Monday, December 19, 2016
Rogue One is #1 at box office
For the weekend of December 16-18, 2016, Rogue One opened huge. The Star Wars stand-alone story is now the 12th highest opening weekend ever. It's the third-best opening weekend of 2016 (behind Captain America: Civil War and Batman v. Superman).
The other new wide release was Collateral Beauty, and considering its star power (Will Smith, Kate Winslet, Keira Knightley, Helen Mirren, Edward Norton, etc.), it's a big disappointment. It also had deadly reviews (13% at RottenTomatoes).
This was the first weekend after Golden Globes and SAG Award nominations were announced, and a big beneficiary was La La Land, keeping a strong per-screen average as it slowly expands. Also keeping up were Jackie and Lion, and Fences had a strong debut in limited release as well.
On their way down: Moonlight and Nocturnl Animals. Catch them if they're still around you. (I haven't seen Moonlight yet.)
Opens December 23
SING with the voices of Matthew McConaughey, Reese Witherspoon and Taron Egerton.
PASSENGERS with Jennifer Lawrence, Chris Pratt, Michael Sheen and Andy Garcia.
ASSASSIN'S CREED with Michael Fassbender, Marion Cotillard and Jeremy Irons.
WHY HIM? with James Franco, Bryan Cranston, Zoey Deutch and Megan Mullally.
Saturday, December 17, 2016
Gods of Egypt - DVD Review
GODS OF EGYPT (PG-13) Starring Nikolaj Coster-Waldau, Gerard Butler, Brendon Thwaites, Elodie Yung, Chadwick Boseman, Geoffrey Rush, Courtney Eaton, Rufus Sewell and Bryan Brown.
Written by Matt Sazama & Burk Sharpless.
Directed by Alex Proyas.
★★
The first and perhaps biggest problem with this is the casting. They're making a movie about Egypt, and 90% of the cast is white. Not even some ethnic-ish looking guys, but our main Aladdin-like hero is Brendon Thwaites. The main hero-god is Nikolaj Coster-Waldau. Freakin' RA THE SUN GOD is played by Geoffrey Rush.
Whitewashing aside, this movie aspires to be another Clash of the Titans, and it is. Trouble is, Clash wasn't very good. There's a lot of ham and cheese in this movie, and the best part was Chadwick Boseman as the vain god Thoth. But yeah, you were okay to skip this one.
Written by Matt Sazama & Burk Sharpless.
Directed by Alex Proyas.
★★
The first and perhaps biggest problem with this is the casting. They're making a movie about Egypt, and 90% of the cast is white. Not even some ethnic-ish looking guys, but our main Aladdin-like hero is Brendon Thwaites. The main hero-god is Nikolaj Coster-Waldau. Freakin' RA THE SUN GOD is played by Geoffrey Rush.
Whitewashing aside, this movie aspires to be another Clash of the Titans, and it is. Trouble is, Clash wasn't very good. There's a lot of ham and cheese in this movie, and the best part was Chadwick Boseman as the vain god Thoth. But yeah, you were okay to skip this one.
Maggie's Plan - DVD Review
MAGGIE'S PLAN (R) Starring Greta Gerwig, Ethan Hawke, Julianne Moore, Bill Hader, Maya Rudolph and Travis Fimmel.
Written by Rebecca Miller & Karen Rinaldi.
Directed by Rebecca Miller.
★★½
This winsome film has a rom-com premise but it's done in a Woody Allen/Noah Baumbach indie style that makes it feel different. Gerwig plays Maggie, a woman who's decided to get artificial insemination. But right after she does, a co-worker (Ethan Hawke) professes he's madly in love with her, and he leaves his wife for her.
The movie lives or dies on how charismatic you find Greta Gerwig (Frances Ha), and I thought she was fine, if familiar. I was most interested in Julianne Moore as the jilted ex-wife.
Written by Rebecca Miller & Karen Rinaldi.
Directed by Rebecca Miller.
★★½
This winsome film has a rom-com premise but it's done in a Woody Allen/Noah Baumbach indie style that makes it feel different. Gerwig plays Maggie, a woman who's decided to get artificial insemination. But right after she does, a co-worker (Ethan Hawke) professes he's madly in love with her, and he leaves his wife for her.
The movie lives or dies on how charismatic you find Greta Gerwig (Frances Ha), and I thought she was fine, if familiar. I was most interested in Julianne Moore as the jilted ex-wife.
Friday, December 16, 2016
Rogue One - Movie Review
Starring Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Alan Tudyk, Riz Ahmed, Forest Whitaker, Mads Mikkelsen, Jiang Wen, Jimmy Smits, Genevieve O'Reilly and James Earl Jones.
Written by Chris Weitz & Tony Gilroy and John Knoll & Gary Whitta.
Directed by Gareth Edwards.
★★★½
This is exactly the type of side adventure I was hoping that Disney would do when they won the rights to the Star Wars franchise. We meet some new characters, we get some old ones (Bail Organa! Mon Mothma! Darth freakin' Vader!), and we have a movie that may fit into the timeline of the franchise, but there's something creatively freeing about knowing this is a stand-alone film.
The film centers around Jyn Erso (Felicity Jones), a prisoner who's rescued by members of the Rebel Alliance. She is the daughter of Galen Erso (Mads Mikkelsen), an engineer forced against his will to help build the Death Star. With her help, they believe they can steal the plans and find a weakness in its design.
