Starring Matilda Lutz, Alex Roe, Johnny Galecki, Vincent D'Onofrio and Aimee Teegarden.
Written by David Loucka, Jacob Estes & Akiva Goldsman.
Directed by F. Javier Guitierrez.
★
Few things are more frustrating than watching a sequel and knowing - knowing! - that you yourself could have written a better story.
This is basically The Ring 3. Samara is still having her video passed around, but now in a world where people can copy and send MPEGs instead of VHS tapes.
It commits the cardinal sin of horror films. It is never at any point scary. It goes through the motions people jumping when they don't notice someone behind them and whatnot, but it's like no one involved knows why that's scary. It has the feel of watching a live sitcom where the expected laugh-track is broken. This is a horrorcom that pauses for screams that never come. It even has a "twist" that it gives away half an hour before we get to the reveal.
The acting is terrible, the direction is unimaginative, and it's a real shame that they'd take a franchise with potential like this and kill it.
Sunday, May 14, 2017
Tuesday, May 9, 2017
Guardians of the Galaxy Vol. 2 is #1
For the weekend of May 5-7, 2017, Guardians of the Galaxy Vol. 2 was the easy, obvious winner. It out-opened the original one by a significant margin, and the MCU just keeps rolling out the hits. We're now 15 movies in, and the only one that wasn't profitable was the Edward Norton-led Incredible Hulk in 2008. GotG2 was the fifth-highest opener for the MCU, behind only Avengers 1 & 2, Iron Man 3, and Captain America: Civil War.
Beauty & the Beast and The Fate of the Furious have both grossed over $1.1 billion worldwide.
Opens May 12
SNATCHED with Amy Schumer, Goldie Hawn, Ike Barinholtz and Joan Cusack.
KING ARTHUR with Charlie Hunnam, Jude Law, Eric Bana and Astrid Berges-Frisbey.
Wednesday, May 3, 2017
Summer 2017 Box Office Predictions
Another summer of big-budget blockbuster sequels, remakes and spinoffs! Here's how I see the summer going with domestic grosses.
1. SPIDER-MAN: HOMECOMING (7/7) - $470 million - As long as it's good, it'll be huge. It's been only three years since the disappointing Amazing Spider-Man 2, but now with a younger Spidey who's part of the official MCU, complete with Iron Man as his co-star, I see this being the biggest winner, as much as any Avengers movie.
2. GUARDIANS OF THE GALAXY 2 (5/5) - $400 million - Oh look, another huge comic-book movie. Most of the reviews seem to be "as good or almost as good as the first one" which is usually the best a sequel can hope for. (The Dark Knight is a unicorn.) Someday a Disney/Marvel flick will flop. BUT NOT THIS DAY.
3. DESPICABLE ME 3 (6/30) - $355 million - The first two were huge, and Minions spinoff was even bigger. There's always one animated film that rises above the others, and I see this one as the most likely.
4. WONDER WOMAN (6/2) - $225 million - I'm betting on this being the first good DC movie since it became Zack Snyder's universe. And ironically I don't see it making as much as disappointments like Batman v. Superman and Suicide Squad, but it'll show itself to be a step in the right direction. If this movie sucks, I see some heads rolling.
5. TRANSFORMERS: THE LAST KNIGHT (6/23) - $210 million - People keep seeing these nmovies, so they keep getting made. Is there something special about this script that tricked Anthony Hopkins into joining the cast?
6. PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (5/26) - $184 million - Johnny Depp's star power has taken a hit lately, with big flops (Mortdecai, Alice Through the Looking Glass) and the allegations he abused his ex-wife Amber Heard. I think it helps this movie's chances that Javier Bardem looks like a formidable villain.
7. CARS 3 (6/16) - $178 million - It looks like it's going to take a wildly different direction that the spy caper that was Cars 2. A final trailer for it should drop this week that lays out the story more, but the basics are that Lightning McQueen (Owen Wilson) gets into an accident and realizes he's having a hard time keeping up with the younger racing cars.
