - $16.71 million ($78.65) - 11 days
2. Sherlock Holmes 2 - $11.55 ($90.56) - 11 days
3. War Horse - $7.51 ($15.03) - 2 days
4. Alvin & the Chipmunks 3 - $7.35 ($56.94) - 11 days
5. The Girl w/ the Dragon Tattoo - $6.65 ($27.78) - 6 days
6. Adventures of Tintin - $6.4 ($24.11) - 6 days
7. We Bought A Zoo - $6.15 ($15.6) - 4 days
8. The Darkest Hour - $2.5 ($5.5) - 2 days
9. New Year's Eve - $1.64 ($34.29) - 18 days
10. The Descendants - $1.33 ($33.72) - 41 days
11. The Muppets - $1.21 ($76.91) - 34 days
12. Hugo - $1.18 ($44.93) - 34 days
For a 2 1/2 hour movie with no stars beyond "director Steven Spielberg", War Horse is doing quite well and domestically outgross Steve's other December movie, The Adventures of Tintin.
Box-office for December is still down overall compared to last year. (I like to think it's because audiences are protesting the movie studios behind the internet-censoring bills SOPA and PIPA.) But Mission Impossible 5 is likely.
Random Movie Stuff - 12/26/11
- Here's the first photo from Magic Mike, a male-stripper comedy from director Steven Soderbergh. It stars Matthew McConaughey, Channing Tatum, Alex Pettyfer (Beastly), Matthew Bomer (USA's White Collar), and Joe Manganiello (HBO's True Blood). It's loosely based on Tatum's experiences as a stripper before his acting career took off. The movie's scheduled to open June 29. Soderbergh also has Haywire opening next month.- Dan Aykroyd has joined the cast of Dog Fight, a political satire starring Will Ferrell and Zack Galifianakis as two warring candidates. It also stars Jason Sudeikis, John Lithgow, WIll Forte and Brian Cox.
- Alan Taylor, whose directorial efforts mainly comprise of HBO fare like Game of Thrones and Boardwalk Empire, will be the new director for Thor 2. Kenneth Branagh directed the original.
- Seth Rogen will star in The B Team, about a master spy who is kidnapped, so his support team must go in to save him.
- What do Tom Hulce (Amadeus), Jon Polito (Miller's Crossing), Derek Jacobi (Anonymous), Wesley Eure (TV's Land of the Lost), Guillermo Diaz (TV's Weeds), Sean Maher (Serenity), Roger Rees (TV's Cheers), Denis O'Hare (TV's True Blood), Jonathan Slavin (TV's Better Off Ted), and Luke Evans (Clash of the Titans) have in common?
- The Top Ten Movies according to Christy Lemire, of Ebert Presents At the Movies:
1. Martha Marcy May Marlene
2. 50/50
3. The Myth of the American Sleepover
4. The Tree of Life
5. Bellflower
6. Melancholia
7. Take Shelter
8. Hell & Back Again
9. Beginners
10. Bridesmaids
The Help - DVD Review
★★★½Starring Viola Davis, Emma Stone, Octavia Spencer, Bryce Dallas Howard, Jessica Chastain, Allison Janney, Ahna O'Reilly, Sissy Spacek, Cicely Tyson, Chris Lowell, Mary Steenburgen, Mike Vogel, Brian Kerwin, Aunjanue Ellis, Anna Camp and Nelsan Ellis.
Directed by Tate Taylor.
The story begins and ends with Aibileen (Viola Davis), a long-time maid in 1963 Jackson, Mississippi. She's been raising white kids her entire career while suffering the condescending racism from her employers. She runs into Skeeter (Emma Stone) an aspiring writer who comes back home from college and is furious to learn her family's maid Constantine (Cicely Tyson) had been fired. Skeeter looked at Constantine as the one who really raised her, and she starts thinking about a story, a book about the injustices suffered by "the help."
Now this is not a Spike Lee tackling of racial turmoil. We don't see any burning crosses. This is more of a Fried Green Tomatoes-flavored take on the South. It's funny, it's touching, and it's buoyed by a great cast. Davis and Stone are stand-outs, as is Octavia Spencer as Minny, a maid with attitude who will suffer no fools when treated poorly. Also really good is Bryce Dallas Howard as the villainous Hilly, the town's central socialite, the main Heather.
Sunday, December 25, 2011
Cave of Forgotten Dreams - DVD Review
★★★
Directed by Werner Herzog.
In southern France, there is Chauvet Cave, closed now to the public because it has cave drawings on its walls that they estimated are 30,000 years old. It was a remarkable archaelogical discovery, but before France had it sealed, they allowed filmmaker Werner Herzog in with his cameras to document history.
Looking at cave drawings might seem like something you catch on the History Channel anytime, but these drawings are thousands of years older than any discovery in history. Herzog's a fine host, inviting us to ponder our existence, wondering what these ancestors might have thought if they'd known their works would be so immortalized.
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