Her motley crew eventually contains Captain Cassian Andor (Diego Luna), who has his own side mission; Bodhi Rook (Riz Ahmed), a recently defected Imperial pilot; K-2SO (Alan Tudyk), a sardonic, reprogrammed Imperial droid who doesn't hide his opinions; blind warrior Chirrut Imwe (Donnie Yen); and man-at-arms Baze Malbus (Jiang Wen). They all must elude the clutches of Krennic (Ben Mendelsohn), the Imperial leader overseeing the Death Star who hopes its success will catapult him to becoming the right-hand man of the Emperor.
One thing I really appreciated were some surprises that they kept hidden from marketing. Over the next few days, those will all come out, but I'm glad I saw it without knowing all of the turns. I also liked the dark urgency of it. This rebellion feels like war, with guerilla tactics, stormtroopers minding their own business suddenly getting blown up, citizens stuck in harm's way. It shows how stakes were raised for other people in the galaxy, beyond the Skywalker family. It's probably the best Star Wars script since The Empire Strikes Back.
Written by Chris Weitz & Tony Gilroy and John Knoll & Gary Whitta.
Directed by Gareth Edwards.
★★★½
This is exactly the type of side adventure I was hoping that Disney would do when they won the rights to the Star Wars franchise. We meet some new characters, we get some old ones (Bail Organa! Mon Mothma! Darth freakin' Vader!), and we have a movie that may fit into the timeline of the franchise, but there's something creatively freeing about knowing this is a stand-alone film.
The film centers around Jyn Erso (Felicity Jones), a prisoner who's rescued by members of the Rebel Alliance. She is the daughter of Galen Erso (Mads Mikkelsen), an engineer forced against his will to help build the Death Star. With her help, they believe they can steal the plans and find a weakness in its design.
Her motley crew eventually contains Captain Cassian Andor (Diego Luna), who has his own side mission; Bodhi Rook (Riz Ahmed), a recently defected Imperial pilot; K-2SO (Alan Tudyk), a sardonic, reprogrammed Imperial droid who doesn't hide his opinions; blind warrior Chirrut Imwe (Donnie Yen); and man-at-arms Baze Malbus (Jiang Wen). They all must elude the clutches of Krennic (Ben Mendelsohn), the Imperial leader overseeing the Death Star who hopes its success will catapult him to becoming the right-hand man of the Emperor.
One thing I really appreciated were some surprises that they kept hidden from marketing. Over the next few days, those will all come out, but I'm glad I saw it without knowing all of the turns. I also liked the dark urgency of it. This rebellion feels like war, with guerilla tactics, stormtroopers minding their own business suddenly getting blown up, citizens stuck in harm's way. It shows how stakes were raised for other people in the galaxy, beyond the Skywalker family. It's probably the best Star Wars script since The Empire Strikes Back.
Wednesday, December 14, 2016
Screen Actors Guild Award Nominations
Outstanding Performance by a Cast in a Motion Picture
“Captain Fantastic”
“Fences”
“Hidden Figures”
“Manchester by the Sea”
“Moonlight”
Outstanding Performance by a Male Actor in a Leading Role
Casey Affleck, “Manchester by the Sea”
Andrew Garfield, “Hacksaw Ridge”
Ryan Gosling, “La La Land”
Viggo Mortensen, “Captain Fantastic”
Denzel Washington, “Fences”
Outstanding Performance by a Female Actor in a Leading Role
Amy Adams, “Arrival”
Emily Blunt, “The Girl on the Train”
Natalie Portman, “Jackie”
Emma Stone, “La La Land”
Meryl Streep, “Florence Foster Jenkins”
Outstanding Performance by a Male Actor in a Supporting Role
Mahershala Ali, “Moonlight”
Jeff Bridges, “Hell or High Water”
Hugh Grant, “Florence Foster Jenkins”
Lucas Hedges, “Manchester by the Sea”
Dev Patel, “Lion”
Outstanding Performance by a Female Actor in a Supporting Role
Viola Davis, “Fences”
Naomie Harris, “Moonlight”
Nicole Kidman, “Lion”
Octavia Spencer, “Hidden Figures”
Michelle Williams, “Manchester by the Sea”
Outstanding Performance by an Ensemble in a Drama Series
“The Crown”
“Downton Abbey”
“Game of Thrones”
“Stranger Things”
“Westworld”
Outstanding Performance by an Ensemble in a Comedy Series
“The Big Bang Theory”
“Black-ish”
“Modern Family”
“Orange is the New Black”
“Veep”
Outstanding Performance by a Male Actor in a Television Movie or Miniseries
Riz Ahmed, “The Night Of”
Sterling K. Brown, “The People v. O.J. Simpson”
Bryan Cranston, “All the Way”
John Turturro, “The Night Of”
Courtney B. Vance, “The People v. O.J. Simpson”
Outstanding Performance by a Female Actor in a Television Movie or Miniseries
Bryce Dallas Howard, “Black Mirror”
Felicity Huffman, “American Crime”
Audra McDonald, “Lady Day at Emerson’s Bar and Grill”
Sarah Paulson, “The People v. O.J. Simpson”
Kerry Washington, “Confirmation”
Outstanding Performance by a Male Actor in a Drama Series
Sterling K. Brown, “This Is Us”
Peter Dinklage, “Game of Thrones”
John Lithgow, “The Crown”
Rami Malek, “Mr. Robot”
Kevin Spacey, “House of Cards”
Outstanding Performance by a Female Actor in a Drama Series
Millie Bobby Brown, “Stranger Things”
Claire Foy, “The Crown”
Thandie Newton, “Westworld”
Winona Ryder, “Stranger Things”
Robin Wright, “House of Cards”
Outstanding Performance by a Male Actor in a Comedy Series
Anthony Anderson, “Black-ish”
Tituss Burgess, “Unbreakable Kimmy Schmidt”
Ty Burrell, “Modern Family”
William H. Macy, “Shameless”
Jeffrey Tambor, “Transparent”
Outstanding Performance by a Female Actor in a Comedy Series
Uzo Aduba, “Orange is the New Black”
Jane Fonda, “Grace and Frankie”
Ellie Kemper, “Unbreakable Kimmy Schmidt”
Julia Louis-Dreyfus, “Veep”
Lily Tomlin, “Grace and Frankie”
Outstanding Action Performance by a Stunt Ensemble in a Comedy or Drama Series
“Game of Thrones”
“Marvel’s Daredevil”
“Marvel’s Luke Cage”
“The Walking Dead”
“Westworld”
Outstanding Action Performance by a Stunt Ensemble in a Motion Picture
“Captain America: Civil War”
“Doctor Strange”
“Hacksaw Ridge”
“Jason Bourne”
“Nocturnal Animals”
Monday, December 12, 2016
Moana is #1 for third consecutive week
For the weekend of December 9-11, 2016, Moana remained on top, as its only new challenge was Office Christmas Party.