8. WAR FOR THE PLANET OF THE APES (7/14) - $156 million - I don't see this being quite as big as the first two, but it also feels like the completion of the Caesar trilogy. Once again, none of the humans from the previous film return, but the supporting apes (Cornelia, Rocket, Blue Eyes, etc.) are all still there.
9. THE MUMMY (6/9) - $148 million - Tom Cruise is a good beginning for an anticipated Monster Cinematic Universe. This will tie to Johnny Depp as the Invisible Man (in development), and presumably Dracula and Frankenstein will eventually join them.
10. DUNKIRK (7/21) - $140 million - WWII dramas are generally reliable, but with director Christopher Nolan attached, I expect this to be an event. Nolan faves Tom Hardy (Bane) and Cillian Murphy (Scarecrow) star with Kenneth Branagh, Mark Rylance and Harry Styles. Yes, THAT Harry Styles. This is also the first movie on the list that isn't a sequel/spinoff/remake.
11. THE EMOJI MOVIE (7/28) - $120 million - Hey, if the Angry Birds movie can make over $100 million, why can't this, with slightly more timely characters? It has four weeks of space after Despicable Me 3, and you have to either be really original (Kubo & the Two Strings) or really bad (Ice Age 5) to be an animated movie in summer and not make money.
12. BAYWATCH (5/26) - $118 million - Dwayne Johnson is a hit machine. It continues the trend of taking old TV shows and turning them into raunchy R-rated comedies, and for every 21 Jump Street, we get a CHiPs, but this looks like it'll work. The Rock and Zac Efron look like they have good chemistry.
13. ALIEN: COVENANT (5/19) - $115 million - While Prometheus may have disappointed some people, this looks like it's getting back to its vicious roots. My only fear is it looks a little too much like the original, and one thing that worked about the original is that it was a true ensemble and it wasn't clear that Ripley was the main character until after the captain died. From the trailers I already feel like I know who's left alive at the end of the movie.
14. ROUGH NIGHT (6/16) - $101 million - I see this attempt to find the Bad Moms audience as a successful one. Scarlett Johansson, Kate mcKinnon, Zoe Kravitz and Jillian Bell are a group of friends having a bachelorette party when they accidentally kill their male stripper. Hijinks ensue.
15. THE HOUSE (6/30) - $100 million - Will Ferrell and Amy Poehler play a couple with money problems who decide to open an illegal casino in their basement.
16. THE DARK TOWER (8/4) - $95 million - I think there are enough fans of the books that this should do okay, though I'm gathering fans are really divided by the trailer. (Felt a lot more sci-fi than I thought the first movie should.)
17. CAPTAIN UNDERPANTS (6/2) - $94 million - Haven't seen much advertising for this, but it is the first animated movie of the summer, so it should have a decent opening regardless of quality.
18. ANNABELLE: CREATION (8/11) - $77 million - Hated the first one, but the marketing for this has been smart. I see it being like Ouija 2 where the sequel is a vast improvement over the predecessor.
19. ATOMIC BLONDE (7/28) - $72 million - Charlize Theron kicking butt. That's not a guaranteed hit formula, but it looks like the movie's taking the right approach.
20. SNATCHED (5/12) - $70 million - I used to think this would do better, but there seems to be this backlash against Amy Schumer right now.
Other Notable Releases:
ALL EYEZ ON ME (6/16) - The Tupac Shakur bio.
BABY DRIVER (6/30) - Snazzy preview but looks too niche to do much better than The Nice Guys.
DETROIT (8/4) - Kathryn Bigelow's hotbed drama about the 1967 Detroit Riots could be a surprise hit.
GIRLS TRIP (7/21) - Another entry in the Bad Moms/Rough Night genre, this one starring Regina Hall and Jada Pinkett Smith.