The afore-mentioned ensemble comedy had mixed reviews, but enough B-level star power (Jason Bateman, Jennifer Aniston) to get some curious people in theaters. Everyone's treading water until Rogue One gets here.
When it comes to awards season, some expansions are doing better than others. Manchester By the Sea is doing best, while La La Land had a huge opening on only 5 screens.
Opens December 16
ROGUE ONE with Felicity Jones, Diego Luna, Ben Mendelsohn and Forest Whitaker.
COLLATERAL BEAUTY with Will Smith, Edward Norton, Helen Mirren and Kate Winslet.
Golden Globe Nominations List
Best Motion Picture – Drama:
“Hacksaw Ridge”
“Hell Or High Water”
“Lion”
“Manchester By The Sea”
“Moonlight”
Best Motion Picture – Musical or Comedy:
“20th Century Women”
“Deadpool”
“La La Land”
“Florence Foster Jenkins”
“Sing Street”
Best Performance by an Actor in a Motion Picture – Drama:
Casey Affleck – “Manchester By The Sea”
Joel Edgerton – “Loving”
Andrew Garfield – “Hacksaw Ridge”
Viggo Mortensen – “Captain Fantastic”
Denzel Washington – “Fences”
Best Performance by an Actress in a Motion Picture – Drama:
Amy Adams – “Arrival”
Jessica Chastain – “Miss Sloane”
Isabelle Huppert – “Elle”
Ruth Negga – “Loving”
Natalie Portman – “Jackie”
Best Performance by an Actor in a Motion Picture – Musical or Comedy:
Colin Farrell – “The Lobster”
Ryan Gosling – “La La Land”
Hugh Grant – “Florence Foster Jenkins”
Jonah Hill – “War Dogs”
Ryan Reynolds – “Deadpool”
Best Performance by an Actress in a Motion Picture – Musical or Comedy:
Annette Bening – “20th Century Women”
Lily Collins – “Rules Don’t Apply”
Hailee Steinfeld – “The Edge of Seventeen”
Emma Stone – “La La Land”
Meryl Streep – “Florence Foster Jenkins”
Best Performance by an Actor in a Supporting Role in a Motion Picture:
Mahershala Ali – “Moonlight”
Jeff Bridges – “Hell or High Water”
Simon Helberg – “Florence Foster Jenkins”
Dev Patel – “Lion”
Aaron Taylor-Johnson – “Nocturnal Animals”
Best Performance by an Actress in a Supporting Role in a Motion Picture:
Viola Davis – “Fences”
Naomie Harris – “Moonlight”
Nicole Kidman – “Lion”
Octavia Spencer – “Hidden Figures”
Michelle Williams – “Manchester by the Sea”
Best Director – Motion Picture:
Damien Chazelle – “La La Land”
Tom Ford – “Nocturnal Animals”
Mel Gibson – “Hacksaw Ridge”
Barry Jenkins – “Moonlight”
Kenneth Lonergan – “Manchester by the Sea”
Best Original Screenplay:
“La La Land”
“Nocturnal Animals”
“Moonlight”
“Manchester By The Sea”
“Hell Or High Water”
Best Motion Picture – Foreign Language:
“Divines” – France
“Elle” – France
“Neruda” – Chile
“The Salesman” – Iran/France
“Toni Erdmann” – Germany
Best Motion Picture – Animated:
“Kubo and the Two Strings”
“Moana”
“My Life As A Zucchini”
“Sing”
“Zootopia”
Best Original Song – Motion Picture:
“Cant Stop The Feeling” – “Trolls”
“City Of Stars” – La La Land
“Faith” – Sing
“Gold” – Gold
“How Far I’ll Go” – Moana
Best Original Score – Motion Picture:
Nicholas Britell– “Moonlight”
Justin Hurwitz – “La La Land”
Johann Johannsson – “Arrival”
Dustin O’Halloran, Hauschka– “Lion
Hans Zimmer, Pharrel Williams, Benjamin Wallfisch – “Hidden Figures”
Best Television Series – Drama:
“The Crown”
“Game Of Thrones”
“Stranger Things”
“This Is Us”
“Westworld”
Best Television Series – Musical or Comedy:
“Atlanta”
“Black-ish”
“Mozart In The Jungle”
“Transparent”
“Veep”
Best Performance by an Actor in a Television Series – Drama:
Rami Malek – “Mr. Robot”
Bob Odenkirk – “Better Call Saul”
Matthew Rhys – “The Americans”
Liev Schreiber – “Ray Donovan”
Billy Bob Thornton – “Goliath”
Best Performance by an Actress In A Television Series – Drama:
Caitriona Balfe – “Outlander”
Claire Foy – “The Crown”
Keri Russell – “The Americans”
Winona Ryder – “Stranger Things”
Evan Rachel Wood – “Westworld”
Best Performance by an Actor in a Television Series – Musical or Comedy:
Anthony Anderson – “Black-ish”
Gael GarcÃa Bernal – “Mozart in the Jungle
Donald Glover – “Atlanta”
Nick Nolte – “Graves”
Jeffrey Tambor – “Transparent”
Best Performance by an Actress in a Television Series – Musical or Comedy:
Rachel Bloom – “Crazy Ex-Girlfriend”
Julia Louis-Dreyfus – “Veep”
Sarah Jessica Parker – “Divorce”
Issa Rae – “Insecure”
Gina Rodriguez – “Jane the Virgin”
Tracee Ellis-Ross – “Black-ish”
Best Limited Series:
“American Crime”
“The Dresser”
“The Night Manager”
“The Night Of”
“The People v O.J. Simpson: American Crime Story”
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television:
Riz Ahmed – “The Night Of”
Bryan Cranston – “All The Way”
Tom Hiddleston – “The Night Manager”
John Turturro – “The Night Of”
Courtney B Vance – “The People v O.J. Simpson: American Crime Story”
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television:
Olivia Colman – “The Night Manager”
Lena Headey – “Game Of Thrones”
Chrissy Metz – “This Is Us”
Mandy Moore – “This Is Us”
Thandie Newton – “Westworld”
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:
Felicity Huffman – “American Crime”
Riley Keough – “The Girlfriend Experience”
Sarah Paulson – “The People v O.J. Simpson: American Crime Story”
Charlotte Rampling – “London Spy”
Kerry Washington – “Confirmation”
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:
Sterling K Brown – “The People v O.J. Simpson: American Crime Story”
Hugh Laurie – “The Night Manager”
John Lithgow – “The Crown”
Christian Slater – “Mr. Robot”
John Travolta – “The People v O.J. Simpson: American Crime Story”
“Hacksaw Ridge”
“Hell Or High Water”
“Lion”
“Manchester By The Sea”
“Moonlight”
Best Motion Picture – Musical or Comedy:
“20th Century Women”
“Deadpool”
“La La Land”
“Florence Foster Jenkins”
“Sing Street”
Best Performance by an Actor in a Motion Picture – Drama:
Casey Affleck – “Manchester By The Sea”
Joel Edgerton – “Loving”
Andrew Garfield – “Hacksaw Ridge”
Viggo Mortensen – “Captain Fantastic”
Denzel Washington – “Fences”
Best Performance by an Actress in a Motion Picture – Drama:
Amy Adams – “Arrival”
Jessica Chastain – “Miss Sloane”
Isabelle Huppert – “Elle”
Ruth Negga – “Loving”
Natalie Portman – “Jackie”
Best Performance by an Actor in a Motion Picture – Musical or Comedy:
Colin Farrell – “The Lobster”
Ryan Gosling – “La La Land”
Hugh Grant – “Florence Foster Jenkins”
Jonah Hill – “War Dogs”
Ryan Reynolds – “Deadpool”
Best Performance by an Actress in a Motion Picture – Musical or Comedy:
Annette Bening – “20th Century Women”
Lily Collins – “Rules Don’t Apply”
Hailee Steinfeld – “The Edge of Seventeen”
Emma Stone – “La La Land”
Meryl Streep – “Florence Foster Jenkins”
Best Performance by an Actor in a Supporting Role in a Motion Picture:
Mahershala Ali – “Moonlight”
Jeff Bridges – “Hell or High Water”
Simon Helberg – “Florence Foster Jenkins”
Dev Patel – “Lion”
Aaron Taylor-Johnson – “Nocturnal Animals”
Best Performance by an Actress in a Supporting Role in a Motion Picture:
Viola Davis – “Fences”
Naomie Harris – “Moonlight”
Nicole Kidman – “Lion”
Octavia Spencer – “Hidden Figures”
Michelle Williams – “Manchester by the Sea”
Best Director – Motion Picture:
Damien Chazelle – “La La Land”
Tom Ford – “Nocturnal Animals”
Mel Gibson – “Hacksaw Ridge”
Barry Jenkins – “Moonlight”
Kenneth Lonergan – “Manchester by the Sea”
Best Original Screenplay:
“La La Land”
“Nocturnal Animals”
“Moonlight”
“Manchester By The Sea”
“Hell Or High Water”
Best Motion Picture – Foreign Language:
“Divines” – France
“Elle” – France
“Neruda” – Chile
“The Salesman” – Iran/France
“Toni Erdmann” – Germany
Best Motion Picture – Animated:
“Kubo and the Two Strings”
“Moana”
“My Life As A Zucchini”
“Sing”
“Zootopia”
Best Original Song – Motion Picture:
“Cant Stop The Feeling” – “Trolls”
“City Of Stars” – La La Land
“Faith” – Sing
“Gold” – Gold
“How Far I’ll Go” – Moana
Best Original Score – Motion Picture:
Nicholas Britell– “Moonlight”
Justin Hurwitz – “La La Land”
Johann Johannsson – “Arrival”
Dustin O’Halloran, Hauschka– “Lion
Hans Zimmer, Pharrel Williams, Benjamin Wallfisch – “Hidden Figures”
Best Television Series – Drama:
“The Crown”
“Game Of Thrones”
“Stranger Things”
“This Is Us”
“Westworld”
Best Television Series – Musical or Comedy:
“Atlanta”
“Black-ish”
“Mozart In The Jungle”
“Transparent”
“Veep”
Best Performance by an Actor in a Television Series – Drama:
Rami Malek – “Mr. Robot”
Bob Odenkirk – “Better Call Saul”
Matthew Rhys – “The Americans”
Liev Schreiber – “Ray Donovan”
Billy Bob Thornton – “Goliath”
Best Performance by an Actress In A Television Series – Drama:
Caitriona Balfe – “Outlander”
Claire Foy – “The Crown”
Keri Russell – “The Americans”
Winona Ryder – “Stranger Things”
Evan Rachel Wood – “Westworld”
Best Performance by an Actor in a Television Series – Musical or Comedy:
Anthony Anderson – “Black-ish”
Gael GarcÃa Bernal – “Mozart in the Jungle
Donald Glover – “Atlanta”