THE HITMAN'S BODYGUARD (8/18) - Ryan Reynolds is the bodyguard of Samuel L. Jackson's hitman. Mother-effin hijinks ensue.
KING ARTHUR: LEGEND OF THE SWORD (5/12) - Been hearing this is a mess, so I'm going to guess it doesn't crack the top 20.
VALERIAN & THE CITY OF 1000 PLANETS (7/21) - Looks like a gloriously expensive bomb. But I'm rooting for it.
Horror Flicks:
47 METERS DOWN (6/16) - This year's The Shallows.
AMITYVILLE: THE AWAKENING (6/30) - It's been in the can for three years, so I don't have much faith in it being good.
IT COMES AT NIGHT (6/9) - Thriller looks like it's about paranoia but there might actually be something out there.
POLAROID (8/25) - Don't know anything about it but it's opening in the Don't Breathe slot.
WISH UPON (7/14) - Joey King (The Conjuring) finds a box that grants wishes but things start to go horribly awry.
Tuesday, May 2, 2017
Furious still #, Latin Lover #2
For the weekend of April 28-30, 2017, The Fate of the Furious had another big drop, but no new release was going to touch it. It's already passed $1 billion worldwide.
Of the new releases, the biggest hit has to be Baahubali 2, with a per-screen average that tentpole releases would pray for on opening weekend. The first one made $6.7 million in the US in 2015, decent for an India release in the US, but word-of-mouth in the right markets helped propel this to a bonafide hit.
How to Be a Latin Lover succeeded by putting Mexican star Eugenio Derbez (Instructions Not Included) with a name supporting cast (Salma Hayek, Kristen Bell, Rob Lowe). Niche titles tend to do well in these dead spaces the week before a big title opens.
On paper, any movie that starred Tom Hanks (Sully), Emma Watson (Beauty & the Beast), John Boyega (The Force Awakens), Bill Paxton (in one of his final roles), etc., should be successful, right? Especially with a critically-acclaimed director in James Ponsolt (The Spectacular Now, The End of the Tour) making his first mainstream movie. But after lukewarm reactions to the trailer, it looks like the studio knew they had a dud on their hands and dumped it here without screening it for critics. (It's currently at 16% on RottenTomatoes).
Beauty & the Beast is now the 13th highest grossing movie of all time. It should pass Captain America: Civil War for 12th place sometime next week.
Opens May 5
GUARDIANS OF THE GALAXY 2 with Chris Pratt, Zoe Saldana and Dave Bautista.
Beauty & the Beast - Movie Review
Starring Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Ian McKellen, Emma Thompson, Stanley Tucci, Audra McDonald and Gugu Mbatha-Raw.Written by Stephen Chbosky & Evan Spiliotopoulos.
Directed by Bill Condon.
★★★
This movie for the most part balanced that fine line between being faithful to the original but finding parts where it can be its own thing. If anything, it's too faithful to the original, so that variances stuck out more.
Emma Watson is Belle, our French bookworm who longs for adventure. Dan Stevens is the Beast, a spoiled prince living in a cursed castle. One element they added that I appreciated was an explanation on why the townspeople didn't seem to know about this castle or this alleged prince.
The "Be Our Guest" number was a highlight, no small thanks to Ewan McGregor's capable vocals. Luke Evans as Gaston does the best among the human actors.
Sunday, April 23, 2017
The Fate of the Furious - Movie Review
Starring Vin Diesel, Dwayne Johnson, Charlize Theron, Jason Statham, Michelle Rodriguez, Kurt Russell, Tyrese Gibson, Chris "Ludacris" Bridges, Scott Eastwood, Nathalie Emmanuel, Kristofer Hivju, Elsa Pataky, Luke Evans and Helen Mirren.Written by Chris Morgan.
Directed by F. Gary Gray.
★★
These movies are now so loud, so huge, so spectacular, so stunt-reliant, the plot matters less and less each time. Maybe the plot never mattered. They're dangerously close to venturing into Tranformers territory. Would it surprise anyone if this franchise wound up going to space?
This centers around Dom (Vin Diesel) who's been a criminal since the first movie, but he keeps getting pardoned for weird reasons, or just on the lam with no official desire to bring him in. The latest giant international incident that's worthy of a Mission Impossible movie has the world's most dangerous cyberterrorist Cipher (Charlize Theron) blackmailing Dom into helping steal the God's Eye device (the high-tech thingy from the last movie that allows the user to see what's going on at any location on Earth), and once she has that, she's going to use to steal nuclear codes.
It's a late reveal what leverage Cipher has on Dom, but you know, not only do people die over the course of events, but he's giving her the power to start World War III. What possible leverage would make Dom do that?
Mr. Nobody (Kurt Russell) enlists Hobbs (Dwayne Johnson) and Dom's crew to stop Cipher, and he even gets Deckard Shaw (Jason Statham), the main villain from the last movie, to help them out. Now this franchise likes to say it's about family. Han was part of the family for a few movies, and in Furious 7, Deckard killed Han. Killed him. And no one brings it up. Han's name is never said. By the end of the movie, Deckerd is embraced as a full member of the crew.
He killed Han!
I'll give you Dom not once but twice driving a car that's engulfed in flames and not getting a single burn, or Dom outdriving a heat-seeking missile, but you can't just have everyone forget that Deckard killed one of their members.
I suppose in the next movie, Cipher will return and help the crew fight a different villain. And Han will come back from the dead because *shrug emoji*.
Tuesday, April 18, 2017
Fate of the Furious is #1
For the weekend of April 14-16, 2017, The Fate of the Furious was the easy winner. It was the second best opener for the franchise, although well short of Furious 7's $147 million opener. It's already earned over $530 million worldwide and should get to the $1 billion mark. Fast & Furious 9 & 10 are already scheduled to open in April 2019 and April 2021.
No other wide releases this weekend. Everyone wanted to stay away from the Diesel. Next week will feature a bunch of lower budget fare. In fact, I expect F8 of the Furious to stay #1 until Guardians of the Galaxy 2 opens in May.
Opens April 21
UNFORGETTABLE with Rosario Dawson, Katherine Heigl and Cheryl Ladd.
FREE FIRE with Brie Larson, Armie Hammer, Cillian Murphy and Sharlto Copley.
THE PROMISE with Oscar Isaac, Christian Bale and Charlotte le Bon.
PHOENIX FORGOTTEN with Florence Hartigan and Jeanine Jackson.
BORN IN CHINA directed by Chuan Lu.
Monday, April 10, 2017
Ghost in the Shell - Movie Review
Starring Scarlett Johansson, Takeshi Kitano, Juliette Binoche, Michael Pitt, Pilou Asbaek, Chin Han and Danusia Samal.
Written by Jamie Moss, William Wheeler & Ehren Kruger.
Directed by Rupert Sanders.
★★
I remember liking the original, but it's been 20 years, so I didn't have that necessarily bouncing around in my mind the whole time. I couldn't recall much about the story beyond what the trailers already told us.
Scarlett Johansson is Major, a cyborg where her entire body is synthetic except for her brain. (This concept feels more close to being a reality than in it did just a couple decades ago.) Major is now used as a super-soldier to stop criminals and cyber-terrorists. But it winds up turning into a quest for her to discove her real identity.
For those going in fresh, this may bring Blade Runner quickly to mind. Although some of the characters' races have been changed, the setting is still downtown Tokyo. In fact, Takeshi Kitano plays the chief Aramaki, and he says all of his lines in Japanese while everyone else says their lines in English, and everyone acts like they understand each other.
I liked the explanation for Major being a person that looks like ScarJo - her shell may be Caucasian, but her brain is Japanese. My main problem with the movie is how instantly forgettable it is. It's all visuals with no soul.
Written by Jamie Moss, William Wheeler & Ehren Kruger.