Nick Nolte – “Graves”
Jeffrey Tambor – “Transparent”
Best Performance by an Actress in a Television Series – Musical or Comedy:
Rachel Bloom – “Crazy Ex-Girlfriend”
Julia Louis-Dreyfus – “Veep”
Sarah Jessica Parker – “Divorce”
Issa Rae – “Insecure”
Gina Rodriguez – “Jane the Virgin”
Tracee Ellis-Ross – “Black-ish”
Best Limited Series:
“American Crime”
“The Dresser”
“The Night Manager”
“The Night Of”
“The People v O.J. Simpson: American Crime Story”
Best Performance by an Actor in a Limited Series or Motion Picture Made for Television:
Riz Ahmed – “The Night Of”
Bryan Cranston – “All The Way”
Tom Hiddleston – “The Night Manager”
John Turturro – “The Night Of”
Courtney B Vance – “The People v O.J. Simpson: American Crime Story”
Best Performance by an Actress in a Limited Series or Motion Picture Made for Television:
Olivia Colman – “The Night Manager”
Lena Headey – “Game Of Thrones”
Chrissy Metz – “This Is Us”
Mandy Moore – “This Is Us”
Thandie Newton – “Westworld”
Best Performance by an Actress in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:
Felicity Huffman – “American Crime”
Riley Keough – “The Girlfriend Experience”
Sarah Paulson – “The People v O.J. Simpson: American Crime Story”
Charlotte Rampling – “London Spy”
Kerry Washington – “Confirmation”
Best Performance by an Actor in a Supporting Role in a Series, Limited Series or Motion Picture Made for Television:
Sterling K Brown – “The People v O.J. Simpson: American Crime Story”
Hugh Laurie – “The Night Manager”
John Lithgow – “The Crown”
Christian Slater – “Mr. Robot”
John Travolta – “The People v O.J. Simpson: American Crime Story”
Friday, December 9, 2016
Nocturnal Animals - Movie Review
Starring Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Ellie Bamber, Armie Hammer, Karl Glusman, Laura Linney, Michael Sheen and Jena Malone.
Written & Directed by Tom Ford.
★★★½
When we get the opening credits, these grotesquely obese women are dancing naked, in slow-motion, in front of a red curtain. After the actors were listed, I closed my eyes for most of the rest. Once the opening credits are over, the movie backs away, and the jarring opening does make sense in the overall story being told here.
Amy Adams plays Susan Morrow, an art gallery owner. She's wealthy but in a second marriage on its last legs. One day she receives in the mail a manuscript from his first husband, Edward Sheffield (Jake Gyllenhaal). The book is called "Nocturnal Animals" and he has dedicated it to her.
Susan reads the book, and we get the story-within-the-story about Tony (also Gyllenhaal), his wife Laura (Isla Fisher, who looks a lot like Adams), and their teenage daughter India. They get run off the road by some ne'er-do-wells led by Ray (Aaron Taylor-Johnson), and the dreadful suspense builds and builds.
As Susan gets more involved in the story, we see flashbacks of her own life. We see her and Edward when they first started dating, and when they were married, and what led to their split.
The impact of the story as a whole is one I keep thinking more and more about. This is the type of movie where you want to talk with other people about it. The acting's great. Adams and Gyllenhaal are solid. Taylor-Johnson (Godzilla), who isn't one I always enjoy, is seriously creepy here. And Michael Shannon, who shows up as a cop in the book, is just one of my favorite working actors. I'd watch him in anything.
Written & Directed by Tom Ford.
★★★½
When we get the opening credits, these grotesquely obese women are dancing naked, in slow-motion, in front of a red curtain. After the actors were listed, I closed my eyes for most of the rest. Once the opening credits are over, the movie backs away, and the jarring opening does make sense in the overall story being told here.
Amy Adams plays Susan Morrow, an art gallery owner. She's wealthy but in a second marriage on its last legs. One day she receives in the mail a manuscript from his first husband, Edward Sheffield (Jake Gyllenhaal). The book is called "Nocturnal Animals" and he has dedicated it to her.
Susan reads the book, and we get the story-within-the-story about Tony (also Gyllenhaal), his wife Laura (Isla Fisher, who looks a lot like Adams), and their teenage daughter India. They get run off the road by some ne'er-do-wells led by Ray (Aaron Taylor-Johnson), and the dreadful suspense builds and builds.
As Susan gets more involved in the story, we see flashbacks of her own life. We see her and Edward when they first started dating, and when they were married, and what led to their split.
The impact of the story as a whole is one I keep thinking more and more about. This is the type of movie where you want to talk with other people about it. The acting's great. Adams and Gyllenhaal are solid. Taylor-Johnson (Godzilla), who isn't one I always enjoy, is seriously creepy here. And Michael Shannon, who shows up as a cop in the book, is just one of my favorite working actors. I'd watch him in anything.
Tuesday, December 6, 2016
Allied - Movie Review
Starring Brad Pitt, Marion Cotillard, Jared Harris, Simon McBurney, Lizzy Caplan, Matthew Goode and August Diehl.Written by Steven Knight.
Directed by Robert Zemeckis.
★★
Our two movie stars meet in Casablanca during World War II. Unfortunately they never swing by Rick's Casino, though director Robert Zemeckis has the technical know-how to make it happen if he wanted to. That might have been too on the nose.
Brad Pitt is Max, a Canadian serving in the UK's Royal Air Force, and a trained spy. He is to meet a French spy Marianne (Cotillard) in Casablanca and pose as her husband. They meet, they talk trade, they put on a good show for those around them, and their mission is to assassinate a German ambassador.
Though they pretend to be lovers, it is when the mission is over that Max decides he has fallen in love with Marianne and wants to marry her. It's a jarring scene when he proposes because up to that point, I'd had no hint Max was actually falling for her.
A wedding, a year, and a baby later, Max gets some bad news. Marianne is supected of being a German spy, and Max is to give her some false information to see if it gets transmitted out.
As both are playing spies, I was looking for hints of their layers. Where's the real person beneath the facade? I can say Cotillard gets there, but I never felt like Pitt did. The two just don't have chemistry together. It feels like it should be a sweeping wartime drama but it never takes off. It's actually all downhill after the assassination.
Monday, December 5, 2016
Moana remains #1 at box office
For the weekend of December 2-4, 2016, it was a week for movies to dog-paddle. The first weekend of December usually has a big drop, and new movie that opening here tend to flop, and this year was no different, as only the horror flick Incarnate was tossed in there.
Moana is continuing its box office success, and Fantastic Beasts and Doctor Strange have to be happy with the business they're doing. Oscar-bait movies like Moonlight and Loving could really use some award-nomination announcements soon to entice audiences. Manchester by the Sea is doing well in its expansion, and Jackie opened well in limited release.
Opens December 9
OFFICE CHRISTMAS PARTY with Jason Bateman, Olivia Munn and Jennifer Aniston.
Saturday, December 3, 2016
The Neon Demon - DVD Review
Starring Elle Fanning, Jena Malone, Bella Heathcote, Abbey Lee, Keanu Reeves, Desmond Harrington, Karl Glusman and Christina Hendricks.Written by Nicolas Winding Refn, Mary Laws & Polly Stenham.
Directed by Nicolas Winding Refn.
★★½
Wow. Nicholas Winding Refn is one pretentious, ambitious, vainglorious artiste (if it's not obvious from when he puts his initials NWR under the title). The guy knows how to set up beautiful and disturbing imagery. The more movies he makes, the more experimental he seems to get, which is fine if you can sweep your audience up in your vision.
This movie focusses on Jesse (Elle Fanning), a teenage model who's just arrived in Los Angeles and finds instant success, creating jealousy among the other models in her social circle. She's taken under the wing of Ruby (Jena Malone), a make-up artist who may want her for herself. This movie has a lot to say about beauty, about artifice, and about obsession.
As for Refn's filmography, this isn't near as good as Drive, and it isn't near as bad as Only God Forgives. I couldn't really get lost in the story, as I was too aware of a director lurking over every frame, and it gets kinda porny, but I give him points for boldness.
Friday, December 2, 2016
The Edge of Seventeen - Movie Review
Starring Hailee Steinfeld, Woody Harrelson, Kyra Sedgwick, Haley Lu Richardson, Blake Jenner, Hayden Szeto and Alexander Calvert.Written & Directed by Kelly Fremon Craig.
★★★½
In a just world, this would be more successful at the box office, but I suppose it's more likely to gain its followers when it goes to iTunes, Netflix, and so on.
Hailee Steinfeld plays Nadine, an 17-year-old insecure frustrated teenage girl in the tradition of John Hughes heroines. She's constantly fighting with her widowed mother (Kyra Sedgwick), her overconfident older brother (Blake Jenner), and 99% of people at school. When her best friend Krista (Haley Lu Richardson) falls for and starts dating her brother, Nadine has had it.
Nadine is a jerk to everyone around her, and yet we're sympathetic with her all the way. We can see she's just in a lot of pain and hasn't figured out how to get out of her own head. The one person who seems to be able to get through is her teacher Mr. Bruner (Woody Harrelson), who mostly acts annoyed anytime she interrupts him during lunch to let her know her latest angst.
This is a star-making tour-de-force by Steinfeld, who first made audiences take notice as the girl in the Coen Brothers' True Grit. She's had decent roles in films like Begin Again, Ender's Game, 3 Days to Kill, and Pitch Perfect 2. This is the film that announces she's arrived.
Monday, November 28, 2016
Moana is #1 at box office
For the weekend of November 25-27, 2016, Disney's Moana was able to overcome the Potterverse and claim the #1 spot for Thanksgiving weekend. Its five-day haul of $81 million means that $150 million domestic is guaranteed, and it'll rule over the next couple weeks, as the first weekend of December is usually one of the biggest box-office drop-offs of the year. It should ultimately be about as successful as Wreck-It-Ralph.