Directed by Rupert Sanders.
★★
I remember liking the original, but it's been 20 years, so I didn't have that necessarily bouncing around in my mind the whole time. I couldn't recall much about the story beyond what the trailers already told us.
Scarlett Johansson is Major, a cyborg where her entire body is synthetic except for her brain. (This concept feels more close to being a reality than in it did just a couple decades ago.) Major is now used as a super-soldier to stop criminals and cyber-terrorists. But it winds up turning into a quest for her to discove her real identity.
For those going in fresh, this may bring Blade Runner quickly to mind. Although some of the characters' races have been changed, the setting is still downtown Tokyo. In fact, Takeshi Kitano plays the chief Aramaki, and he says all of his lines in Japanese while everyone else says their lines in English, and everyone acts like they understand each other.
I liked the explanation for Major being a person that looks like ScarJo - her shell may be Caucasian, but her brain is Japanese. My main problem with the movie is how instantly forgettable it is. It's all visuals with no soul.
Boss Baby still #1, Smurfs #3
For the weekend of April 7-9, 2017, The Boss Baby won again. I wonder if its success can be credited to appealing to adults who wouldn't begrudge taking their kids to it (how many kids will get a Glengarry Glen Ross reference?), as opposed to Smurfs: The Lost Village, which looks more like kids-only fare.
It managed to hang on to #1 over Beauty & the Beast thanks to adding a handful of screens while Beauty lost a handful.
Going in Style performed about as expected, just a pleasant cliched movie to appeal to seniors.
The Case for Christ scaled back its screen count, but this allowed its per-screen average to look good. It's also one of the few PureFlix titles to score at least 70% at RottenTomatoes.
Your Name made over $300 million overseas but it's getting its US release now.
Opens April 14
FATE OF THE FURIOUS with Vin Diesel, Dwayne Johnson, Charlize Theron and Kurt Russell.
Sunday, April 9, 2017
Life - Movie Review
Starring Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds, Hiroyuki Sanada, Ariyon Bakare and Olga Dihovichnaya.
Written by Rhett Reese & Paul Wernick.
Directed by Daniel Espinosa.
★★★
Yes, Life borrows from many movies that have come before. Gravity, Alien, The Thing, and a dozen other titles. But it's good at what it's doing.
Six people aboard the space station have received some samples from Mars, and within them, they find a dormant organism. It is the first proof of life beyond Earth. Nicknamed "Calvin", the organism grows from microscopic to about the size of a flower until it goes dormant. During this time, we get the wonder of discovery and get to know the people on board.
Once Calvin starts killing people, the movie kicks into high gear. Calvin only gets scarier as he gets bigger, and he feels like a very smart animal determined to kill off anything that would threaten him. It. This sinister plantlike octopus spider thing floating in zero G with everyone else.
It's not as majestic as Gravity or as scary as Alien or as thoughtful as Arrival BUT!... for what it is, it delivers on the thrills and the special effects. I wish it had been more successful at the box office. I would have watched a sequel.
Written by Rhett Reese & Paul Wernick.
Directed by Daniel Espinosa.
★★★
Yes, Life borrows from many movies that have come before. Gravity, Alien, The Thing, and a dozen other titles. But it's good at what it's doing.
Six people aboard the space station have received some samples from Mars, and within them, they find a dormant organism. It is the first proof of life beyond Earth. Nicknamed "Calvin", the organism grows from microscopic to about the size of a flower until it goes dormant. During this time, we get the wonder of discovery and get to know the people on board.
Once Calvin starts killing people, the movie kicks into high gear. Calvin only gets scarier as he gets bigger, and he feels like a very smart animal determined to kill off anything that would threaten him. It. This sinister plantlike octopus spider thing floating in zero G with everyone else.
It's not as majestic as Gravity or as scary as Alien or as thoughtful as Arrival BUT!... for what it is, it delivers on the thrills and the special effects. I wish it had been more successful at the box office. I would have watched a sequel.