Fantastic Beasts is chugging along nicely. It has already crossed $470 million worldwide.
Of the other new releases, Brad Pitt's WWII movie Allied doesn't look like it'll do as well as previous Pitt WWII movies like Inglourious Basterds and Fury.
Bad Santa 2 is doing about as well as one could expect for a sequel no one wanted, and if they did, they wanted it ten years ago.
Warren Beatty's Rules Don't Apply is a big bomb, even for a movie made cheaply. It was Beatty's first directorial effort since 1998's Bulworth, and maybe audiences didn't really need to go back to Howard Hughes.
Opens December 2
INCARNATE with Aaron Eckhart, Carice van Houten and David Mazouz.
Wednesday, November 23, 2016
Arrival - Movie Review
Starring Amy Adams, Jeremy Renner, Forest Whitaker and Michael Stuhlbarg.Written by Eric Heisserer.
Directed by Denis Villenueve.
★★★★
Denis Villenueve (Incendies, Prisoners, Enemy, Sicario) is quickly becoming one of my must-see directors. Actually, he's already there. I'm excited for where he could go.
This film is about an alien invasion of Earth, but it's really about Dr. Louise Banks (Amy Adams). In the beginning we watch her with her daughter. We watch her daughter grow to be a teenager and then die from disease. The next time we see Louise, we see the sadness in her eyes, and we see the semi-lonely existence she's carved out for herself as a college linguistics professor. But as she goes to teach, most of her class is gone. Why? There's been an invasion.
Due to previous work she'd done for the government, Louise is at the top of the list for the military to seek as a linguistic expert. The aliens are making sounds, and they want her to determine if Earthlings can somehow communicate with them.
The movie takes a slow, reverant approach to the reveal of the aliens. (I'm really glad the previews never spoiled what they fully look like.) Once she sees them, she goes through the process of trying to figure out how they communicate.
The movie is about the process, about finding common trends or signals in order to establish communication. There are 12 alien ships hovering over different parts of the globe. Each country that has one is trying to determine the best course of action. Should we preemptively strike in case their intentions are malevolent?
This movie is the antidote to Independence Day: Resurgence's summer stupidity. It's smart sci-fi that you hear about from time to time.
Sunday, November 20, 2016
'Fantastic Beasts' Devours the Box Office
For the weekend of November 18-20, 2016, the Potterverse still has some juice. The semi-prequel Fantastic Beasts & Where to Find Them opened to $75 million here and is already above $200 million worldwide. Pretty good for the Rogue One of the wizarding world. (If you go by per-screen average, it opened about as well as Harry Potter & the Order of the Phoenix.)
The other wide new releases should have chosen a different weekend. The Edge of Seventeen is getting fantastic reviews, but it probably would have been better off waiting a couple weeks or until March. Bleed for This can join Hands of Stone in letting Hollywood know there's no real audience for true-story boxing movies right now.
Billy Lynn's Long Halftime Walk had a moving trailer, but brutal reviews sunk whatever it was aspiring to be.
In limited release, Manchester by the Sea did great while Nocturnal Animals did okay.
Opens November 23
MOANA with the voices of Dwayne Johnson, Auli'i Cravalho and Alan Tudyk.
ALLIED with Brad Pitt, Marion Cotillard, Jared Harris and Matthew Goode.
BAD SANTA 2 with Billy Bob Thornton, Kathy Bates and Tony Cox.
RULES DON'T APPLY with Warren Beatty, Lily Collins and Alden Ehrenreich.
Tuesday, November 15, 2016
Doctor Strange - Movie Review
Starring Benedict Cumberbatch, Chiwetel Ejiofor, Rachel McAdams, Tilda Swinton, Mads Mikkelsen, Benedict Wong, Michael Stuhlbarg and Benjamin Bratt.
Written by Jon Spaihts, Scott Derrickson & C. Robert Cargill.
Directed by Scott Derrickson.
★★★
The Marvel Cinematic Universe is like the most expensive binge-worthy series. Iron Man was just the first two episodes. And in a way, it's like the reverse Orange Is the New Black. Instead of meeting everyone and then getting their backstory, every other episode is an origin story, and we know they'll mingle with other cast members later. Like after the credits.
This time around we meet Dr. Steven Strange, a brilliant, arrogant surgeon whose hands get screwed up in an auto accident. He seeks every possible method of surgical healing, but in a moment of desperation, he goes East to pursue more mystical methods. There he meets the Ancient One (a Tibetan monk in the comics, but to make the movie more palatable for China, he's been changed to a Celtic one). Tilda Swinton plays the Ancient One, and she elevates every scene she's in.
It's one of the funnier entries in the MCU, and it would have to be since it's full of magic and bending reality and interdimensional travel. The visuals are great. Very reminiscent of Inception, but it feels like it's its own thing.
I also enjoyed his sentient cape. Reminded me of the magic carpet from Aladdin.
Written by Jon Spaihts, Scott Derrickson & C. Robert Cargill.
Directed by Scott Derrickson.
★★★
The Marvel Cinematic Universe is like the most expensive binge-worthy series. Iron Man was just the first two episodes. And in a way, it's like the reverse Orange Is the New Black. Instead of meeting everyone and then getting their backstory, every other episode is an origin story, and we know they'll mingle with other cast members later. Like after the credits.
This time around we meet Dr. Steven Strange, a brilliant, arrogant surgeon whose hands get screwed up in an auto accident. He seeks every possible method of surgical healing, but in a moment of desperation, he goes East to pursue more mystical methods. There he meets the Ancient One (a Tibetan monk in the comics, but to make the movie more palatable for China, he's been changed to a Celtic one). Tilda Swinton plays the Ancient One, and she elevates every scene she's in.
It's one of the funnier entries in the MCU, and it would have to be since it's full of magic and bending reality and interdimensional travel. The visuals are great. Very reminiscent of Inception, but it feels like it's its own thing.
I also enjoyed his sentient cape. Reminded me of the magic carpet from Aladdin.
Sunday, November 6, 2016
Hacksaw Ridge - Movie Review
Starring Andrew Garfield, Sam Worthington, Vince Vaughn, Luke Bracey, Teresa Palmer, Hugo Weaving and Rachel Griffiths.
Written by Andrew Knight & Robert Schenkkan.
Directed by Mel Gibson.
★★★½
I wish Mel Gibson wasn't so messed up in his personal life, because he is one talented director.
This is the true story of Desmond Doss (Andrew Garfield), a WWII medic who was also a conscientious objector and refused to carry a weapon during war. We see Doss join the army, wanting to serve, but he also faces resistance and abuse when he goes through basic training and will not pick up a rifle.
His drill sergeant (Vince Vaughn) wants him to quit. His captain (Sam Worthington) wants him to quit. But Doss endures everything they throw at him, even the threat of court-martial. He refuses to quit, and he refuses to touch a weapon.
The second half of the movie deals with the title. Hacksaw Ridge is the landing point for his company's participation in the Battle of Okinawa. The battle scenes are as intense and gory as anything from Saving Private Ryan or Fury. As men are torn to pieces by bullets and bombs, Doss hops from trench to trench, tending the wounded and saving lives.
This movie hits all of the feel-good notes, but I don't see how it could work if we didn't buy Doss, and Garfield does a wonderful job as a man with sincere beliefs and an aw-shucks goodness about him. It's a performance that never feels forced, never gets cloying. There's a lot of good support in here. I haven't enjoyed a Vince Vaughn role like this in years. Hugo Weaving probably has the most to work with, as Desmond's WWI-vet father who's become an alcoholic wracked with survivors remorse. Teresa Palmer brings an earthy sweetness to Dorothy, Desmond's bride-to-be.
(It's amusing to me that this American story is full of Australians in the cast. Of the major roles, only Garfield and Vaughn are American, and Garfield grew up in the UK.)
Feels nice in these troubled times to be able to celebrate someone's heroism.
Written by Andrew Knight & Robert Schenkkan.
Directed by Mel Gibson.
★★★½
I wish Mel Gibson wasn't so messed up in his personal life, because he is one talented director.
This is the true story of Desmond Doss (Andrew Garfield), a WWII medic who was also a conscientious objector and refused to carry a weapon during war. We see Doss join the army, wanting to serve, but he also faces resistance and abuse when he goes through basic training and will not pick up a rifle.
His drill sergeant (Vince Vaughn) wants him to quit. His captain (Sam Worthington) wants him to quit. But Doss endures everything they throw at him, even the threat of court-martial. He refuses to quit, and he refuses to touch a weapon.
The second half of the movie deals with the title. Hacksaw Ridge is the landing point for his company's participation in the Battle of Okinawa. The battle scenes are as intense and gory as anything from Saving Private Ryan or Fury. As men are torn to pieces by bullets and bombs, Doss hops from trench to trench, tending the wounded and saving lives.
This movie hits all of the feel-good notes, but I don't see how it could work if we didn't buy Doss, and Garfield does a wonderful job as a man with sincere beliefs and an aw-shucks goodness about him. It's a performance that never feels forced, never gets cloying. There's a lot of good support in here. I haven't enjoyed a Vince Vaughn role like this in years. Hugo Weaving probably has the most to work with, as Desmond's WWI-vet father who's become an alcoholic wracked with survivors remorse. Teresa Palmer brings an earthy sweetness to Dorothy, Desmond's bride-to-be.
(It's amusing to me that this American story is full of Australians in the cast. Of the major roles, only Garfield and Vaughn are American, and Garfield grew up in the UK.)
Feels nice in these troubled times to be able to celebrate someone's heroism.
Doctor Strange is #1 at box office
For the weekend of November 4-6, 2016, the Marvel Cinematic Universe is still going strong. Doctor Strange opened at about the same number as Thor: The Dark World. Sometimes it feels like the MCU is the world's most expensive binge-watch show. Just watch them in chronological order, with Iron Man, Incredible Hulk (pretend it's Ruffalo), Iron Man 2, Thor, Captain America, Avengers, Iron Man 3, Thor 2, Captain America: Winter Soldier, Guardians of the Galaxy, Avengers 2, Ant-Man, Captain America: Civil War, and then Doctor Strange. (And then you know, coming soon will be Guardians 2, Spider-Man: Homecoming, Thor 3, Black Panther, Avengers 3, Ant-Man 2, Captain Marvel, Avengers 4...)
Despite this competition, the animated Trolls movie did well in its own right. This left Hacksaw Ridge to be the outside new release that suffered.
Moonlight is continuing to soar. Another Oscar-bait movie, Loving, did well.
Opens November 11
ARRIVAL with Amy Adams, Jeremy Renner and Forest Whitaker.
BILLY LYNN'S LONG HALFTIME WALK with Joe Alwyn and Kristen Stewart.
ALMOST CHRISTMAS with Gabrielle Union, Danny Glover and Mo'Nique.
SHUT IN with Naomi Watts, Jacob Tremblay, Charlie Heaton and Oliver Platt.
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