Sunday, April 2, 2017
Boss Baby Bests Beauty at Box Office
For the weekend of March 31-April 2, 2017, The Boss Baby was the big winner. It had been tracking to be close with Ghost in the Shell two weeks ago, but it overachieved. Big-studio animation continues to be a cash cow.
Ghost in the Shell might have suffered some last-minute backlash due to the "whitewash" controversy. Taking a popular manga and 1995 animated movie and changing the races of some of the characters from Japanese to Caucasian might have turned some people off. On the other hand, I don't think this movie gets greenlit with this budget unless they had a big name to headline it. Catch 22.
The Zookeeper's Wife went with a smaller opening and managed to best Ghost in the Shell in the per-screen average category.
Beauty & the Beast should cross $400 million domestic tomorrow, and I'd say passing the $1 billion mark worldwide is guaranteed.
Power Rangers had the biggest drop in the top ten. Those who wanted to see it, saw it, and it should plummet quickly in weeks 3, 4 and so on.
Opens April 7
SMURFS: THE LOST VILLAGE with the voices of Mandy Patinkin and Demi Lovato.
GOING IN STYLE with Morgan Freeman, Michael Caine, Alan Arkin and Matt Dillon.
THE CASE FOR CHRIST with Mike Vogel, Faye Dunaway and Robert Forster.
Saturday, April 1, 2017
The Belko Experiment - Movie Review
Starring John Gallagher Jr., Tony Goldwyn, Adria Arjona, John C. McGinley, Melonie Diaz, Michael Rooker, Owain Yeoman, Sean Gunn, Brent Sexton and Josh Brener.
Written by James Gunn.
Directed by Greg McLean.
★★½
This lean, mean movie functions as corporate satire while engaging in Hunger Games shenanigans in a high-rise office building. It is kinda like Office Space meets Battle Royale.
Belko is a US corporation based in Colombia. The workers have tracker chips injected in them in case of kidnapping. The building they work in is a fortress. The movie all takes place over one day, where the 80 workers trapped inside are told by an intercom voice that there are three stages to their day. Stage 1: Kill two people in the next half-hour or four people will die. Spoiler: they don't comply and then four random people have their heads explode. Stage 2: Kill 30 people in the next two hours or 60 of them will die.
You have the normal guy Mike (John Gallagher Jr.) who seems to figure out quicker than everyone else what's going on; you have the business-friendly COO (Tony Goldwyn) who turns things into Lord of the Flies faster than what most of his co-workers prefer, while the movie has 80 people, the movie does a good job of making you feel like you can keep track of where most of them are throughout.
My problem is how predictable the final act was. I'm fine with the contrived setup and the journey, but it's too easy to figure out who the final handful of people are going to be.
Written by James Gunn.
Directed by Greg McLean.
★★½
This lean, mean movie functions as corporate satire while engaging in Hunger Games shenanigans in a high-rise office building. It is kinda like Office Space meets Battle Royale.
Belko is a US corporation based in Colombia. The workers have tracker chips injected in them in case of kidnapping. The building they work in is a fortress. The movie all takes place over one day, where the 80 workers trapped inside are told by an intercom voice that there are three stages to their day. Stage 1: Kill two people in the next half-hour or four people will die. Spoiler: they don't comply and then four random people have their heads explode. Stage 2: Kill 30 people in the next two hours or 60 of them will die.
You have the normal guy Mike (John Gallagher Jr.) who seems to figure out quicker than everyone else what's going on; you have the business-friendly COO (Tony Goldwyn) who turns things into Lord of the Flies faster than what most of his co-workers prefer, while the movie has 80 people, the movie does a good job of making you feel like you can keep track of where most of them are throughout.
My problem is how predictable the final act was. I'm fine with the contrived setup and the journey, but it's too easy to figure out who the final handful of people are going to be.
Monday, March 27, 2017
Beauty & the Beast still #1, Power Rangers #2
For the weekend of March 24-26, 2017, Beauty & the Beast held strong. It's very rare a movie can open that huge and then have less than 50% dropoff in its second week. It looks guaranteed to pass $400 million domestic and getting to $1 billion worldwide is very doable. This movie is about as big as Rogue One. Disney is having an amazing run right now.
Of the new releases, Power Rangers did the best. Strong opening, justifies a sequel.
Life couldn't overcome it looking like an Alien ripoff, despite some star power. It baffles me why the final TV ads for the movie shows one of the movie stars getting killed.
CHiPS bombed. Maybe there's a limit on making R-rated romps out of harmless 1970's TV fare. I don't think we can expect an R-rated Little House on the Prairie anytime soon.
Opens March 31
GHOST IN THE SHELL with Scarlett Johansson, Juliette Binoche and Takeshi Kitano.
THE BOSS BABY with the voices of Alec Baldwin, Lisa Kudrow and Steve Buscemi.
THE ZOOKEEPER'S WIFE with Jessica Chastain, Daniel Bruhl and Johan Heldenbergh.
Monday, March 20, 2017
I Don't Feel at Home in this World Anymore - Netflix Review
Starring Melanie Lynsky, Elijah Wood, Jane Levy, David Yow, Devon Graye, Gary Anthony Williams, Christine Woods, Robert Longstreet, Derek Mears, Lee Eddy and Macon Blair.
Written & directed by Macon Blair.
★★★
This Sundance entry went straight to Netflix, but that's not a bad sign. Netflix is a good home for quirky fare that might be hard to market on big screens.
The film centers on Ruth (Melanie Lynsky), a normal woman who's getting just a little bit fed up with how people are jerks. Then when her house is broken into, she decides to take matters into her own hands to solve it. She enlists the help of her quirky neighbor Tony (Elijah Wood), and the two set out to find her stuff.
The movie does a good job of balancing humor with the darker and darker waters in which it treads. Ruth and Tony meet more and more dangerous people the more they look, but it's all handled in a believable way. And it builds to a genuinely tense third act.
Most indies, people don't see them until they get to DVD/Netflix/HBO, etc., so it's nice that Netflix is able to be a player in the market to pick up titles like this. Between this and I Am Not a Serial Killer and Hush, Netflix is showing it can be good for low-budget genre fare.
Sunday, March 19, 2017
Beauty & the Beast sets March box-office record
For the weekend of March 17-19, 2017, Beauty & the Beast had the largest March opening of all time and actually the seventh largest opening of any month ever. When final numbers come out it could slip behind the $169.18 million set by the final Harry Potter movies. (Emma Watson can now claim she is in two of the ten highest openers of all time.) It's the highest opening ever for a non-sequel. It's the highest opening ever for a PG movie.
The Belko Experiment was an after-thought on 1341 screens.
Logan and Kong: Skull Island had expected drops, when facing such a juggernaut.
La La Land dropped 70%, finally out of the top ten.
Opens March 24
POWER RANGERS with Naomi Scott, RJ Cyler, Elizabeth Banks and Bryan Cranston.
LIFE with Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds and Hiroyuki Sanada.
CHIPS with Dax Shepard, Michael Pena, Jessica McNamee and Vincent D'Onofrio.
Thursday, March 16, 2017
Kong: Skull Island - Movie Review
Starring Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman, John C. Reilly, Tian Jing, Corey Hawkins, John Ortiz, Jason Mitchell, Toby Kebbell, Thomas Mann, Shea Whigham, Eugene Cordero, Marc Evan Jackson, Terry Notary and Richard Jenkins.
Written by Dan Gilroy, Max Borenstein & Derek Connolly.
Directed by Jordan Vogt-Roberts.
★★★
This is like a Jurassic World sequel in a good way. Assemble the crew, get them to the island, and then let the monster-movie hijinks ensue!
It's 1973. Vietnam is winding down. John Goodman gets things rolling as the man who's seen satellite photos of the mysterious Skull Island and wants to lead the expedition. He gets funding from a skeptical senator (Richard Jenkins). He finds some experts and a military escort to go with him. This movie actually borrows a lot from Vietnam movies in their looks, sound, and feel. Particularly Apocalypse Now. They have to helicopter through a severe storm just to get to the island.
They don't know what they'll find, but they're greeted by King Kong. Kong is the star of the show. He knocks their helicopters down and the survivors are forced to scramble and make their way to a rendezvous point on the other side of the island in three days. Along the way they meet a lot of other fantastical creatures. (I'm okay with a giant spider, but why was there only one giant spider?) They also meet a WWII pilot (John C. Reilly) who's been stranded there for 27 years.
Oscar-winner Brie Larson plays a photojournalist, Tom Hiddleston is top-billed as a survivalist/tracker, Samuel L. Jackson is the colonel who turns into Ahab after Kong kills so many of his men. It's a true ensemble effort. Straight Outta Compton's Corey Hawkins and Jason Mitchell are here, as two very different characters.
Bring on Kong v. Godzilla!
Written by Dan Gilroy, Max Borenstein & Derek Connolly.
Directed by Jordan Vogt-Roberts.
★★★
This is like a Jurassic World sequel in a good way. Assemble the crew, get them to the island, and then let the monster-movie hijinks ensue!
It's 1973. Vietnam is winding down. John Goodman gets things rolling as the man who's seen satellite photos of the mysterious Skull Island and wants to lead the expedition. He gets funding from a skeptical senator (Richard Jenkins). He finds some experts and a military escort to go with him. This movie actually borrows a lot from Vietnam movies in their looks, sound, and feel. Particularly Apocalypse Now. They have to helicopter through a severe storm just to get to the island.
They don't know what they'll find, but they're greeted by King Kong. Kong is the star of the show. He knocks their helicopters down and the survivors are forced to scramble and make their way to a rendezvous point on the other side of the island in three days. Along the way they meet a lot of other fantastical creatures. (I'm okay with a giant spider, but why was there only one giant spider?) They also meet a WWII pilot (John C. Reilly) who's been stranded there for 27 years.
Oscar-winner Brie Larson plays a photojournalist, Tom Hiddleston is top-billed as a survivalist/tracker, Samuel L. Jackson is the colonel who turns into Ahab after Kong kills so many of his men. It's a true ensemble effort. Straight Outta Compton's Corey Hawkins and Jason Mitchell are here, as two very different characters.
Bring on Kong v. Godzilla!
Kong: Skull Island gets $61 million
For the weekend of March 10-12, 2017, Kong: Skull Island exceeded expectations. Final numbers have it over $61 million domestic.
Many of the holdovers did positive business. Logan's drop of 56.9% is pretty good for a movie that opened that high. Get Out only went down 26.5% in its third week and has now outperformed Fifty Shades Darker domestically.
Opens March 17
BEAUTY & THE BEAST with Emma Watson, Dan Stevens, Luke Evans and Josh Gad.
THE BELKO EXPERIMENT with John Gallagher Jr., Tony Goldwyn and John C. McGinley.
Tuesday, March 7, 2017
Logan gets $88 million
For the weekend of March 3-5, 2017, Logan opened huge. Deadpool and Logan have shown you can still have a blockbuster superhero movie if you're rated R. (If your production budget is half of what you'd spend on Spider-Man).
Also newsworthy is how Get Out only slid -15% in its second week. To have any movie do that in March is almost unheard of.
The Shack has to be happy, demonstrating modest Christian-themed movies can still find audiences. Before I Fall never really found its marketing hook.
Table 19 is another example of how Anna Kendrick isn't really much of a draw outside of Pitch Perfect movies.
Opens March 10
KONG: SKULL ISLAND with Tom Hiddleston, Samuel L. Jackson and Brie Larson.
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